‘Matthias & Maxime’ Film Review: Xavier Dolan Finds Maturity at the Ripe Old Age of 30
Cannes 2019: The Canadian director has always been a maestro of oversized emotions, but the warmth and restraint of “Matthias & Maxime” is what gives it life
Cannes
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Quentin Tarantino Says He Thinks He Might Have Gone Horseback Riding With the Manson Family
Cannes 2019: The director of “Once Upon a Time … in Hollywood” discusses why people are fascinated by the 1969 murders, and whether he had qualms about portraying the perpetrator and victims on screen
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Cannes Struggles for Relevance in Shrinking Movie Business
Cannes 2019: While the U.S. was riveted by the last episode of “Game of Thrones” on Sunday, Cannes fiddled to the tune of Terrence Malick’s three-hour opus “A Hidden Life”
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Hollywood Foreign Press Association Donates $500,000 to Nonprofit Group for Refugees
Helen Mirren presented the grant to the non-profit organization Help Refugees
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In ‘Young Ahmed,’ the Disaffection, Dilemmas of Europe’s Muslim Youth
Cannes 2019: Directors Jean-Pierre and Luc Dardenne, the Belgian brothers who are Cannes Film Festival favorites, explore the heart-wrenching allure of politicized Islam
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TheWrap Celebrates 10 Years of Hollywood Coverage in Cannes With Activism Talk, Industry Gathering
The industry’s leading digital news organization marked its first 10 years with Somali activist Ifrah Ahmed and “Give Me Liberty” producer Alice Austen and a VIP cocktail party
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‘Lux Aeterna’ Film Review: Gaspar Noe Wants to Mess You Up, Again
Cannes 2019: The Argentinian maestro of transgression has unleashed another assault on his audience, but it’s almost mesmerizing in its perverse single-mindedness
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Cannes at the Halfway Point: How Did Elton John Become King of the Fest?
Cannes 2019: While most of the attention has gone to a pair of major-studio flicks, “Rocketman” and the yet-unseen “Once Upon a Time … in Hollywood,” the festival is also full of dark films for a dark age
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‘A Hidden Life’ Film Review: Terrence Malick Gets His Mojo Back With World War II Drama
Anchored in story in a way his last few movies have not been, this World War II drama is the director’s most monumental work since “The Tree of Life”
