‘Bad Hair’ Film Review: Justin Simien Puts Thoughtful Twists in a Creepy Horror Movie
Sundance 2020: Elle Lorraine is riveting to watch as she plays an ambitious producer forced to solve the unexplained mysteries of her sentient hair weave
Many of us who have tried to dye, bleach, relax or chemically treat our hair at home may relate to the anxiety in the first scene of Justin Simien’s follow-up to “Dear White People,” “Bad Hair.” An older cousin tries to help her younger cousin relax her hair for the first time, but the little girl begins to complain that the product is burning her.
Like many first-time attempts, the experiment doesn’t go well, but this is just the start of many hair-related frights to come in the film, which had its world premiere on Thursday, the opening night of the 2020 Sundance Film Festival.
After that initial scene, the film jumps ahead to 1989 Los Angeles. The little girl, Anna (Elle Lorraine), is now an aspiring TV producer in an industry that’s ruthless on black women and their hair. Under new management led by a former model, Zora (Vanessa Williams), Anna’s natural curls are no longer acceptable, and she’s pressured to try a new fashion trend to get straight hair: a weave. She endures the painful procedure to have straight strands of hair sewn in for the sake of her career, but the hair – and what it represents – is not what it seems.
Lorraine is the movie’s breakout star. She’s riveting to watch as she plays her ambitious character forced to solve the unexplained mysteries of her sentient weave. She’s joined by an equally entertaining cast filled with famous faces like Williams, Lena Waithe, Laverne Cox, Kelly Rowland, Jay Pharoah, MC Lyte and Usher, to name a few.
“Bad Hair” is shot on film in a way that captures the movie’s throwback look and allows Simien and his cinematographer Topher Osborn to play with color and lighting. The night scenes practically sparkle from blue moonlight, yet dark alleyways and overpasses look even more foreboding with less light. In some scenes, colorful neon signs and lighting fixtures heighten the intensity of the moment.
There’s one particularly striking scene of two actors in mid-kiss backlit with a bright blue light, and carefully composed moments like this add to the film’s suspense – things can’t be this pretty all the time in a horror movie.
Costume designer Ceci also deserves a round of applause for recreating the vivid fashions from the start of her career in the late 80s and early 90s. The gamut of costumes range from professional office wear at the TV channel to casual clothes when visiting family to the fashionable excesses of performers and TV personalities. Many of Ceci’s ensembles also tell a nuanced story of cultural identity and class.
Simien dives into his love of horror movies and peppers references to some of his favorites throughout “Bad Hair.” For instance, there’s a split diopter shot as an homage to Brian De Palma’s “Body Double,” an axe that harkens back to Stanley Kubrick’s “The Shining” and many other allusions to such movies as “Carrie,” “Rosemary’s Baby” and “Invasion of the Body Snatchers.”
“Bad Hair” references itself often, repeating scenes and clues to the story in flashbacks, which can sometimes get in the way of its own momentum. The movie is front-loaded with exposition, but once the action gets going and the narrative pieces fall into place, “Bad Hair” is a creepy movie with thoughtful political twists and thrilling supernatural turns.
16 Buzziest Sundance Movies for Sale in 2020, From Julianne Moore's 'The Glorias' to Michael Keaton's 'Worth' (Photos)
It's another Sundance Film Festival of slopes, snow, stars and sales. That's right, the market at the Sundance Film Festival is gearing up yet again with some buzzy titles among those just premiering at the festival and those in competition. And after last year produced some mega deals for movies like "Late Night," "The Farewell" and "Brittany Runs a Marathon" to name just a few, these are the features and documentaries TheWrap will be keeping an eye on while in Park City.
All Photos Courtesy of Sundance Institute
"The 40-Year-Old Version"
No, it's not the Steve Carell movie. Radha Blank wrote, directed and stars in this highly personal film about what it really looks like to be a struggling actress at age 40 when she leaves the world of community theater and records a rap demo track. The film marks Blank's directorial debut and is shot in New York entirely in black and white. "Queen & Slim" scribe Lena Waithe is a producer on the film, and "The 40-Year-Old Version" is playing in the U.S. Dramatic Competition.
Courtesy of Sundance Institute | photo by Eric Branco
"Bad Hair"
Justin Simien's follow-up to his thought-provoking conversation piece "Dear White People" is set in LA in 1989 about a group of enterprising women trying to climb the ladder and be the next star of a music video TV show, all while battling in a war of words and dreadlocks. Elle Lorraine, Vanessa Williams, Jay Pharoah, Lena Waithe, Blair Underwood and Laverne Cox all star in this satirical, psychological thriller that's debuting in the midnight section of the festival.
Courtesy of Sundance Institute
"Black Bear"
"Black Bear" stars Aubrey Plaza, Christopher Abbott and Sarah Gadon in a drama about a couple who welcomes an aspiring filmmaker into their remote lake house, only to be wrapped up in a game of desire, manipulation and jealousy in the filmmaker's pursuit of art. The film is directed and written by Lawrence Michael Levine and will premiere in the NEXT section of the festival.
Courtesy of Sundance Institute | photo by Rob Leitzell
"Disclosure: Trans Lives on Screen"
In "Disclosure," filmmaker Sam Feder sits down with Hollywood's leaders and thinkers in the trans community like Laverne Cox, Lilly Wachowski, Yance Ford, Mj Rodriguez, Jamie Clayton and Chaz Bono. The documentary grapples with the history of trans characters in TV and movies, going way back to "Dog Days Afternoon" and "Boys Don't Cry" up through FX's "Pose."
Courtesy of Sundance Institute
"Four Good Days"
Glenn Close reunites with her director on "Albert Nobbs," Rodrigo Garcia, for this drama in which Close plays a mother who gets a surprise visit from her estranged, drug addict daughter (Mila Kunis). Close's character is resistant to give her daughter another chance after years of failed rehab and lying, but something about this time feels different.
Courtesy of Sundance Institute | photo by Igor Jadue Lillo
"The Glorias"
Julianne Moore stars in Julie Taymor's biopic "The Glorias" about the journalist and feminist icon Gloria Steinem. But she's just one of five women playing Steinem at different stages of her journey in Taymor's unconventional approach to adapting Steinem's memoir "Life on the Road." Alicia Vikander, Janelle Monáe, Timothy Hutton, Lulu Wilson, Lorraine Toussaint and Bette Midler all star in the film.
Courtesy of Sundance Institute
"The Go-Go's"
This documentary's got the beat as it goes behind the scenes of one of the defining pop punk girl groups of the 1980s, The Go-Gos. The film from director Alison Ellwood reunites founding band members Belinda Carlisle and Jane Wiedlin during their early days in the Los Angeles punk rock scene up through their hit-making, MTV success and turn to fame, drugs and alcohol.
Courtesy of Sundance Institute | photo by Paul Natkin
"Ironbark"
Benedict Cumberbatch stars in this drama set during the Cold War-era and Cuban Missile Crisis about a mild-mannered businessman called upon by the British government to help uncover a Soviet mole. Jessie Buckley, Rachel Brosnahan and Angus Wright co-star. This is just the second feature film from Dominic Cooke after his 2017 film "On Chesil Beach."
Courtesy of Sundance Institute
"The Nest"
In what is incredibly only Sean Durkin's second feature film since he won the directing prize from Sundance for "Martha Marcy May Marlene" in 2011, "The Nest" stars Jude Law and Carrie Coon as two ex-pats who leave suburban America for London in the 1980s. The two-handed character drama shows how their relationship slowly simmers and boils over as they try to manage their new, lavish lifestyle in England.
Courtesy of Sundance Institute
"The Night House"
Playing in the midnight section of the festival, this horror film from director David Bruckner stars Rebecca Hall as a woman living alone in a lakeside home following the recent death of her husband. The film is an updated take on a traditional ghost story as Hall experiences dreams that drive her to find answers about her husband's past. Sarah Goldberg and Stacy Martin co-star.
Courtesy of Sundance Institute | photo by Elisha Christian
"On the Record"
The latest documentary from the directors of "The Hunting Ground" and "The Invisible War" is back on the market after Oprah Winfrey removed herself as an executive producer from the project and pulled the film from debuting on Apple TV+. Winfrey specifically felt the need to step aside from the movie because directors Kirby Dick and Amy Ziering wanted to show the film at Sundance before Winfrey felt it was complete. "On the Record" follows music executive Drew Dixon in the early days of #MeToo as she grapples with the decision to come forward about her her accusations of rape against Def-Jam Records co-founder Russell Simmons.
Courtesy of Sundance Institute | photo by Martyna Starosta
"Save Yourselves!"
"Save Yourselves" is a zany sci-fi comedy about a Brooklyn couple that retreats to a remote cabin in the woods in order to unplug, only to miss the news of an alien invasion that's destroyed much of civilization. The film from directors Eleanor Wilson and Alex Huston Fischer satirizes millennial culture and modern love. John Reynolds and Sunita Mani star in the comedy that's premiering in the U.S. Dramatic Competition.
Courtesy of Sundance Institute | photo by Matt Clegg
"Shirley"
"Shirley" stars Elisabeth Moss as the famous gothic horror author of stories such as "The Lottery" and "The Haunting of Hill House," Shirley Jackson. It's an unconventional biopic about how Jackson discovers the inspiration for her next novel through the eccentric behavior of a young couple she and her husband take into their home. Michael Stuhlbarg, Logan Lerman and Odessa Young co-star in the film from "Madeline's Madeline" director Josephine Decker. The film is playing in the U.S. Dramatic Competition.
Courtesy of Sundance Institute | photo by Thatcher Keats
"Wander Darkly"
Part mystery, part family drama and featuring what's described by Sundance as "demanding tonal shifts," "Wander Darkly" stars Sienna Miller trying to reckon with the future of her relationship with her husband (Diego Luna) and her infant child. At the same time, she's forced to solve the mystery of a recent traumatic accident. Tara Miele directs the film that's playing in competition in the U.S. Dramatic section.
Courtesy of Sundance Institute | photo by Carolina Costa
"Worth"
"Worth" gives a new perspective of New York post-9/11 by following Michael Keaton as an attorney appointed to lead the 9/11 Victim Compensation Fund. But Keaton's character has a change of heart when he comes face to face with a community leader played by Stanley Tucci who lost his wife in the World Trade Center. "Worth" is director Sara Colangelo's third film, all of which have premiered at Sundance, including her previous film "The Kindergarten Teacher," which won top directing honors at the festival in 2018.
Courtesy of Sundance Institute
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Documentaries like ”On the Record,“ ”Disclosure“ and ”The Go-Go’s“ are also making noise
It's another Sundance Film Festival of slopes, snow, stars and sales. That's right, the market at the Sundance Film Festival is gearing up yet again with some buzzy titles among those just premiering at the festival and those in competition. And after last year produced some mega deals for movies like "Late Night," "The Farewell" and "Brittany Runs a Marathon" to name just a few, these are the features and documentaries TheWrap will be keeping an eye on while in Park City.
All Photos Courtesy of Sundance Institute
Courtesy of Sundance Institute | photo by Eric Branco
