‘Prisoners of the Ghostland’ Film Review: Nicolas Cage Grimaces and Bears It Through Baffling Genre Mishmash
Sundance 2021: Working in English for the first time, Japanese auteur Sion Sono’s greatness gets lost in the translation
Sundance 2021: Working in English for the first time, Japanese auteur Sion Sono’s greatness gets lost in the translation
Sundance 2021: The landscape overpowers the screenplay in this tale of a woman learning to live in the wilderness
Sundance 2021: The “Shrill” co-star and Ed Helms make a perfect platonic pair in witty relationship tale
Sundance 2021: Sian Heder’s film, which set a Sundance sales record, is modest but thoroughly satisfying, corny but effective, never edgy and always likable
Sundance 2021: Rodney Ascher (“Room 254”) explores people who think they’re living in a simulation
Sundance 2021: Tessa Thompson and Ruth Negga play characters who can pass for white, and the drama digs into the roots of their masquerade
Sundance 2021: Carey Williams’ ambitious attempt to adapt star-crossed lovers to Instagram feels awkward and instantly dated
Sundance 2021: Not everything is as it appears in this doc about two people exploring pre-marriage polyamory
Sundance 2021: Wright tackles the idiosyncratic, influential band without ever giving away too much or losing an air of mystery