Awards
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How Andrew Garfield Went From Jonathan Larson to Jim Bakker to Spider-Man in One Crazy Year
TheWrap magazine: ”It was a very mystical, profound thing, a kind of storytelling ritual of grief and even gratitude,“ says Garfield of his role in ”tick, tick…BOOM!“
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‘Sing 2’ Director Garth Jennings on Bono’s Big Moment
TheWrap magazine: We go inside the making of the animated sequel’s climactic moment
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TheWrap-Up Podcast: Nanfu Wang and Megan Mylan On Their Powerful Oscar Shortlisted Documentaries
Episode 57: Plus, a look at the 2022 award season and a preview of the Sundance Film Festival
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Why Lin-Manuel Miranda Said He Was the ‘Only Person’ Who Could Make ‘tick, tick… BOOM!'(Exclusive Video)
The ‘Hamilton’ creator discusses how his early love of films led him to make his directorial debut with the musical starring Andrew Garfield
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Guillermo del Toro on ‘Nightmare Alley’: No Monsters, No Problem
TheWrap magazine: ”In my movies, the real monster is man, and it was about time to try it without any fantastical elements,“ says the director
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How Oscar Voters Could Make the Best Picture Category Even Weirder This Year
Expanding the category to 10 nominees could increase variety, but only if voters take advantage of the opportunity they’ve been given
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‘Dune,’ ‘F9’ and ‘Spider-Man: No Way Home’ Campaigns Among ICG Publicists Awards Nominees
”A Quiet Place Part II,“ ”West Side Story“ and ”The Harder They Fall“ also nominated in the ICG Publicists Awards’ Motion Pictures category
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How Garth Brooks Inspired ‘The Mitchells vs. the Machines’
TheWrap magazine: Director Mike Rianda and co-director Jeff Rowe reveal the unlikely origin of one of the film’s best sequences
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Oscar Shrinkage: 276 Features Qualify for This Year’s Awards, Lowest Count in a Decade
The Academy’s list of features eligible for consideration at the 94th Oscars is down from 2021’s 366 titles
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‘My Sunny Maad': Making an Animated Film That Doesn’t Feel Like Animation
TheWrap magazine: “I wanted to make a film where people would forget it’s animated,” says Czech director Michaela Pavlatova
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‘The Tragedy of Macbeth': How The Sets Were Designed as One Big Optical Illusion
Production designer Stefan Dechant talks about blending day and night in the new Joel Coen film – and how ”lime green cartoon moss“ intruded on one scene
