Olivia Colman to Star in Sam Mendes’ Next Film ‘Empire of Light’ for Searchlight
Director’s follow-up to “1917” is a 1980s love story and will be released in fall 2022
Sam Mendes
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Netflix Adds 7 Shows to UK Production Slate With Sam Mendes and Andy Serkis Among Attached Talent
Rowan Atkinson also joins new fleet of streaming projects
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MGM Co-Presidents of Production Cassidy Lange, Adam Rosenberg Depart Studio
The two have been at MGM since 2011 and were promoted to co-presidents in 2018
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Oscars 2020: Natalie Portman Wears Cape Embroidered With Names of Female Directors Not Nominated (Video)
“I wanted to recognize the women who were not recognized for their incredible work this year in a subtle way,” she explains
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Oscars 2020: We Predict the Winners in All 24 Categories (Photos)
Assuming that PricewaterhouseCoopers hasn’t contracted the ballot counting to the Iowa Democratic Party, here’s what we expect to find in those envelopes on Sunday evening
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Can the Oscars Make Us Care in a Rushed, Crazy Year?
After a week spent fixated on the votes of 100 U.S. Senators, it may not be easy to get excited about the votes of 8,469 AMPAS members
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BAFTA Winners List: ‘1917’ Scores 7 Awards, Including Best Film
Oscar favorites Joaquin Phoenix, Renee Zellweger, Brad Pitt and Laura Dern win acting categories
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‘1917’ Lead George MacKay Has Surprise Connection to Film’s Setting
MacKay’s three-times great uncle, Albert Victor Baulk, did for the French military what MacKay’s character did in the film
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AARP Movies for Grownups Honors Martin Scorsese, Renée Zellweger and More
Party Report: More golden (and crystal) statues handed out during the run toward Oscar
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Oscars 2020 Nominees Kathy Bates, Todd Phillips and More Speak Out — Including in Latin (Updating)
“The Two Popes” screenwriter Anthony McCarten offers classy take on “Holy s—!” with his message: “Sanctus stercore!”
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‘1917’ Film Review: Sam Mendes’ WWI Saga More Thrilling Than Thoughtful
The “one-shot” intensity of his battle tale overshadows any ideas the filmmaker might have about war itself
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How ‘1917’ Composer Thomas Newman Avoided Adding ‘Gloom on Gloom’ to WWI Film Score
TheWrap Oscar magazine: “Any time I tried to write music that commented on what was happening, it didn’t make the movie as exciting,” the 14-time Oscar-nominated composer says
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How ‘1917’ Editor Lee Smith Cut a ‘One-Shot’ Feature Film
TheWrap Oscar magazine: “I kept thinking to myself, ‘I have no idea how this is going to work,'” Smith says
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Go Into the Trenches With ‘1917’ Production Designer Dennis Gassner
TheWrap Oscar magazine: “The studio said, ‘Impossible — how are you going to do this?'” Gassner said of the enormously complicated design and shoot
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How ‘1917’ Cinematographer Roger Deakins Pulled Off Sam Mendes’ One-Shot WWI Film
TheWrap Oscar magazine: “It’s a single shot, but does that force us to just follow them down a trench all the time?” Deakins says
