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Reviews

  • ‘Fuori’ Review: A Goliarda Sapienza Biopic That Fails to Do Her Justice

    By

    Chase Hutchinson
    May 20, 2025 @ 2:55 PM
    Cannes Report
    2:55 PM
    ‘Fuori’ Review: A Goliarda Sapienza Biopic That Fails to Do Her Justice
  • ‘Lilo & Stitch’ Review: Longer and Not as Good, Just the Way Disney Likes It

    Disney’s latest live-action remake may be inferior and it may even be pointless — but it’s also not bad

    By

    William Bibbiani
    May 20, 2025 @ 9:00 AM
    Movies
    9:00 AM
    ‘Lilo & Stitch’ Review: Longer and Not as Good, Just the Way Disney Likes It
  • ‘It Was Just an Accident’ Review: Jafar Panahi Returns to Cannes in Person, and in Fine Form

    Cannes 2025: The Iranian director, who spent most of the last two decades imprisoned or muffled, marries humanism and anger

    By

    Steve Pond
    May 20, 2025 @ 8:45 AM
    Movies
    8:45 AM
    ‘It Was Just an Accident’ Review: Jafar Panahi Returns to Cannes in Person, and in Fine Form
  • ‘Alpha’ Review: Julia Ducournau’s Mournful Horror Drama Cuts Through Body and Soul

    Cannes 2025: The director of “Raw” and “Titane” is back with a knockout that defies expectations

    By

    Chase Hutchinson
    May 19, 2025 @ 3:08 PM
    Cannes Report
    3:08 PM
    ‘Alpha’ Review: Julia Ducournau’s Mournful Horror Drama Cuts Through Body and Soul
  • ‘Highest 2 Lowest’ Review: Denzel Washington and ASAP Rocky Are Foes to Remember in Spike Lee’s Slick Drama

    Cannes 2025: Lee’s update on Akira Kurosawa’s film is an urban thriller that feels different than the work that has defined him

    By

    Steve Pond
    May 19, 2025 @ 12:14 PM
    Cannes Report
    12:14 PM
    ‘Highest 2 Lowest’ Review: Denzel Washington and ASAP Rocky Are Foes to Remember in Spike Lee’s Slick Drama
  • ‘Nine Perfect Strangers’ Season 2 Review: Soapy Hulu Hit Makes the Same Mistakes in the Snow

    Nicole Kidman returns in this wellness thriller with a new ensemble but not much else in terms of plot or satire

    By

    Kayleigh Donaldson
    May 19, 2025 @ 9:00 AM
    TV
    9:00 AM
    ‘Nine Perfect Strangers’ Season 2 Review: Soapy Hulu Hit Makes the Same Mistakes in the Snow
  • ‘Eagles of the Republic’ Review: Movies and Politics Don’t Mix, Says This Movie About Politics

    Cannes 2025: Tarik Saleh’s drama is less interested in the process of filmmaking than in its use in propaganda

    By

    Steve Pond
    May 19, 2025 @ 8:54 AM
    Cannes Report
    8:54 AM
    ‘Eagles of the Republic’ Review: Movies and Politics Don’t Mix, Says This Movie About Politics
  • ‘Peak Everything’ Review: Offbeat Canadian Rom-Com Finds Love in the Face of the Apocalypse

    Cannes 2025: Director Anne Émond takes the anxieties that underlie any romantic comedy and blows them up to global proportions

    By

    Steve Pond
    May 19, 2025 @ 1:16 AM
    Cannes Report
    1:16 AM
    ‘Peak Everything’ Review: Offbeat Canadian Rom-Com Finds Love in the Face of the Apocalypse
  • ‘My Father’s Shadow’ Review: Cannes’ First Nigerian Movie Mixes Autobiography and Mystery

    Cannes 2025: Akinola Davies Jr.’s drama is a rhapsody of sorts, but a rough one that ends in political turmoil and unanswered questions

    By

    Steve Pond
    May 18, 2025 @ 4:17 PM
    Cannes Report
    4:17 PM
    ‘My Father’s Shadow’ Review: Cannes’ First Nigerian Movie Mixes Autobiography and Mystery
  • ‘Urchin’ Review: Harris Dickinson’s Directorial Debut Is a Devastating, Delicate Drama

    Cannes 2025: Frank Dillane gives the best performance of the festival thus far in Dickinson’s addiction story

    By

    Chase Hutchinson
    May 18, 2025 @ 2:01 PM
    Cannes Report
    2:01 PM
    ‘Urchin’ Review: Harris Dickinson’s Directorial Debut Is a Devastating, Delicate Drama
  • ‘The Phoenician Scheme’ Review: Nobody Wes Andersons Like Wes Anderson

    Cannes 2025: A tycoon finds God and a nun finds materialism in yet another impeccable, funny, meaningful Anderson diorama

    By

    William Bibbiani
    May 18, 2025 @ 10:45 AM
    Cannes Report
    10:45 AM
    ‘The Phoenician Scheme’ Review: Nobody Wes Andersons Like Wes Anderson
  • ‘The Secret Agent’ Review: ’70s Brazilian Romp Includes Wagner Moura and a Rampaging Severed Leg

    Cannes 2025: Cohesiveness or coherence are not high on the list of the attributes of Klebel Mendonça Filho’s film, but its messiness is part of its charm

    By

    Steve Pond
    May 18, 2025 @ 8:38 AM
    Cannes Report
    8:38 AM
    ‘The Secret Agent’ Review: ’70s Brazilian Romp Includes Wagner Moura and a Rampaging Severed Leg
  • ‘Orwell: 2+2=5’ Review: Angry Documentary Is as Much About Us (and Donald Trump) as About George Orwell

    Cannes 2025: Raoul Peck’s film is an artful balancing act that dips in and out of Orwell’s life and work and swings from history to art to the most current of events

    By

    Steve Pond
    May 17, 2025 @ 2:35 PM
    Cannes Report
    2:35 PM
    ‘Orwell: 2+2=5’ Review: Angry Documentary Is as Much About Us (and Donald Trump) as About George Orwell
  • ‘Die, My Love’ Review: Robert Pattinson and Jennifer Lawrence Are Outstanding in Haunting Domestic Horror

    Cannes 2025: Lynne Ramsay’s adaptation of the novel by Ariana Harwicz is frequently astounding

    By

    Chase Hutchinson
    May 17, 2025 @ 1:43 PM
    Cannes Report
    1:43 PM
    ‘Die, My Love’ Review: Robert Pattinson and Jennifer Lawrence Are Outstanding in Haunting Domestic Horror
  • ‘Renoir’ Review: Quiet Japanese Drama Looks at Death Through a Young Girl’s Eyes

    Cannes 2025: You could call Chie Hayakawa’s understated second feature a coming-of-age film, except that its lead character doesn’t really learn anything 

    By

    Steve Pond
    May 17, 2025 @ 12:37 PM
    Cannes Report
    12:37 PM
    ‘Renoir’ Review: Quiet Japanese Drama Looks at Death Through a Young Girl’s Eyes
1 2 3 … 100
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