What would a Tarantino film be without a killer soundtrack? Think of Uma Thurman dancing to Dusty Springfield's "Son of a Preacher Man" in "Pulp Fiction," Pam Grier strutting through an airport to the tune of Bobby Womack's "Across 110 Street," or Thurman (again!) slicing and dicing her way through O-Ren Ishii's henchmen as Santa Esmeralda's cover of "Don't Let Me Be Misunderstood" wails in the background.
Now you don't have to be bothered with watching the whole movie. Eclecticmethod.net has put together a pretty compelling look at some of the most memorable moments from Tarantino's ouevre set to some of the best songs from his eclectic record collection.