
How ‘Ma Rainey’s Black Bottom’ Production Designer Used a Steel Mill to Re-Create 1920s Chicago
Oscar nominee Mark Ricker (“The Help,” “Julie & Julia”) talks to TheWrap about using an abandoned Pittsburgh factory for the acclaimed Netflix film
Oscar nominee Mark Ricker (“The Help,” “Julie & Julia”) talks to TheWrap about using an abandoned Pittsburgh factory for the acclaimed Netflix film
The Oscar-nominated sound engineers talk to TheWrap about their work on the Tom Hanks battleship film
Oscar nominee Alan Baumgarten explains to TheWrap five of the challenges he faced while cutting one six-minute sequence in Aaron’s Sorkin’s courtroom drama
Anders Hammer, director of the Oscar-nominated documentary short “Do Not Split,” talks to TheWrap about the Chinese government’s harsh reaction to his film on the 2019 Hong Kong protests
Oscar front runners Joshua James Richards and Chloé Zhao also discuss their approach to lighting and framing the Frances McDormand film
Sound designer Nicholas Becker heads to the Oscars with history on his side: No movie with the word “sound” in its title has ever lost the category of Best Sound
Oscar-winner Alexandra Byrne, nominated for a sixth time this year for the pastel-colored Jane Austen adaptation, talks to TheWrap about bouncing between period films and superhero flicks
Thomas Vinterberg, the first Danish filmmaker nominated for Best Director, talks to TheWrap about his intoxicating nod for the Mads Mikkelsen film
Joshua James Richards talks to TheWrap about Chloé Zhao’s Oscar frontrunner and its spiritual connection to John Ford’s 1956 classic ‘The Searchers’
Director Matteo Garrone’s Italian-language adaptation also transformed a real boy into a wooden puppet
Trish Summerville, an Oscar nomination favorite for her elaborate 1930s wardrobes in David Fincher’s film, describes the challenges of creating clothes in a black and white world
TheWrap awards magazine: Makeup designer Sergio Lopez-Rivera and hair artist Mia Neal discuss their work with the Oscar-winner on creating a glamorous and discomforting heroine
TheWrap awards magazine: Joshua James Richards talks about the pain and ecstasy of filming Chloé Zhao’s remarkable feature about a woman living a nomadic life in the American West
TheWrap awards magazine: Production designer David Crank (“Knives Out”) talks about recreating the Wild West with Tom Hanks and a magnifying glass
Sean Bobbitt tells TheWrap about shooting Fred Hampton’s murder: “You don’t want people to look away; you want them to feel the whole emotion”