Gerard Butler’s ‘Angel Has Fallen’ Rises to $1.5 Million at Thursday Box Office
Lionsgate action sequel opens against Fox Searchlight’s “Ready or Not” and faith-based film “Overcomer”
Tim Blake Nelson
-
-
‘Angel Has Fallen’ Film Review: Gerard Butler Lurches Through Pointless, Silly Threequel
Rather than focus on its lead character’s humanity, the dopey script spins a conspiracy that would be laughed off the internet
-
‘Socrates’ Theater Review: Michael Stuhlbarg Teaches Us Everything
The actor rakes democracy over the coals of time in Tim Blake Nelson’s great new play
-
Lady Gaga and Bradley Cooper to Perform ‘Shallow’ at Oscars
“I’ll Fight,” “When A Cowboy Trades His Spurs for Wings” and “The Place Where Lost Things Go” are also confirmed
-
‘Buster Scruggs’ Star Tim Blake Nelson on How James Franco Taught Him the Secret to Acting
TheWrap Oscar magazine: “There was a coherence and a solidarity in the filmmaking that jarred me out of my complacency,” Nelson says of his work on a Franco-directed film
-
‘The Ballad of Buster Scruggs’ Film Review: Coen Brothers Western Anthology Makes for an Uneven Binge
This omnibus film is an entertaining fribble that peaks early
-
Damon Lindelof’s ‘Watchmen’ Ordered to Series at HBO
“Lost” alum’s TV adaptation set for 2019 debut
-
2019 Oscar Contenders, From Rami Malek to Spike Lee to Glenn Close (Exclusive Photos)
Willem Dafoe, Marhershala Ali, Regina King and more are nominees for this Sunday’s ceremony
-
Errol Morris Unveils Netflix Hybrid Series ‘Wormwood’ (Video)
Part docuseries, part dramatization, Morris series about a mysterious death drops Dec. 15
-
A24, DirecTV Acquire Logan Lerman Sundance Mystery ‘Sidney Hall’ (Exclusive)
DirecTV gets 30-day streaming window before A24 rolls out in theaters
-
‘Deidra & Laney Rob a Train’ Review: Teenage Mischief Comedy Is a Small Delight
Sundance 2017: Sisters turn to train theft to save their struggling family in this skillfully amusing entertainment
-
‘Fantastic Four’ Review: 10 Minutes of Michael B. Jordan-Kate Mara-Miles Teller Chemistry, 1 1/2 Hours of Bad Story
Latest reboot of Marvel property ends just as it’s finally getting started
-
‘Anesthesia’ Tribeca Review: Kristen Stewart, Glenn Close Star in Strong Ensemble of Interlocking Lives
Writer-director Tim Blake Nelson avoids sentimentality in a contemporary drama suffused with anger and vitality
-
Tribeca Film Festival Announces Spotlight, Midnight, and Special Screening Lineup
Special screenings will feature live performances, including a concert by Mary J. Blige
-
James Franco Directs a Menacing Scott Haze in ‘Child of God’ Trailer (Video)
Cormac McCarthy adaptation co-stars Tim Blake Nelson and looks every bit as bleak as “No Country for Old Men” and “The Road”
-
James Franco Directs a Murderous Maniac in ‘Child of God’ Trailer (Video)
The indie drama, which premiered at last year’s Venice Film Festival, is based on a book by “No Country for Old Men” author Cormac McCarthy
-
Kristen Stewart Lines Up Two Indies: ‘American Ultra’ With Jesse Eisenberg, Tim Blake Nelson’s ‘Anesthesia’
Nima Nourizadeh (“Project X”) is directing Likely Story’s action-comedy from a script by Max Landis (“Chronicle”)
-
‘Blue Caprice’ Review: Intense True-Crime Tale Never Exploits Tragedy
Isaiah Washington and Tequan Richmond give chillingly effective performances as the D.C. snipers
-
James Franco Teases His ‘Child of God’ Adaptation (Video)
The multihyphenate debuted first look at his latest film ahead of its premiere at the Venice Film festival this week
-
‘Grey’s Anatomy’ Alum Isaiah Washington Buys a Car, Trains a Killer In ‘Blue Caprice’ Trailer (Video)
The actor plays John Allen Muhammad, the man behind the 2002 Beltway sniper attacks in the Washington, D.C. area
-
Sundance Brings Fest Faves ‘Blue Caprice,’ ‘This Is Martin Bonner’ to L.A. Festival
Next Weekend, Sundance's first-ever Los Angeles festival, will present 12 features over four days
-
James Franco’s ‘As I Lay Dying’ Trailer: First Look at His William Faulkner Adaptation (Video)
The "Oz the Great and Powerful" star wrote, directed and acts in the period piece adapted from Faulkner's classic novel of the same name
