Why Neon Is the Indie to Watch at Sundance After ‘Parasite’ and ‘Honeyland’
Sundance 2020: Insiders think filmmakers are vying to work with the distributor even more than before
tom quinn
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Cannes Film Market ‘Healthy’ as New Players Fill Streaming Giant Void
Cannes 2018: “People associate activity with big players spending a lot of money. That can be a little misleading,” Saban Films president Bill Bromiley tells TheWrap
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Neon Lights Up Sundance With Big Money, Big Acquisitions
Sundance 2018: In a move that not many people saw coming, the film distributor quickly became one of the hottest players at this year’s festival
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Blumhouse, NEON Team Up to Manage BH Tilt
BH Tilt was launched in 2014 and has released eight films include “The Belko Experiment”
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Toronto Film Market: Indie Distributors Struggle as Netflix, Amazon Look to Dominate (Again)
TIFF 2017: Streaming giants have raised the price of doing business, and some companies are scrambling to survive
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Indie Movie ‘Beach Rats’ Has a #BuryYourGays Problem – But It’s Not Backing Down
“I’m interested in taboos as a filmmaker,” director Eliza Hittman tells TheWrap about her button-pushing new drama
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‘Ingrid Goes West': Neon Founders Discuss Sundance Bidding War for Aubrey Plaza, Elizabeth Olsen Instagram Stalker Pic (Video)
“(We were realizing) these guys are so damn smart,” Tim League recalls of the festival acquisition frenzy.
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Matthew McConaughey’s ‘The Beach Bum’ Parks Itself With Neon, Vice Media for US Rights
Cannes 2017: Harmony Korine to write and direct follow-up to his 2012 indie hit “Spring Breakers”
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Neon Acquires Sundance Hip Hop Biopic ‘Roxanne Roxanne’
Sundance 2017: Upstart distributor has also bagged “Ingrid Goes West” and “Beach Rats”
