Only two years removed from a streak of matching the Oscar winner four times in a row, the Spirit Awards are honoring a slate of films that have been overlooked by the Academy but are richly deserving
TheWrap Cannes magazine: Since the festival began, only 4.3 percent of its competition films have been directed by women — and while the percentage is improving, it’s doing so slowly
Director Lynne Ramsay and writer Jonathan Ames praise Phoenix’s “funny, terrifying” performance
How Lynne Ramsay tells the story of a PTSD-scarred private eye (Joaquin Phoenix) tends to be more interesting than the story itself
Phoenix investigates a missing girl in director Lynne Ramsay’s grimly violent and willfully oblique spin on the film noir genre
CannesWrap magazine: Much ado about streaming as 70-year-old fest locks horns with digital disrupters
Lineup of international auteurs also includes a VR installation by Alejandro Inarritu and two episodes of “Twin Peaks” from David Lynch
Overlooked stars and curious additions fill the record-breaking Academy class of 2016
Numerous names raise eyebrows in record-breaking AMPAS Class of 2016 — often because we assumed they were already voting on the Oscars
“Finest Hours,” “Fifty Shades of Black” both headed for rough waters at box office
The Disney film’s budget was $70 million
Power lawyer David Boies has asked Harvey Weinstein to rescue Natalie Portman’s troubled Western “Jane”
Jim Jarmusch's vampire movie "Only Lovers Left Alive" wins over the critics, but can it possibly be as entertaining as the marketplace title "FDR American Badass?"
There's only one film directed by a woman in the main competition – and the critics weren’t kind to that film, “A Castle in Italy”
