Cannes Report
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Cannes 2023 and the Shaky Movie Business: Film Finance Beckons but AI Terrifies
Available to WrapPRO members
Waxword
Available to WrapPRO members
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Watch Jane Fonda Hilariously Chuck Palme d’Or Certificate at Winner Justine Triet, Who Forgot to Take It (Video)
Cannes 2023: The two-time Oscar winner has quite an accurate pitching arm on her
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‘Elemental’ Review: A Rich and Vibrant Showcase of Studio Animation
Pixar’s latest takes the conventional antagonists duo of fire and water from foils to friends to frustrated soul mates
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‘Cobweb’ Review: Song Kang-ho Is a Director at Play in Stylish Potboiler
Cannes 2023: South Korean actor marks his fourth consecutive trip to the festival with an exercise in flair but not much more
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‘Anatomy of a Fall’ Wins Palme d’Or at 2023 Cannes Film Festival
Cannes 2023: Acting awards go to Koji Yakusho for “Perfect Days” and Merve Dizdar for “About Dry Grasses”
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The Fashion Eclipse in Cannes
Inside the fashion industry’s takeover of the prestigious film festival
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‘Club Zero’ Review: Jessica Hausner’s Eating Disorder Satire Is a Tough Nut to Crack
Cannes 2023: The hard look at modern anxieties has mixed effect
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‘La Chimera’ Review: Another Stunning and Lyrical Countryside Parable From Alice Rohrwacher
Cannes 2023: One of the best films in this year’s competition contemplates time and existence by excavating the past
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Cannes Day 11: Wim Wenders’ ‘Perfect Days’ Has Perfect Debut
Meanwhile Catherine Breillat’s “Last Summer,” about an older woman sleeping with her very young stepson, earned a more complicated reaction
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‘Last Summer’ Review: Catherine Breillat’s Scandal-Courting Drama Draws Yawns
Cannes 2023: Can a film without much spark really be said to fizzle?
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Cannes Day 10: ‘The Pot au Feu’ Makes Audiences Hungry and a Competition Controversy Erupts
Plus: Awards, acquisitions and the beginning of the final weekend
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‘Perfect Days’ Review: Wim Wenders’ Quiet Drama Finds a Hero Who Cleans Toilets
Cannes 2023: The veteran German director has crafted an endearing, admiring portrait of a decent man
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‘A Brighter Tomorrow’ Review: Nanni Moretti Returns to Cannes With His Tics and Obsessions Laid Bare
Cannes 2023: Farce is a comeback of sorts that could also serve as the director’s closing statement
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Cannes: Hong Sang-soo’s ‘In Our Day’ Nabbed by Cinema Guild
The filmmaker’s 30th film will debut theatrically later this year
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‘The Pot au Feu’ Review: Juliette Binoche and Benoit Magimel Shine in a Lush, Kitchen-Set Romance
Cannes 2023: Trần Anh Hùng’s period drama prefers steaks to stakes – and it’s an absolute delight
