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Inside the WME Shake-Up at the Top: ‘It’s All About Power’
Chairman Lloyd Braun is out. Richard Weitz and Christian Muirhead are in. So, what does that all mean? And why is Ari Emanuel smiling?
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Letter From Sundance: A Crisis for Independent Film – Lots of Content, Not Enough Distribution
WaxWord: With theatrical in a state of severe decline, the future of indie and art house film is very much in a state of limbo
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Inside CAA’s $750 Million ICM Acquisition: What the Supersize Hollywood Agency Gains (and What ICM Loses)
Many veteran agents within ICM’s branding, independent film and unscripted TV departments have exited or won’t transition over
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Cannes Film Market Seeks a New Normal as Buyers Anticipate Big Sales
TheWrap Cannes magazine: “I don’t want to say, ‘Let’s party like it’s 2019,’ but it does feel like it may be even more robust than that,” Bleecker Street’s Kent Sanderson says
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Why Sundance Film Buyers Are Bracing for Red-Hot Sales After Last Year’s Record Deals
“There’s only more aggressive worldwide buyers and studios than there were last year,” Bleecker Street’s Kent Sanderson says of the 2022 market
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Inside Korean Mogul Miky Lee’s Billion-Dollar Hollywood Play | Analysis
CJ ENM’s purchase of Endeavor Content comes after Skydance investment and its Best Picture win for “Parasite”
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How Hollywood Agencies Are Navigating the Million-Dollar Playing Field of College Athlete NIL Deals
“It’s such early days, we don’t know, nobody knows, how it’s going to work,” WME Sports co-head Karen Brodkin tells TheWrap
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Why Star Athletes Like LeBron James and Kevin Durant Are Jumping Into Hollywood as Producers
“When you own the corporation, you’re not working for the man — you are the man,” one prominent entertainment attorney says
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No M&A for UTA? Why the Agency May Buck Hollywood’s Consolidation Wave
“Now it’s the Big Two-and-a-Half. What does a half do to be full-sized?” one insider asks after CAA and ICM’s merger plans
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WrapPRO Roundtable: Is Tech Blasting Age Barriers in Hollywood?
“I’ll change brands in a heartbeat. I went from PC to Mac when I was 60,” says one writer-producer
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CAA’s Acquisition of ICM Is Driven by Hollywood’s Race to Consolidate | Analysis
CAA’s “double down on representation” signals a survival tactic, not just a talent-first philosophy, experts say
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Writers Guild Seeks Critical Information From CAA, WME as Talks Continue
Divestment from affiliate production companies is the final hurdle to end the writer walkout from Hollywood’s biggest agencies
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‘The Next Ted Lasso’: After Year in Pandemic, Hollywood Dumps Edgy for ‘Uplifting’ Projects
“The buyers are getting data from the audience and it’s saying: ‘We want more aspirational content,’” one agent says
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Most Hollywood Talent Agencies Fall Short of Gender Parity Goals
“The disregard for gender parity is completely out of step with best business practices, as well as the current zeitgeist,” SDSU’s Martha Lauzen says
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Why Paradigm Is Unlikely to Survive as a Standalone Agency Post-Pandemic
“A merger between what’s left of Paradigm and APA is the likely outcome,” one top agent tells TheWrap
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