Every Quentin Tarantino Film Ranked From Worst to Best (Photos)
Where does “Once Upon a Time in … Hollywood” fall among the grindhouse auteur’s films?
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‘Green Book’ and 13 Other Best Picture Winners That Don’t Hold Up (Photos)
Some Oscar winners stand the test of time — these, not so much
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12 Classic Oscar-Winning Performances That Still Hold Up (Photos)
From Audrey Hepburn to Alec Guinness to Barbra Streisand, these Golden Age portrayals have stood the test of time
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Martin Scorsese’s Crime Films Ranked, From ‘Boxcar Bertha’ to ‘The Irishman’ (Photos)
In honor of the 30th anniversary of “Goodfellas,” we take a look at the Oscar-winning director’s cornucopia of films about people who live a criminal lifestyle
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‘There’s Something in the Water’ Film Review: Ellen Page Examines Racism and Environmental Disaster
With her co-director Ian Daniel, Page uncovers a history of black and indigenous communities in Nova Scotia targeted by polluters
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‘Big Time Adolescence’ Film Review: Pete Davidson and Co-Star Shine in Rote Coming-of-Age Tale
Davidson is great as the bad influence to younger teen Griffin Gluck, but the movie never becomes funny or dramatic enough
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‘The Hunt’ Film Review: Satire-Thriller Takes Aim at Red and Blue America Alike
Betty Gilpin gives an awards-worthy performance as the one character, liberal or conservative, not blithely demonizing the other side
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‘Beneath Us’ Film Review: Undocumented Workers Battle Rich, Racist Bosses in Timely, Creepy Exploitation Horror
Lynn Collins all but steals the show in a seemingly Russ Meyer-inspired turn as a homicidal homeowner
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‘The Banker’ Film Review: Anthony Mackie Gives Energy to Blandly Competent Biopic
This tale of black entrepreneurs taking on 1960s racism avoids the narrative risks that would have given this tale more power
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‘The Invisible Man’ Film Review: Elisabeth Moss Delivers Bravura Performance in Taut, Tight Remake
Leigh Whannell rethinks the H.G. Wells classic and delivers the scares in a lean and mean horror triumph
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‘Brahms: The Boy II’ Film Review: A Horror Sequel So Bad, It Drags Down Its Predecessor
All hail Katie Holmes for her efforts to infuse this non-scary nonsense with nuance and depth
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‘Corpus Christi’ Review: Poland’s Oscar Entry Explores the Rough Road of Redemption
In this parable about a phony priest, director Jan Komasa examines the ongoing process of answering life’s toughest questions
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All 38 2020 Oscar-Nominated Features, Ranked Worst to Best (Photos)
How do this year’s Academy Award contenders stack up against each other?
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‘The Lodge’ Film Review: Disappointing Thriller Confuses Ugliness with Scariness
The “Goodnight Mommy” team returns with what plays like a cheap exploitation of mental illness, despite Riley Keough’s empathetic turn
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‘Gretel & Hansel’ Film Review: Oz Perkins Turns a Dark Fable Into Even Darker Cinema
Perkins finds new layers of dread and discomfort in the Brothers Grimm tale, further establishing himself as a vital horror auteur
