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Why Cartoon Network Shows Don’t Necessarily Need Cartoon Network

By
Drew Taylor

1 day

Available to WrapPRO members
TV Shows
1 day

Available to WrapPRO members

Spotify on Its Shift From Exclusive Podcasts to Building a Creator-Friendly Platform

By
Kayla Cobb

1 day

Streaming
1 day
‘I Will Find You’ Ratings Streak Holds Strong With 11.5 Million Views in Week 4

By
Loree Seitz

2 days

TV Shows
2 days
‘The Odyssey’ Marks the Rebirth of One of Los Angeles’ Oldest Movie Palaces

By
Jeremy Fuster

30 minutes

Movies
30 minutes
‘The Odyssey’ Journeys Up the Top Titles Audiences Are Hyped For | Chart

By
ScreenShare

16 hours

Data Analysis
16 hours
Creatorverse: Why ‘SubwayTakes’ Scored the Coveted Creator Emmy Nom

By
Kayla Cobb

17 hours

TV
17 hours
‘The Odyssey’ Arrives With Imax-Sized Box Office Expectations

By
Jeremy Fuster

18 hours

Movies
18 hours
As ‘Moana’ Whiffs, Is Disney’s Live-Action Remake Strategy Dead?

By
Adam Chitwood

2 days

Movies
2 days
Paramount-Warner Bros. May Face Devastating Delay With State Antitrust Suit | Analysis

By
Roger Cheng

2 days

Deals & M&A
2 days
California’s Paramount Lawsuit Looks More Like Politics Than a Winning Legal Strategy | Analysis

By
A.J. Katz

3 days

Deals & M&A
3 days
Why Disney’s ‘Moana’ Remake Floundered at the Box Office

By
Jeremy Fuster

3 days

Movies
3 days
The Media Front Returns With Telemundo’s World Cup Moment

By
A.J. Katz

3 days

Journalism
3 days
Why Letterboxd Is a Hot Takeover Target | Analysis

By
Roger Cheng, Lucas Manfredi, and Casey Loving

3 days

Deals & M&A
3 days

Contributing Writers

Data & Analysis

Which Spielberg Movies Make the Most Money on Streaming? | Charts

By
Christofer Hamilton

6 days

Streaming
6 days
‘Dutton Ranch’ Finale Fights Off HBO’s Franchise Hit to Retake Streaming Chart

By
Samba TV

7 days

TV Shows
7 days
‘Spider-Man: Brand New Day’ Has Audiences Excited, but FIFA’s World Cup Stays on Top | Chart

By
ScreenShare

Data Analysis

Office With a View