Reviews
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‘Pressure’ Review: Brendan Fraser and Andrew Scott Are Overcast in This Middling D-Day Drama
Gen. Dwight D. Eisenhower is torn between two meteorologists in a historical anecdote that can’t sustain a whole feature
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‘Too Many Beasts’ Review: Sarah Arnold’s Rustic Crime Thriller Mixes New With the Old
Cannes 2026: The pigs have gone wild in the French filmmaker’s electric debut of farmers vs. hunters vs. cops
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‘Viva Carmen’ Review: An Animated Gem and Startlingly Original Adaptation
Cannes 2026: Sébastien Laudenbach’s youth-oriented spin on Georges Bizet’s opera is a welcome reminder that ambition can be fun
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‘The End of It’ Review: This Messy, Zany Meditation on Aging, Death and Art Heralds the Arrival of a Thoughtful Voice
Cannes 2026: Maria Martínez Bayona directs Rebecca Hall to a cinematic crash out of bleak proportions
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‘The Dreamed Adventure’ Review: Valeska Grisebach’s Unhurried Gangster Drama Defies Convention
Cannes 2026: Yana Radeva is an archeologist-turned-gumshoe in the German filmmaker’s 164-minute feature
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‘The Joyless Economy’ Review: A Revelatory Reflection on Horror, Sex and Cinema Itself
Cannes 2026: You’re unlikely to see an independent film as thoughtfully crafted and revealing as Marjorie Conrad’s latest
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‘Ladies First’ Review: Sacha Baron Cohen Netflix Comedy Is a Mixed Bag
Rosamund Pike fittingly steals his thunder in a film about a misogynist who wakes up in a world where gender roles are flipped
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‘The Birthday Party’ Review: A Familiar Thriller Premise Is Heightened by Great Craft
Cannes 2026: The French “Histoires De La Nuit” is the latest from “Five Devils” director Léa Mysius, here telling a back-to-basics home invasion story
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‘Everytime’ Review: Sandra Wollner’s Delicate, Devastating Portrait of Grief Is One You Won’t Forget
Cannes 2026: Birgit Minichmayr gives a magnificent performance as a mother grappling with an immense loss
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‘La Gradiva’ Review: Astounding Cannes Award-Winning Debut Is One for the Ages
Cannes 2026: Marine Atlan’s film already feels like a new coming-of-age classic
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‘Spider-Noir’ Review: Nicolas Cage Marvels in One of the Year’s Top TV Treats
Li Jun Li and Lamorne Morris help populate an excellent genre mashup of mystery, superhero and horror movie conventions
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‘Late Show’ Finale Review: Stephen Colbert’s Goodbye to Late Night Was a Television Masterpiece
The host’s final hour on CBS perfectly mixed humor, heart and homage to stage more of a celebration than a funeral
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‘La Bola Negra’ Review: A Rousing Testament to Queer Love’s Timeless Resilience
Cannes 2026: Javier Calvo and Javier Ambrossi deliver a decades-spanning odyssey unlike anything you’ve seen
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‘Coward’ Review: Queer Art Complements War in Subversive Military Drama
Cannes 2026: Lukas Dhont’s follow-up to “Close” is all but certain to be Belgium’s Oscar submission
