Skip to content
Subscribe to PRO
Login
Subscribe to PRO

Main Navigation

  • TV
    • TV
    • Ratings
    • Reviews
  • Movies
    • Movies
    • Steve Pond
    • Reviews
    • Box Office
    • Sundance
    • Sundance Videos
    • TIFF
    • Report From Toronto
    • Cannes
    • Cannes Magazine
    • CinemaCon
  • Awards
    • Visionaries
    • Awards
    • Emmys
    • Oscars
    • How I Did It
  • TheWrapBook
    • TheWrapBook Volume 3: The Art of Cinema
    • TheWrapBook Volume 2: The Art of Television
    • TheWrapBook Volume 1: The Art of Cinema
    • WrapStyle
  • PRO
    • Members Hub
    • Data Insights
    • Streaming Charts
    • The Grill
    • TheGrill 2024 Videos
    • WrapPRO
  • What to Watch
  • More
    • Power Women Summit
    • Screening Series RSVP
    • Screenings Archive
    • Webinars Archive
    • Shortlist Film Festival
    • Bold Steps
    • How She Did It
    • How I Did It
    • Digital Covers
    • Waxword
    • Newsletters
    • Latino Power List
    • Tech
    • Culture
    • Media
Newsletters

Search

Subscribe

Follow Us

  • Visit The Wrap on facebook
  • Visit The Wrap on twitter
  • Visit The Wrap on instagram
  • Visit The Wrap on youtube

Trending Topics:

  • Cannes
  • Tariffs
  • Visionaries
There’s more to TheWrap. Create an account and get the latest on Hollywood, Media and Tech.

Movies

  • ‘The Phoenician Scheme’ Review: Nobody Wes Andersons Like Wes Anderson

    By

    William Bibbiani
    May 18, 2025 @ 10:45 AM
    Cannes Report
    10:45 AM
    ‘The Phoenician Scheme’ Review: Nobody Wes Andersons Like Wes Anderson
  • A Candid Kristen Stewart Unpacks Her 8-Year Journey to Directorial Debut ‘Chronology of Water’: ‘I Wanted to Do This So Badly’ | Video

    Cannes 2025: “I didn’t want to make a movie about the things that happened to this woman. I wanted to make a movie about what we can do to the things that happened to us,” the filmmaker tells TheWrap

    By

    Adam Chitwood
    May 18, 2025 @ 9:35 AM
    Cannes Report
    9:35 AM
    A Candid Kristen Stewart Unpacks Her 8-Year Journey to Directorial Debut ‘Chronology of Water’: ‘I Wanted to Do This So Badly’ | Video
  • ‘The Secret Agent’ Review: ’70s Brazilian Romp Includes Wagner Moura and a Rampaging Severed Leg

    Cannes 2025: Cohesiveness or coherence are not high on the list of the attributes of Klebel Mendonça Filho’s film, but its messiness is part of its charm

    By

    Steve Pond
    May 18, 2025 @ 8:38 AM
    Cannes Report
    8:38 AM
    ‘The Secret Agent’ Review: ’70s Brazilian Romp Includes Wagner Moura and a Rampaging Severed Leg
  • ‘Final Destination: Bloodlines’ Keeps Warner Bros. Flying High With $51 Million Box Office Opening

    New Line legacy sequel joins “Sinners” and “Minecraft” among Warner’s recent hits

    By

    Jeremy Fuster
    May 18, 2025 @ 8:36 AM
    Movies
    8:36 AM
    ‘Final Destination: Bloodlines’ Keeps Warner Bros. Flying High With $51 Million Box Office Opening
  • ‘Nouvelle Vague’ Director Richard Linklater Dumps On Trump Tariff Threat, Gushes Over Godard: ‘He Had Such An Interesting Brain’

    Cannes 2025: Linklater isn’t worried about Trump’s proposed tariffs on movies that don’t shoot in the U.S.: “That guy changes his mind like 50 times in one day”

    By

    Chase Hutchinson
    May 18, 2025 @ 3:44 AM
    Cannes Report
    3:44 AM
    ‘Nouvelle Vague’ Director Richard Linklater Dumps On Trump Tariff Threat, Gushes Over Godard: ‘He Had Such An Interesting Brain’
  • ‘Die, My Love’ Star Jennifer Lawrence Says She Was Heartbroken By Postpartum Story: ‘It’s Extremely Isolating’

    Cannes 2025: The actress said “extreme anxiety and extreme depression is isolating no matter where you are” at a Cannes press conference

    By

    Chase Hutchinson
    May 18, 2025 @ 2:57 AM
    Cannes Report
    2:57 AM
    ‘Die, My Love’ Star Jennifer Lawrence Says She Was Heartbroken By Postpartum Story: ‘It’s Extremely Isolating’
  • ‘Die, My Love’ Review: Robert Pattinson and Jennifer Lawrence Are Outstanding in Haunting Domestic Horror

    Cannes 2025: Lynne Ramsay’s adaptation of the novel by Ariana Harwicz is frequently astounding

    By

    Chase Hutchinson
    May 17, 2025 @ 1:43 PM
    Cannes Report
    1:43 PM
    ‘Die, My Love’ Review: Robert Pattinson and Jennifer Lawrence Are Outstanding in Haunting Domestic Horror
  • Matthias Schweighöfer on Teaming With Fatih Akin for ‘Amrum,’ Tom Cruise Stories and Getting Zack Snyder’s Seal of Approval | Video

    Cannes 2025: The actor explains why it is “very important” people see the film, which follows a family of Hitler’s supporters after the fascist leader’s death by suicide in 1945

    By

    Stephanie Kaloi
    May 17, 2025 @ 1:15 PM
    Cannes Report
    1:15 PM
    Matthias Schweighöfer on Teaming With Fatih Akin for ‘Amrum,’ Tom Cruise Stories and Getting Zack Snyder’s Seal of Approval | Video
  • The 7 Best Hidden Gems Streaming on Max Right Now

    Picks include Zack Snyder’s most underrated film and the perfect movie to pair with “The Studio”

    By

    Alex Welch
    May 17, 2025 @ 1:00 PM
    What to Watch
    1:00 PM
    The 7 Best Hidden Gems Streaming on Max Right Now
  • ‘Renoir’ Review: Quiet Japanese Drama Looks at Death Through a Young Girl’s Eyes

    Cannes 2025: You could call Chie Hayakawa’s understated second feature a coming-of-age film, except that its lead character doesn’t really learn anything 

    By

    Steve Pond
    May 17, 2025 @ 12:37 PM
    Cannes Report
    12:37 PM
    ‘Renoir’ Review: Quiet Japanese Drama Looks at Death Through a Young Girl’s Eyes
  • ‘Nouvelle Vague’ Review: Richard Linklater’s ‘Breathless’ Making-Of Biopic Is a Delightful Hang

    Cannes 2025: The filmmaker’s labor of love also showcases a little-heralded aspect of Linklater’s career: technical craft

    By

    Ben Croll
    May 17, 2025 @ 10:45 AM
    Cannes Report
    10:45 AM
    ‘Nouvelle Vague’ Review: Richard Linklater’s ‘Breathless’ Making-Of Biopic Is a Delightful Hang
  • ‘A Useful Ghost’ Review: Davika Hoorne Is a Spectacular Supernatural Vacuum in Bold Drama

    Cannes 2025: Writer/director Ratchapoom Boonbunchachoke’s feature debut is a wondrous festival discovery that’ll stick with you

    By

    Chase Hutchinson
    May 17, 2025 @ 8:39 AM
    Cannes Report
    8:39 AM
    ‘A Useful Ghost’ Review: Davika Hoorne Is a Spectacular Supernatural Vacuum in Bold Drama
  • ‘Final Destination: Bloodlines’ Set For Franchise Record $48.5 Million Box Office Opening

    New Line legacy sequel on pace to be the highest grossing film in the series

    By

    Jeremy Fuster
    May 17, 2025 @ 8:26 AM
    Movies
    8:26 AM
    ‘Final Destination: Bloodlines’ Set For Franchise Record $48.5 Million Box Office Opening
  • ‘Eddington’ Director Ari Aster Says He Feels Bad About America: ‘We Are on a Dangerous Road’

    Cannes 2025: His dark and provocative new film was written “in a state of fear and anxiety about the world,” the director said at a Cannes press conference

    By

    Chase Hutchinson
    May 17, 2025 @ 4:37 AM
    Cannes Report
    4:37 AM
    ‘Eddington’ Director Ari Aster Says He Feels Bad About America: ‘We Are on a Dangerous Road’
  • The 7 Best New Movies Streaming on Hulu Right Now

    From films celebrating their 20th anniversary to the very first “Mission Impossible”

    By

    Raquel 'Rocky' Harris
    May 16, 2025 @ 5:02 PM
    Movies
    5:02 PM
    The 7 Best New Movies Streaming on Hulu Right Now
1 2 3 … 100
Next Page

Latest Magazine Issue

View magazine issue

  • About Us
  • Advertise
  • Contact
  • Careers
  • Masthead
  • Newsletters
  • WrapBook

  • Subscribe
  • Team Plan
  • Learn More

  • Terms of Service
  • Privacy Policy
  • AdChoices

  • Cannes
  • College
  • Emmys
  • Oscars
  • Advertise With Us

Follow Us

  • Visit The Wrap on facebook
  • Visit The Wrap on twitter
  • Visit The Wrap on instagram
  • Visit The Wrap on youtube
© Copyright 2025 TheWrap