Showing results for: Catch-22
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‘Rabbit Hole’ Nabs the Top New Show | Chart
Paramount+’s Kiefer Sutherland series moves up into the No. 1 ranking after HBO’s “The Last of Us” ages off the list
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‘Gotham Knights’ Gets a Boost on Breakout New Shows Ranking | Chart
Fan interest in the fate of the CW show seems to be driving demand, despite poor reviews
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Warner CEO David Zaslav Is Having a Terrible, Horrible, No Good, Very Bad Month
WaxWord: The newly minted Hollywood mogul is finding it harder than he thought to balance his charm offensive with the demands of Wall Street
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HBO’s ’The Last of Us’ Holds On to Top Spot for Most In-Demand New Shows | Chart
Maybe not for long, though: Prime Video’s “Daisy Jones” is rising in the rankings
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Why Tom Cruise and Margot Robbie Are Hyping Each Other’s Movies
Are the “Mission: Impossible” and “Barbie” stars promoting theatrical moviegoing or angling for preferential treatment?
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Paramount+ Breaks Out of the Pack of TV’s Most In-Demand New Shows | Chart
“Wolf Pack” joins the lineup of breakout shows alongside “1923,” which displaced Netflix’s “Wednesday” for second place
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How Netflix Could Use the ‘Stranger Things’ Release Strategy to Keep Subscribers | Chart
New data from Whip Media shows that staggered episode releases lead to increased viewer engagement and less churn
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Why Paramount Global Hasn’t Been Snatched Up in Media Consolidation Feeding Frenzy | Analysis
Since Viacom and CBS re-merged three years ago, Shari Redstone’s company has seemed like a prime acquisition target
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Stratagem Studios CEO Says Growing Local Production Talent Is a ‘Responsibility’
Office With a View: “You could put up a stage tomorrow and put a tax credit in place, but to mature your labor… that underpins all the rest,” Michael Cerenzie tells TheWrap
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Emmy Awards: Is the Television Academy Representing Audience Demand? | Charts
Critics and audiences are finally agreeing on standout nominees with “Stranger Things” and “Ted Lasso” leading most in-demand shows
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Disney+’s ‘Obi-Wan Kenobi’ Debuts on List of Most In-Demand New Shows | Chart
HBO Max’s “Our Flag Means Death” holds on to top ranking
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How ‘Everything Everywhere All at Once’ Hit the Indie Box Office Jackpot
Taking in $63 million domestically so far, A24’s biggest hit ever rode its gonzo premise to become the first big indie success of the COVID era
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How the Theatrical Hope of ‘In the Heights’ Burned Bright and Died in Hours (Exclusive Book Excerpt)
“Binge Times,” a new book about the streaming wars, tracks the movie musical’s glamorous theatrical premiere and its streaming death
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Spotify’s Biggest Decision After Joe Rogan-Gate: Whether to Police Its Content
Mo’ money, mo’ problems. Spotify wants to be just a platform for now, but critics say that will need to change
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Fox Had Premiere Week’s Highest-Rated Drama, Comedy and Unscripted Shows
Somebody call 9-1-1 for competitors when they see this “9-1-1” DVR lift
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