How ‘Underground Railroad’ Creator Barry Jenkins Got Permission for That Childish Gambino Needle Drop
TheWrap awards magazine: Jenkins, Thuso Mbedu and William Jackson Harper discuss exploring the reverberations of history for Amazon drama
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Why the Music Doc Series ‘1971’ Wasn’t Just About Music
TheWrap magazine: Director Asif Kapadia says. “It’s not, ‘Listen to this piece of music, and then this one’ — what’s the bigger picture around it?”
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Cynthia Erivo on the ‘Overwhelming Responsibility’ of Playing Aretha Franklin: ‘One of My Heroes’
TheWrap awards magazine: The ‘Genius: Aretha’ star talks about early ambitions, conquering the Royal Academy of Drama and vulnerability as her strongest suit
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Why ‘City So Real’ Docu-Series Director Steve James Went Back to Chicago to Shoot One More Episode in 2020
TheWrap magazine: ”Television needs to play a role in connecting people more to the world we live in,“ the award-winning filmmaker says
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‘Queer Eye': How the Fab 5 Landed in the City of Brotherly Love for Season 5
Casting directors Pamela Vallarelli and Ally Capriotti Grant tell TheWrap why Philadelphia “ticked all the boxes”
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The ‘It’s a Sin’ Playlist: A Musical Trip Through AIDS-Era 1980s (Video)
Music supervisor Iain Cooke on why Pet Shop Boys, Belinda Carlisle, Kate Bush and more were essential picks for the HBO Max miniseries
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How ‘One Day at a Time’ Pulled Off a Fully Animated Final Episode
The animators studied old footage to recreate the actors’ signature moves and add special effects like exploding heads
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‘RuPaul’s Drag Race’ EP on Adapting to COVID and Evolving the Show With the Times
TheWrap magazine: ”It’s been 13 years, and we have to pinch ourselves sometimes because the world has changed so much,“ Tom Campbell says
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Why Giancarlo Esposito Thinks His Career (and TV Itself) Got Better During the Pandemic
TheWrap Magazine: ”Television has become much more personal because we finally learned how to use our remotes the last year,“ says Esposito
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How ‘Bridgerton’ Team Is Creating ‘Grand and Beautiful’ Season 2 Without Regé-Jean Page
TheWrap magazine: ”It’s a different and exciting way for us to have the opportunity to tell the story,“ executive producer Betsy Beers says
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‘WandaVision': How Disney+’s Sitcom-Based Plot Expanded From a Mundane ‘Age of Ultron’ Prop
TheWrap magazine: Introducing the show in an ”off-kilter“ way forced even the most ardent Marvel fans to pay special attention, head writer Jac Schaeffer says
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‘Ted Lasso’ Co-Creator Wasn’t Sure Show’s Optimism Would Work
TheWrap magazine: Bill Lawrence says he wanted something opposite of the ”negative and hopeless“ discourse in society
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‘Night Stalker’ Director Tiller Russell on the Explosion of True-Crime Docs During Pandemic
TheWrap magazine: ”Why are we so culturally obsessed with the dark side? It’s something I reckon with as a filmmaker,“ Russell says
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‘The Crown’ Star Emma Corrin on Prince Harry and Meghan Markle Watching Her Play Princess Diana
TheWrap magazine: ”Personally, I try not to engage with it because I feel like it’s a slippery slope,“ Netflix star says
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Padma Lakshmi Explains Why ‘Taste the Nation’ Is ‘A Political Show Disguised as a Food Show’
TheWrap magazine: Climate change, gentrification and racism are addressed in the Hulu food series
