Data and Analysis
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‘Tulsa King’ Muscles Onto List of Titles Consumers Are Most Excited About After Season 2 Premiere
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As Productions Move Abroad, California Gears Up to Battle Film and TV Exodus
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Studios, Awards Campaigners Appalled by Golden Globes’ New Cash Grab: ‘It’s Insane’
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‘The Drew Barrymore Show’ Kicks Off Season 5 With Double-Digit Ratings Gains | Exclusive
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‘Beetlejuice Beetlejuice’ Has Been the Title Consumers Are Most Excited About for Five Weeks Straight | Chart
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Walz-Vance VP Debate Draws Over 43 Million Viewers, Down From 2020
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Demand for Hulu’s Exclusive Content Is at an All-Time High, While Churn Is at an All-Time Low | Charts
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TV Audiences Are Watching Less Drama, More Fantasy | Chart
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ABC Dominates Linear Top 10 With Presidential Debate, Emmys and AI | Chart
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‘Joker: Folie a Deux’ Dances Onto List of Titles Consumers Are Most Excited About | Chart
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Emmy Winner Anna Sawai Wasn’t the Most In-Demand Nominee in Her Category — But She Scored Huge in Another Metric | Chart
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‘The Perfect Couple’ Is Over-Indexing With High-Income Households
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‘Yellowstone’ Climbs List of Titles Consumers Are Most Excited About Ahead of Final Episodes | Chart
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Anime’s Growing Influence: How Netflix and Hulu Are Reaching a Key Audience | Chart
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Why ‘Beetlejuice Beetlejuice’ Is Set Up for Box Office Success | Chart
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‘Industry’ Season 3 Soars Up the Streaming Top 10 | Chart
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A DirecTV-Dish Merger Would Create a Mega-Pay TV Operator, But Won’t Stop the Industry’s Decline | Analysis
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Ryan Murphy Reflects on the Success, Discourse and ‘Daunting Task’ of Dominating Fall TV
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‘Spy on Me’: TikTok Users Aren’t Worried About China Getting Their Data
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How Free, Ad-Supported Streaming Is Bridging the Gap Between Linear and SVOD | Analysis
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Outgoing Sony Pictures CEO Predicts ‘Chaos’ in Entertainment Industry Over Next Two Years
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‘SNL’ Season 50 Premiere Captures 5.3 Million Viewers, Biggest Audience Since 2020
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‘The Penguin’ Premiere Grows to 10.4 Million Viewers After 11 Days
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‘The Wild Robot’ Soars to $35 Million Launch While ‘Megalopolis’ Crashes to $4 Million
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Hands On With Meta’s New Orion Augmented Reality Glasses | Commentary
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Producer Sam Pressman Believes Public Investment and AI Have a Place in Indie Filmmaking’s Future
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How ‘Wild Robot’ Director Chris Sanders Returned to Animation, Challenged the Medium and Made His Best Film Yet
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‘The Wild Robot’ Looks for Box Office Riches by Taking the ‘Elemental’ Route
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‘The Penguin’ Premiere Rules the Streaming Roost With More Viewers Than ‘House of the Dragon’ | Chart
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