Matteo Garrone
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‘Dogman’ Film Review: Good Man Goes Bad in Muscular Italian Drama
Without much dialogue, director Matteo Garrone lets his story play out in the confrontations between two very different criminals
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How ‘Dogman’ Took a Revenge Story and Added a Touch of Buster Keaton
TheWrap Oscar magazine: ”The story we took inspiration from was more focused on violence and revenge,“ says director Matteo Garrone of his Italian Oscar submission
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So Many Pinocchios: How Matteo Garrone Says His Will Differ From Guillermo del Toro’s and Disney’s
”I will try to make my ‘Pinocchio’ in a way that will be personal and faithful to the original book,“ Garrone told TheWrap
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Italy Sends ‘Dogman’ Into Oscars Brutally Tough Foreign Language Race
”Dogman“ will join a race that is already filled with formidable contenders, including ”Roma,“ ”Cold War,“ ”Sunset,“ ”Never Look Away,“ ”Birds of Passage,“ ”Shoplifters“ and ”Burning“
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15 of Cannes’ Hottest Directors, From Spike Lee to Debra Granik to Paul Dano (Exclusive Photos)
Cannes 2018: Paul Dano, Alice Rohrwacher and A.B. Shawky are among the filmmakers presenting their work at this year’s festival
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‘Gomorrah’ Review: Engrossing Drama Finds New Ways Into the Mob
Sundance TV brings acclaimed Italian series Stateside
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‘Mia Madre’ Cannes Review: Moving Italian Film Mixes Personal Drama, Showbiz Comedy
Nanni Moretti’s film features John Turturro, who plays a blowhard movie star with glee and relish
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Cannes Debuts Natalie Portman’s Slow-Moving ‘Tale of Love and Darkness’
Watching Portman act in fluent Hebrew is a bit of a delightful shock, like seeing someone you’ve known a long time suddenly demonstrate that they can juggle knives
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‘Tale of Tales’ Cannes Review: Salma Hayek and John C. Reilly Explore the Dark Side of Fables
Director Matteo Garrone has come up with an amalgam of Ken Russell and old-school Disney
