‘The Invisible Man’ Film Review: Elisabeth Moss Delivers Bravura Performance in Taut, Tight Remake
Leigh Whannell rethinks the H.G. Wells classic and delivers the scares in a lean and mean horror triumph
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‘Brahms: The Boy II’ Film Review: A Horror Sequel So Bad, It Drags Down Its Predecessor
All hail Katie Holmes for her efforts to infuse this non-scary nonsense with nuance and depth
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‘Corpus Christi’ Review: Poland’s Oscar Entry Explores the Rough Road of Redemption
In this parable about a phony priest, director Jan Komasa examines the ongoing process of answering life’s toughest questions
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All 38 2020 Oscar-Nominated Features, Ranked Worst to Best (Photos)
How do this year’s Academy Award contenders stack up against each other?
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12 Classic Oscar-Winning Performances That Still Hold Up (Photos)
From Audrey Hepburn to Alec Guinness to Barbra Streisand, these Golden Age portrayals have stood the test of time
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‘The Lodge’ Film Review: Disappointing Thriller Confuses Ugliness with Scariness
The “Goodnight Mommy” team returns with what plays like a cheap exploitation of mental illness, despite Riley Keough’s empathetic turn
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‘Gretel & Hansel’ Film Review: Oz Perkins Turns a Dark Fable Into Even Darker Cinema
Perkins finds new layers of dread and discomfort in the Brothers Grimm tale, further establishing himself as a vital horror auteur
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‘2020 Oscar Shorts: Animated’ Film Review: Nominated Cartoons Run the Gamut from Heartfelt to Heartbreaking
There’s the adorable “Hair Love,” and then four powerful shorts that will put you through the wringer
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‘2020 Oscar Shorts: Documentary’ Film Review: Traditionally Intense Category Wields a Slightly Lighter Touch This Year
There’s tragedy but also hope within this year’s crop of non-fiction short subjects
