Margaret Qualley
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Margaret Qualley to Star, Paul Mescal in Talks for Love Story ‘The End of Getting Lost’ at Amazon
Dakota Johnson will produce, and Deniz Gamze Ergüven will direct based on the novel by Robin Kirman
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How ‘Maid’ Star Margaret Qualley Dove Into Motherhood Alongside Her Real-Life Mom
TheWrap magazine: The star of Netflix’s hit series was nervous about playing a mother convincingly. It helped that Andie MacDowell was her costar
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Netflix’s ‘Maid’ Review: Margaret Qualley’s White Single Mom Gets Swept Away in Weepy Drama
Qualley stars with real-life mom Andie MacDowell in fact-based series that plays like a ’90s Lifetime movie
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Margaret Qualley and Sigourney Weaver Drama ‘My Salinger Year’ Goes to IFC Films
Film directed by Philippe Falardeau was the opening night selection of Berlinale 2020
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‘Seberg’ Film Review: Kristen Stewart Captures the Spirit of a Martyred Icon
The film recounts the FBI’s targeting of the New Wave film star for her support of the Black Panthers
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STX Nears Deal on Scott Cooper Horror Film ‘A Head Full of Ghosts’ With Margaret Qualley
The movie is based on Paul Tremblay’s 2015 horror novel
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A24 Nabs Claire Denis’ ‘The Stars at Noon’ With Robert Pattinson and Margaret Qualley
Film presented to buyers at EFM is a romance set during the 1984 Nicaraguan Revolution
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Why Does ‘Once Upon a Time … in Hollywood’ Feature So Many Real-Life Pedophiles? (Guest Blog)
Quentin Tarantino’s film is filled with sexual abusers — including my great uncle, James Stacy — and parades young female flesh for our consumption
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Olivia Wilde Says She’ll Approach Real-Life Characters Differently After ‘Richard Jewell’ Flap
”When you’re playing real people, there’s a responsibility towards their legacy,“ actress says
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‘Adam’ Film Review: LGBT Comedy Struggles to Balance Sexy Wit and Serious Intent
Sundance 2019: Rhys Ernst’s directorial debut starts off almost farcically but then shoehorns in too many big ideas
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‘Once Upon a Time…in Hollywood’ Premieres to $5.8 Million at Thursday Box Office
Quentin Tarantino’s ninth film is projected by Columbia Pictures to earn $30 million in its opening weekend
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Does ‘Once Upon a Time…in Hollywood’ Have a Post-Credits Scene?
Did Quentin Tarantino tack on anything extra as part of his ninth film?
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‘Native Son’ Film Review: Updated Take Shows Richard Wright’s Classic Remains All Too Relevant
Ashton Sanders stars in Suzan-Lori Parks and first-time director Rashid Johnson’s blistering examination of racism in America
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‘Donnybrook’ Film Review: Jamie Bell’s Miserabilist Boxing Drama Has No Uppercut
Director Tim Sutton shoots for scuzzy bleakness, but the end result is overpowering yet unfocused
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Sundance 2019: Every Movie Sold So Far, From ‘Late Night’ to ‘The Farewell’ (Updating)
Buyers weren’t planning to come to the festival with big checkbooks, but Amazon has been spending the big bucks
