wrap magazine
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How Animators Made a Mountain Talk for ‘The Summit of the Gods’
TheWrap magazine: ”The higher we go, the less dialogue we have,“ says director Patrick Imbert of his mountaineering tale
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‘Schmigadoon!’ Creator Cinco Paul Says He’ll Keep the Show Going ‘Until It Stops Being Fun’
TheWrap magazine: Paul also tells TheWrap that the show’s Grammy nod was ”a total surprise“
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How Andrew Garfield Went From Jonathan Larson to Jim Bakker to Spider-Man in One Crazy Year
TheWrap magazine: ”It was a very mystical, profound thing, a kind of storytelling ritual of grief and even gratitude,“ says Garfield of his role in ”tick, tick…BOOM!“
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‘Sing 2’ Director Garth Jennings on Bono’s Big Moment
TheWrap magazine: We go inside the making of the animated sequel’s climactic moment
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Guillermo del Toro on ‘Nightmare Alley’: No Monsters, No Problem
TheWrap magazine: ”In my movies, the real monster is man, and it was about time to try it without any fantastical elements,“ says the director
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How Oscar Voters Could Make the Best Picture Category Even Weirder This Year
Expanding the category to 10 nominees could increase variety, but only if voters take advantage of the opportunity they’ve been given
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How Garth Brooks Inspired ‘The Mitchells vs. the Machines’
TheWrap magazine: Director Mike Rianda and co-director Jeff Rowe reveal the unlikely origin of one of the film’s best sequences
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‘My Sunny Maad': Making an Animated Film That Doesn’t Feel Like Animation
TheWrap magazine: “I wanted to make a film where people would forget it’s animated,” says Czech director Michaela Pavlatova
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How ‘Belle’ Created a Great Animated Scene by Holding a Single Shot (Video)
TheWrap magazine: Director Mamoru Hosoda breaks down the movie’s most unforgettable sequence
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How ‘Passing’ Star Tessa Thompson Explored the Many Layers of Identity
TheWrap Magazine: She’s been in franchises from ”Creed“ to ”Thor,“ but Tessa Thompson found herself in new territory with her latest film
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‘Passing’ Star Tessa Thompson Covers TheWrap Magazine (Exclusive Photo Gallery)
The actress glams up for exclusive portraits for TheWrap
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‘Encanto': How ‘Dos Oruguitas’ Was Brought to Life
TheWrap magazine: The filmmakers behind the Disney hit say the touching number was originally part of the prologue
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How ‘Foundation’s VFX Supervisors Battled COVID-Induced Labor Shortages to Conjure New Worlds
TheWrap Magazine: Visual effects supervisors Chris MacLean and Michael Enriquez underline a unique challenge the Apple TV+ series faced
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‘The Morning Show’ Design Problem: Go Around the World Without Leaving L.A.
TheWrap magazine: Production designer Nelson Coates had to stage scenes set in China, New York, New Orleans and Italy, all in Southern California
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How a Bathroom Break Was a Key to the Design of ‘The Green Knight’
TheWrap magazine: Designer Jade Healy says she’s thankful for what the film’s D.P. found when he took a leak in the woods
