Arriving on the Parisian set of Woody Allen's 44th film, "Midnight in Paris," in the summer of 2010, veteran TV actor Corey Stoll milled around with such well-established big-screen actors as Owen Wilson, Marion Cotillard and Rachel McAdams, "not really knowing what we were doing."
In fact, at that point, "Only Owen had even read the entire script," Stoll -- who played Ernest Hemingway in the Allen hit -- said at a Q&A following a showing of the film at the Landmark Theater Thursday night, part of TheWrap's Awards Screening Series.
A sure sign that the septuagenarian Allen had begun to lose it?
Hardly. It was merely well-established method for a legendary comic filmmaker about to direct his biggest box office hit yet.
Interviewed alongside Allen's little sister and longtime producing partner, Letty Aronson, by TheWrap founder and CEO, Sharon Waxman, Stoll said Allen works to "imbue a sort of theatrical energy" among his actors.
"He moves way too fast for you to try to perfect your performance," said Stoll, who played Det. Tomas "T.J." Jaruszalski on NBC's "Law & Order: Los Angeles." "But Woody doesn't want you to be perfect," he added. "He wants this rough, spontaneous human reaction."
Also read: How Corey Stoll Manned Up for Hemingway in 'Midnight in Paris'
Receiving his role, Stoll said he was summoned to Allen's New York headquarters and given a two-page scene -- one in which Wilson's time-traveling American tourist is riding in a car with Stoll's Hemingway, on a short drive to visit Gertrude Stein (Kathy Bates).
"Owen had the real script, but the rest of us had only our scenes," Stoll said. "We didn't know what the movie was about."
Aronson chimed in: "Woody feels it's more spontaneous if the actors don't know the entire story -- it's a way of getting a more spontaneous reaction from them."
Stoll, however, said that during his initial casting meeting with Allen, he was given some guidance: the filmmaker wanted him to play almost a caricature of the legendarily macho Hemingway as opposed to a more dead-on realistic take as to how he might of been.
Also read: 'Midnight in Paris' -- Will It Be Woody Allen's Biggest Hit Ever?"
I had a few months of free time, and I just read and read and read," Stoll explained. "I got addicted to the muscularity of Hemingway's prose. I just sort of brewed in that manly stew for a few months."
While Stoll discussed actor's method issues, Aronson gave details about the film's financing: the $18 million project was funded as part of a three-picture deal with Spain's Mediapro. (The next film under the deal is the Jesse Eisenberg-led "Nero Fiddled," which just wrapped filming in Rome and is in the editing bay.)
