Tyler Perry is celebrating his box office victory from this weekend, which ushered in the $27.6 million debut of “Boo! A Madea Halloween,” telling TheWrap on Sunday, “I’m having a pretty good day.”
The comedy sequel, featuring Perry as his famously reactive grandmotherly character, opened at No. 1, and the film had enough momentum to unseat Paramount’s “Jack Reacher: Never Go Back” — which was originally pegged as the weekend’s top movie.
“I still have issues getting screens in white neighborhoods believe it or not,” he said. “I think the numbers could have been bigger had people who are in the white suburbs had the option to go to their own theaters to see it. It’s something I’ve been dealing with for many many years.”
Perry pointed out that Paramount’s Tom Cruise action sequel, which ultimately settled into second place to the latest “Madea” comedy, opened on far more movie screens. “All I know is, I have 1,500 less screens than ‘Jack Reacher,'” said the filmmaker, who wrote, directed and, of course, starred in “Boo! A Madea Halloween.”
Indeed, “Reacher” opened on 3,780 screens while “Madea,” which proved to have crossover appeal according to Lionsgate exit polling, debuted in only 2,260 locations.
“Boo! A Madea Halloween” stood out from the rest of Perry’s popular comedy series in that it attracted a much more diverse audience.
Sixty percent of “Madea” movie audiences this weekend were African American and the other 40 percent were Caucasian, Asian and Latino, the studio reported. In the past, the series attracted mostly black audiences — around 80 to 90 percent, typically, according to Lionsgate.
The film also over-performed, beating all estimates that were put forth earlier last week — by roughly $10 million.
Lionsgate, aware of Perry’s comments, told TheWrap that they stand by their decision to launch the film in less than 3,000 theaters.
The studio cited the company’s goal to maximize revenue and emphasized that this weekend’s results for Perry’s latest film speak for themselves, adding that the film’s wide release is in line with many other Perry films — many of them hits — released by the studio, and that the opening is also in line with the releases of other movies in similar genres.
At the end of the day, Perry is happy his audience is expanding. “I think that it’s just broadening on its own organically, which is really amazing,” he said.
This weekend’s over-performance may also serve as food for thought for his next “Madea” film, which Perry said will have “more international appeal.”
“Brendan O’Carroll does a character called Mrs. Brown, which is huge in Europe. I’m working very closely with him. I’m putting a movie together for the two of us — Mrs. Brown and Medea.”
Next stop for Perry: the global stage.
All 11 Tyler Perry Madea Movies Ranked From Worst to Best (Photos)
Tyler Perry’s famous character Madea has appeared in nearly half of his films: a gun-toting, “Hallelu-yer”-shouting force of nature, and an outrageous drag tribute to his mother and aunt. But some movies in the Madea Cinematic Universe are gleefully manic, while others arrive in what appears to be a half-finished state of sad melodrama and mediocrity. Not counting her cameo in “Meet the Browns," or "Madea’s Tough Love," here's our favorite Madea mayhem:
11. "Madea's Witness Protection" (2012)
This was the second-highest-grossing Madea movie to date, but it came along at a time when Perry was making minor noise about retiring the character, and it shows. The film looks cheap even by Perry’s budget-minded standards, the jokes are flat, and the director appears tired of the role, having almost no comic rapport with co-star Eugene Levy.
Lionsgate
10. "Madea's Family Reunion" (2006)
The follow-up to Madea’s debut in “Diary of a Mad Black Woman,” this movie proves that less Madea screen time means less entertainment. A dramatic abusive-fiancé storyline dominates the film, as do side characters’ preparations for a wedding and family reunion. Madea’s presence is limited to dispensing homespun wisdom to young Keke Palmer, a now-infamous line about shooting Tupac for a parking space, and the delivery of Oprah Winfrey’s “All my life I had to fight…” speech from “The Color Purple."
Lionsgate
9. "Boo 2! A Madea Halloween" (2017)
The first one made money, so Madea gets to be scared stupid all over again in a sequel so sluggish and haphazardly thrown together that it makes the first one seem like classic comedy by comparison. Madea spends most of the film sitting in a Cadillac and having her most florid swears awkwardly dubbed into softer versions.
Chip Bergman/Lionsgate
8. "A Madea Family Funeral" (2019)
Perry says this is the last Madea movie, and maybe it's time if this inert effort is all he can muster for his signature comic creation. Madea tends to do a lot of sitting around in this one -- a dramedy about infidelity and sudden death -- mocking the stupidity of those around her or dispensing old-fashioned life advice. Missing is her trademark wildness, her willingness to ignore all social convention and sense of decency, replaced by sedentary -- but often still quite funny -- one-liners. Come back when you're feeling it again, Madea.
7. "I Can Do Bad All By Myself" (2009)
The ratio of Madea to melodrama is sadly unbalanced in this near-musical about a troubled nightclub singer (Taraji P. Henson) and her struggle to get by, all while having to deal with caring for her recently orphaned niece and nephews. Madea drops into odd moments here and there for comic relief, but the real reasons to watch are Henson’s moving performance and Mary J. Blige showing up to knock the title song out of the park.
Lionsgate
6. "Boo! A Madea Halloween" (2016)
Chris Rock delivered a readymade name for this dare of a movie in “Top Five”; otherwise it would rightly be called “Madea Scared Stupid.” This time around, she chases her nephew’s rebellious teenage daughter from a fraternity Halloween party to a fake haunted house, battling a gauntlet of zombies, trendy murder-clowns, idiotic frat boys, and slasher movie set-ups. Our heroine tumbles extravagantly down staircases, babbles incoherently, and twerks to a Tyga track. In other words, it delivers pretty much what you expected when you bought a ticket.
Lionsgate
5. "A Madea Christmas" (2013)
Christmas needs saving, and it’s Madea to the rescue. Why it needs saving is irrelevant, but it involves a mean corporation, Larry the Cable Guy, and Lisa Whelchel from “The Facts of Life.” The solution involves Madea donning a Mrs. Claus outfit and laying waste to everyone who gets in the way of her Wonderful Life. She fights the KKK, ties up a misbehaving child with Christmas lights, and calls at least one person a “Satanic loudmouth diarrhea woman,” before going full-on anti-Linus and recounting a bizarrely backward Nativity story. Christmas crisis averted with antics, bringing much-needed chaos to a character whose energy seemed to be flagging.
Lionsgate
4. "Diary of a Mad Black Woman" (2005)
Perry introduced Madea to film audiences with a chainsaw, a “Mommie Dearest” gag about wire hangers, and a heavy dose of Bugs Bunny–style chaos, all in the strange service of an otherwise serious melodrama about marital discord and domestic abuse. When Madea’s tormented granddaughter (Kimberly Elise) winds up on her doorstep after fleeing a horrible husband, Madea helps the young woman with wild advice and a maniac’s zeal for destructive revenge. At one point, co-star Cicely Tyson admonishes Madea: “God takes care of folks better than you can,” to which Madea responds, “God takes too long.”
Lionsgate
3. "Madea Goes to Jail" (2009)
Madea’s criminal history involves a litany of charges including identity theft, insurance fraud, and attempted murder. This time around she defies court-ordered anger management (with Dr. Phil) and mocks her daughter Cora’s peaceful faith in Jesus. Landing in prison after destroying a racist woman’s car, she befriends serial killer Sofia Vergara, battles a predatory inmate, and gets released on a technicality, dancing out of the joint. The highest-grossing Madea film, and the one in which she’s almost conscience-free, as close to pure id as a human being can be without transforming into a cartoon Tasmanian Devil.
Lionsgate
2. "Madea's Big Happy Family" (2011)
The perfect combination of family dysfunction (featuring a solidly moving performance from Loretta Devine as a cancer-stricken mother) and a barnstorming Madea. The matriarch comes on like a tornado as she destroys a fast-food restaurant with both her car and her body, freestyle-lectures Christians on the “prescriptures” in the Bible, handily insults every person who crosses her path, and nearly meets her match when sparring with the wild and wicked Teyana Taylor.
Lionsgate
1. "A Madea Homecoming" (2022)
After years of working within the constraints of the PG-13 rating, the profane side of Madea triumphs, waving a gun, and dispensing edibles from her purse. A family reunion involving her great-grandson's college graduation -- one that brings the usual dose of family conflict, wisely solved by Madea in a late-narrative moment of lucidity -- turns this ensemble comedy into the funniest and best-directed Tyler Perry film since "Madea's Big Happy Family." A welcome -- and wild -- flashback sequence involving young Madea and an end credits mini-documentary crank up the chaos.
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Where does ”A Madea Homecoming“ rank in the Madea Cinematic Universe?
Tyler Perry’s famous character Madea has appeared in nearly half of his films: a gun-toting, “Hallelu-yer”-shouting force of nature, and an outrageous drag tribute to his mother and aunt. But some movies in the Madea Cinematic Universe are gleefully manic, while others arrive in what appears to be a half-finished state of sad melodrama and mediocrity. Not counting her cameo in “Meet the Browns," or "Madea’s Tough Love," here's our favorite Madea mayhem:
Lionsgate
