‘The Man Who Killed Don Quixote’ Film Review: Terry Gilliam Finally Delivers Messy Fun
Cannes 2018: The director has lost none of his Monty Python irreverence despite the years of calamity that befell this seemingly doomed production
Cannes
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Cannes Report, Day 10: What Will Win the Palme d’Or?
Cannes 2018: Cate Blanchett’s jury will have the chance to make a statement about women or race or international politics or just cinema
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Troll Sex Movie ‘Border’ Wins Top Prize in Cannes’ Un Certain Regard Section
Cannes 2018: Sergei Loznitsa wins best-director award for “Donbass,” while Viktor Polster takes acting prize for “Girl”
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‘Knife + Heart’ Film Review: Gay Porn Murder Story Pays Tribute to Exploitation Cinema
Cannes 2018: Yann Gonzalez’s lascivious film is an appealingly stylish destination for our eyes and ears, even if its storytelling can sometimes falter
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Magnolia Pictures Pinches Japanese Drama ‘Shoplifters’
Cannes 2018: Hirokazu Kore-eda’s new film premiered this week at the French festival
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‘Capharnaum’ Film Review: Nadine Labaki’s Searing Drama Brings Tears, Ovations
Cannes 2018: Film about undocumented boy is a kind of “Slumdog Millionaire” scrubbed of empty flash and infused with blistering geopolitical resonance
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‘Whitney’ Cannes Review: Beyond the Bombshells Is a Straightforward Music Documentary
Cannes 2018: Where the Oscar-winning “Amy” was a full-on record, Kevin Macdonald’s Whitney Houston doc is more of a greatest hits compilation
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Surprise! PETA Backs Lars von Trier’s Animal Mutilation Scene in ‘The House That Jack Built’
The Cannes shocker finds an ally in animal rights group
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‘Dogman’ Film Review: Good Man Goes Bad in Muscular Italian Drama
Cannes 2018: Without much dialogue, director Matteo Garrone lets his story play out in the confrontations between two very different criminals
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Cannes Report, Day 9: Lars von Trier Responds to Criticism, ‘Burning’ Has Critics Fawning
“The House That Jack Built” director says he’s “never killed anyone myself. If I do, it will probably be a journalist”
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‘At War’ Film Review: Vincent Lindon Improvises His Way to the Front of the Cannes Best Actor Race
Cannes 2018: Lindon stars in French director Stephane Brize’s escalating tale of futile anger and post-globalized doom
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Cannes Report, Day 8: Andrew Garfield’s New Movie Divides, But Critics Are Unanimous About John Travolta’s ‘Gotti’
“Low-rent sideshow,” one review says of Travolta’s mafia film
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‘Under The Silver Lake’ Film Review: Andrew Garfield Lives Dirtbag Dream in LA Story
Cannes 2018: David Robert Mitchell film is sprawling, indulgent, with many pockets of pleasure
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John Travolta, Spike Lee and 31 More Portraits From TheWrap’s Studio at The Girls’ Lounge Cannes (Exclusive Photos)
Cannes 2018: Mads Mikkelsen, Topher Grace, Kelly Preston and more show off their new projects on the Croisette
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The Scene at TheWrap and The Female Quotient’s Cannes Panel on Gender Equity (Photos)
Cannes 2018: Top industry figures lead discussion on “Changing Hollywood: The Road to 50/50 by 2020”
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Nicolas Cage Thriller ‘Between Worlds’ Heads to Saban Films
Cannes 2018: This marks the fifth acquisition out of the festival for the distributor
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‘The House That Jack Built’ Film Review: The Real Shocker Is How Dull Lars von Trier’s Film Is
Cannes 2018: Lars von Trier’s gleeful look at a sadistic killer is actually boring when it isn’t grossing you out
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Spike Lee Denounces ‘That Motherf–er’ Trump, Explains Charlottesville Scenes in ‘BlacKkKlansman’
Cannes 2018: “It was a defining moment, and he could have said to the world, not just the United States, that we were better than that,” director says
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‘Asako I & II’ Film Review: Leisurely Japanese Drama Explores Nature of Love
Cannes 2018: director Hamaguchi Ryusuke tells story of a young woman whose first love abandons her, so she finds another man who looks just like him
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Activists, Experts in Hollywood Demand Action to Achieve Greater Gender Equity
Cannes 2018: A panel convened by TheWrap insisted that equality can be achieved
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Mass Walkouts for ‘Vomitive,’ ‘Torturous’ Lars von Trier Serial Killer Movie ‘The House That Jack Built’
Cannes 2018: “Vile movie. Should not have been made,” one early critic tweets
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Spike Lee’s ‘BlacKkKlansman’ Gets Cannes Standing Ovation, Social Media Praise
John David Washington and Adam Driver take on the dim-witted KKK in Lee’s latest
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Cannes Report, Day 6: Harvey’s Ghost, Fainting Over Lars von Trier
“The House That Jack Built” signals a (gross) Matt Dillon comeback
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Gaspar Noe’s ‘Climax’ Lands US Deal With A24
Cannes 2018: Argentine director’s latest stars Sofia Boutella as a dancer
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Cannes Film Festival Signs Pledge for More Women Directors, More Transparency
Cannes 2018: The festival becomes the first to sign the new Programming Pledge for Parity and Inclusion in Cinema Festivals
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Annapurna Wins Nicole Kidman Thriller ‘Destroyer’ in Cannes Bidding War
Cannes 2018: Karyn Kusama directs the L.A. crime thriller, which sold in a mid-seven-figure deal
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Cannes Review: Pope Francis Documentary Is a Modest Film About a Bold Man
Cannes 2018: With “Pope Francis – A Man of His Word,” director Wim Wenders has made a performance film that’s more reverential than revolutionary
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‘Climax’ Film Review: Is It a Movie, or an LSD Trip?
Cannes 2018: Director Gaspar Noé unleashes a troupe of Europe’s most nimble dancers to vogue you, krump you and pop-lock you through one very bad trip
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Cannes So Far: The Spotlight Belongs to the Women
Cannes 2018: The Palme d’Or is anybody’s game, but the news at this year’s festival has been dominated by women making deals and demanding equality
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‘Three Faces’ Film Review: Once Again, Jafar Panahi Is Modest But Profound
Cannes 2018: The Iranian director is officially forbidden from making films for 20 years, but “Three Faces” is the latest exceptional work he’s made in the face of that ban
