‘Under The Silver Lake’ Film Review: Andrew Garfield Lives Dirtbag Dream in LA Story
Cannes 2018: David Robert Mitchell film is sprawling, indulgent, with many pockets of pleasure
Cannes
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John Travolta, Spike Lee and 31 More Portraits From TheWrap’s Studio at The Girls’ Lounge Cannes (Exclusive Photos)
Cannes 2018: Mads Mikkelsen, Topher Grace, Kelly Preston and more show off their new projects on the Croisette
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The Scene at TheWrap and The Female Quotient’s Cannes Panel on Gender Equity (Photos)
Cannes 2018: Top industry figures lead discussion on “Changing Hollywood: The Road to 50/50 by 2020”
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‘Shoplifters’ Cannes Review: Is the Seventh Time a Charm for Hirokazu Kore-eda?
Cannes 2018: Frequent Cannes participant returns to the Croisette with the richest film of his career
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Nicolas Cage Thriller ‘Between Worlds’ Heads to Saban Films
Cannes 2018: This marks the fifth acquisition out of the festival for the distributor
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‘The House That Jack Built’ Film Review: The Real Shocker Is How Dull Lars von Trier’s Film Is
Cannes 2018: Lars von Trier’s gleeful look at a sadistic killer is actually boring when it isn’t grossing you out
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Spike Lee Denounces ‘That Motherf–er’ Trump, Explains Charlottesville Scenes in ‘BlacKkKlansman’
Cannes 2018: “It was a defining moment, and he could have said to the world, not just the United States, that we were better than that,” director says
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‘Asako I & II’ Film Review: Leisurely Japanese Drama Explores Nature of Love
Cannes 2018: director Hamaguchi Ryusuke tells story of a young woman whose first love abandons her, so she finds another man who looks just like him
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Activists, Experts in Hollywood Demand Action to Achieve Greater Gender Equity
Cannes 2018: A panel convened by TheWrap insisted that equality can be achieved
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Mass Walkouts for ‘Vomitive,’ ‘Torturous’ Lars von Trier Serial Killer Movie ‘The House That Jack Built’
Cannes 2018: “Vile movie. Should not have been made,” one early critic tweets
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Spike Lee’s ‘BlacKkKlansman’ Gets Cannes Standing Ovation, Social Media Praise
John David Washington and Adam Driver take on the dim-witted KKK in Lee’s latest
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‘BlacKkKlansman’ Cannes Review: Spike Lee Looks Back – and Forward – in Anger
Cannes 2018: Based on the true story of a black cop who infiltrated the KKK, this is Lee’s most vital and impassioned film in decades
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Cannes Report, Day 6: Harvey’s Ghost, Fainting Over Lars von Trier
“The House That Jack Built” signals a (gross) Matt Dillon comeback
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Gaspar Noe’s ‘Climax’ Lands US Deal With A24
Cannes 2018: Argentine director’s latest stars Sofia Boutella as a dancer
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Cannes Film Festival Signs Pledge for More Women Directors, More Transparency
Cannes 2018: The festival becomes the first to sign the new Programming Pledge for Parity and Inclusion in Cinema Festivals
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Annapurna Wins Nicole Kidman Thriller ‘Destroyer’ in Cannes Bidding War
Cannes 2018: Karyn Kusama directs the L.A. crime thriller, which sold in a mid-seven-figure deal
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‘Happy as Lazzaro’ Film Review: Alice Rohrwacher Charts the Course of a Holy Fool
Cannes 2018: Rohrwacher’s fable, the second of this year’s competition films from a female director, is both transporting and maddening
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Cannes Review: Pope Francis Documentary Is a Modest Film About a Bold Man
Cannes 2018: With “Pope Francis – A Man of His Word,” director Wim Wenders has made a performance film that’s more reverential than revolutionary
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‘Climax’ Film Review: Is It a Movie, or an LSD Trip?
Cannes 2018: Director Gaspar Noé unleashes a troupe of Europe’s most nimble dancers to vogue you, krump you and pop-lock you through one very bad trip
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Cannes So Far: The Spotlight Belongs to the Women
Cannes 2018: The Palme d’Or is anybody’s game, but the news at this year’s festival has been dominated by women making deals and demanding equality
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‘Three Faces’ Film Review: Once Again, Jafar Panahi Is Modest But Profound
Cannes 2018: The Iranian director is officially forbidden from making films for 20 years, but “Three Faces” is the latest exceptional work he’s made in the face of that ban
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‘Girls of the Sun’ Film Review: A Middle Eastern Feminist Hero Slays ISIS
Cannes 2018: The story of a female Kurdish unit brings to vivid life the stories we have all read but found so hard to imagine
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‘The World Is Yours’ Film Review: Romain Gavras’ Pop Comedy Is an Absolute Blast
Cannes 2018: Music-video director Romain Gavras has created a “Blues Brothers”-like jaunt for a generation raised on Adderall and French hip hop
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‘To the Ends of the World’ Film Review: At Last, Here’s France’s Vietnam War Movie
Cannes 2018: Guillaume Nicloux brings a touch of European art film to the conflict that has inspired American films like “Platoon” and “Apocalypse Now”
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Marion Cotillard’s Careless Motherhood Hurts in ‘Angel Face’
Cannes 2018: Cotillard plays bleached-blonde Marlene, the hard-drinking party girl who seems barely aware that she is a mother
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‘Secret Garden’ Gets North American Distribution Deal With Global Road
Cannes: Film based on classic children’s novel stars Colin Firth and Julie Walters
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Cate Blanchett Calls for ‘Parity and Transparency’ in Red Carpet Protest of Gender Inequity in Cannes
“We encourage all the women and men in the world who are standing for change,” Blanchett said in a speech with director Agnes Varda
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Cannes Report, Day 4: Sales Market Heats Up, ‘355’ Sparks Bidding War, Jean-Luc Godard Is Back
Cannes 2018: Rights to films are being bought and there’s even a bidding war going on for a package
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Jessica Chastain Spy Thriller ‘355’ Lands at Universal After Bidding War
Cannes 2018: Universal nabs the film that also stars Penelope Cruz, Marion Cotillard, Lupita Nyong’o and Fan Bingbing
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‘Girl’ Film Review: Transgender Teen Drama Is a True Cannes Discovery
Cannes 2018: The gentle but wrenching film about a teenager who “just wants to be a girl” is the first work from 26-year-old Belgian director Lukas Dhont
