‘Marriage Story’ Film Review: Scarlett Johansson and Adam Driver Break Apart in Noah Baumbach’s Devastating Drama
The writer-director’s streak of humane, heartbreaking films continues with this powerful and poignant tale
movie reviews
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‘Arctic Dogs’ Film Review: Unremarkable Kids’ Cartoon Offers Self-Esteem and Environmental Messaging
Young audiences will get OK animation and straightforward moralizing, while their parents enjoy a brief nap
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‘Terminator: Dark Fate’ Film Review: Linda Hamilton Is Back, and So Is the Franchise’s Mojo
After a slew of disappointing sequels (and a TV series), the killer-robot saga once again feels sharp and relevant
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‘Harriet’ Film Review: Kasi Lemmons’ Standard-Issue Harriet Tubman Biopic Wastes Big-Screen Opportunity
We’ve waited too long for a Tubman movie (and for Lemmons to return to the director’s chair) but this one disappoints
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‘The Irishman’ Film Review: Martin Scorsese’s Gangster Epic Is Melancholic and Bittersweet
For De Niro, Pacino, Pesci and company, the flash of mob life leads either to violent ends or sad, aging estrangement
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‘Light From Light’ Film Review: Marin Ireland and Jim Gaffigan Connect in Quiet Indie Drama
Ireland’s stunning lead performance confirms the promise of her powerful supporting roles
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‘Adopt a Highway’ Film Review: Ethan Hawke Soars in Logan Marshall-Green’s Meandering Directorial Debut
Hawke plays an ex-convict who’s finally gained his freedom after a 21-year jail sentence
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‘The Kingmaker’ Film Review: Lauren Greenfield’s Deftly-Drawn Portrait of Imelda Marcos Is Fascinating and Terrifying
A shrewd inquisitor and a crafty interviewee face off in a fascinating look at image-management and power
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Martin Scorsese’s Crime Films, Ranked (Photos)
Where does “The Irishman” stand in his bad-guys-doing-bad-things oeuvre?
