Cannes Report
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‘Resurrection’ Review: Bi Gan’s Marathon Dream Film Is Baffling and Euphoric
Cannes 2025: The dense and delirious 160-minute cycles through a century of wildly disparate film iconography without making much sense
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‘Young Mothers’ Review: The Dardennes Make a Deeply Felt, Yet Flawed, Social-Realist Drama
Cannes 2025: The strength of the film’s cast helps overcome its stumbles
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Neon Buys Oliver Laxe’s Desert Rave Road Movie ‘Sirât’ Out of Cannes
The pickup comes on the heels of Neon’s acquisition of “It Was Just an Accident” earlier this week
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‘Drunken Noodles’ Review: This New York Story of Sex and Art Sneaks Up on You
Cannes 2025: Lucio Castro’s small-scale drama of sex and connection has something surprising lurking underneath
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Adrien Brody, Heidi Klum, Taraji P. Henson and More Stun on the AmfAR Gala Cannes 2025 Red Carpet | Photos
The fashion-forward event was held at the Hotel du Cap-Eden-Roc in Antibes and presented by Chopard
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‘Woman and Child’ Review: Parinaz Izadyar Gives a Powerful Performance in Unrelentingly Painful Drama
Cannes 2025: What begins as a more intimate story of an Iranian family takes a devastatingly tragic turn
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Cannes Day 9: ‘Sentimental Value’ Soars
Joachim Trier’s movie about movies appears to be the Palme d’Or frontrunner
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Neon Nabs Jafar Panahi’s ‘It Was Just an Accident’ After Cannes Debut
The Iranian filmmaker made his first trip to Cannes since 2003 after being imprisoned by the government
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Mubi Acquires ‘Sound of Falling’ Out of Cannes
Mascha Schilinski’s film follows four girls over a century in a German farmhouse
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‘Planètes’ Review: Delightful Animated Odyssey Finds Hope in Nuclear Armageddon
Cannes 2025: Director Momoko Seto takes you on an interstellar trip with a group of seeds in search of a new home after Earth is obliterated
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‘Sentimental Value’ Review: Joachim Trier Reteams With Renate Reinsve for His Best Film Yet
Cannes 2025: Art and family are at the center of the “Worst Person in the World” filmmaker’s latest, co-starring Stellan Skarsgård
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With ‘Six Billion Dollar Man’ Doc, Eugene Jarecki Wants Julian Assange to Be Seen ‘As a Full Person’
Cannes 2025: “I’m not here to do counter-propaganda, I’m here to speak truth to power,” the filmmaker says of his film about the Wikileaks founder
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‘The History of Sound’ Review: Paul Mescal Romances Josh O’Connor, Sings in Muted Drama
Cannes 2025: Olivier Hermanus’ restrained period film struggles to come alive
