Office With a View
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Why the FunMeter Duo Is Expanding From Docs About ‘Quirky Fraud Cases’ to Become ‘Full Service’ Producers
Office With a View: The team behind HBO’s ”McMillions“ and Apple TV+’s ”The Big Conn“ tell TheWrap they’re branching out
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Weigel Broadcasting Exec on the Return-to-Antennas Trend: ‘Younger People Think It’s an Illegal Hack’
Office With a View: The media company’s vice chairman, Neal Sabin, discusses how nostalgia TV grew during the pandemic
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Why the Creative Chief Behind ‘Queer Eye’ and ‘Legendary’ Rejects the ‘Niche’ Label
Office With a View: ”We’re actually not as niche as you think we are,“ Scout Productions’ Chief Creative Officer Rob Eric tells TheWrap
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Why Veteran Syfy Exec Mark Stern Pivoted From TV to Podcasts: ‘I Got Very Disenchanted’
Office With a View: After decades in television, the former original content president is building the first audio studio dedicated to fantasy and sci-fi dramas
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‘Honey Boo Boo’ Producer Lauren Lexton Reveals the Key to Making a Hit Reality Show
”Audiences are savvy and they really know when something is real,“ Lexton tells TheWrap in a new edition of Office With a View
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‘Real Housewives of Potomac’ EP Compares Upwardly Mobile, Old-Monied Cast to ‘Falcon Crest’
”The social grace, etiquette, class, these sorts of things are important,“ True Entertainment co-founder Steven Weinstock says in new edition of The Wrap’s ”Office With a View“
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Seeso Chief Evan Shapiro’s Streaming-Service Goal: Disrupt ‘Those That Have Been Disrupting’
”To a certain extent, they’ve become the very issue that they meant to solve,“ NBCU exec tells TheWrap of Netflix, Hulu and Amazon
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Telemundo’s Luis Silberwasser Explains How ‘Empire,’ ‘Walking Dead’ Turned His Network Around
Pretending Hispanic Americans ”don’t know what ‘The Sopranos'“ is ”is lunacy,“ Luis Silberwasser tells TheWrap
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‘Bridge of Spies’ Producer Marc Platt on Steven Spielberg’s Love of Americana, New ‘Mary Poppins’ Movie
”I’m lucky that I get to do the bigger movies and the smaller movies. Perhaps I have creative ADD,“ veteran producer tells TheWrap in latest edition of Office With a View
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Funny or Die’s Production Chief on Why Will Ferrell-Adam McKay Project Isn’t ‘SNL,’ Billy Eichner’s Big Move
Mike Farah explains why Turner’s TruTV is a much better destination than Fuse for ”Billy on the Street“ in a new edition of The Wrap’s ”Office With a View“
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‘War Room’ Producer-Director Alex Kendrick on Prayer, Politicians, and Prospect of a Christian Superhero Movie
”Government programs and political correctness can’t fix the issues that are destroying our culture — but God can,“ filmmaker tells in new edition of TheWrap’s ”Office With a View“
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Nielsen Chief Lynda Clarizio Knows How Many People Are Watching Netflix’s Shows, But She Isn’t Telling
In new edition of TheWrap’s ”Office With a View,“ the company’s U.S. media president also says she wants to kill overnight ratings
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PBS Programming Chief Beth Hoppe Is Happy Not to Compete With the ‘Live Daredevil Stuff’
The executive and GM discusses broadcaster’s push into original series and her personal ”Holy Grail“ in TheWrap’s ”Office With a View“
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IMAX Entertainment CEO Greg Foster on Bucking Downward Box Office Trend: ‘We Had to Change Our Business Model’
”We cracked the code on the film side,“ the executive tells TheWrap in this week’s ”Office With a View“
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‘Dateline’ Executive Producer Liz Cole: How Not to Drop the Ball on a New Year’s Special
”When you’re thinking fun and party, Hoda and Kathie Lee certainly come to mind,“ the NBC exec says in TheWrap’s latest Office With a View
