
Cannes Winds Down: Who’s Going to Win the Palme d’Or?
The decision is now in the hands of Pedro Almodovar’s jury, with contenders including “Loveless,” “120 Beats Per Minute” and “Good Time”
The decision is now in the hands of Pedro Almodovar’s jury, with contenders including “Loveless,” “120 Beats Per Minute” and “Good Time”
The 70th anniversary Cannes has delivered strong films, but nothing to seize the conversation away from the streaming giant and tech snafus
Six years after winning Best Picture for “The Artist,” director Michel Hazanavicius plays to his strengths as a genre prankster
CannesWrap magazine: At a true directors’ film festival, here are some of the men and women whose work will shine
“Between being born and dying as late as possible, the main idea is to f–k, laugh, eat, play, f–k,” the filmmaker writes on Facebook
“The Artist” director’s ambitious film about the conflict in Chechnya has been re-edited since its Cannes debut
Major oversight: There was no Uggie to charm the audience
Cannes review 2014: The director of “The Artist” dives into a serious subject with his drama set in the war in Chechnya
Werber was senior executive in charge of worldwide co-productions and acquisitions at both Twentieth Century Fox and Warner Bros.
Blanc/Biehn Prods. is behind Jason DeVan’s thriller, which is in the vein of “Memento” and “Side Effects”