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Creative Content

Reviews

  • ‘Misty Green’ Review: Chris Rock’s Tough Hollywood Story Finds a Star in Rosalind Eleazar

    By

    Steve Pond
    September 12, 2026 @ 8:30 PM
    Reviews
    8:30 PM
    ‘Misty Green’ Review: Chris Rock’s Tough Hollywood Story Finds a Star in Rosalind Eleazar
  • ‘I Play Rocky’ Review: Biopic About the Making of Sylvester Stallone’s Classic Is a Hollow Crowdpleaser

    TIFF 2026: Peter Farrelly’s latest is a faint impersonation of a great movie

    By

    Chase Hutchinson
    September 12, 2026 @ 6:44 PM
    Movies
    6:44 PM
    ‘I Play Rocky’ Review: Biopic About the Making of Sylvester Stallone’s Classic Is a Hollow Crowdpleaser
  • ‘The Julia Set’ Review: Chase Infiniti Shines in Uneven, Heavy-Handed Mathematics Drama

    TIFF 2026: Strong casting and an intriguing premise don’t add up to anything worthwhile in Niki Byrne’s directorial debut

    By

    Zachary Lee
    September 12, 2026 @ 6:01 PM
    Movies
    6:01 PM
    ‘The Julia Set’ Review: Chase Infiniti Shines in Uneven, Heavy-Handed Mathematics Drama
  • ‘Edward Said: Between Worlds’ Review: An Essential Voice for Our Times Is Resurrected in His Own Words

    TIFF 2026: While one wishes there was more creativity to the filmmaking in this documentary, Said’s words maintain an enduring power

    By

    Chase Hutchinson
    September 12, 2026 @ 5:00 PM
    Movies
    5:00 PM
    ‘Edward Said: Between Worlds’ Review: An Essential Voice for Our Times Is Resurrected in His Own Words
  • ‘Evil Genius’ Review: Patricia Arquette Is Killer in Courteney Cox’s Twisted True Crime Tale

    TIFF 2026: David Harbour and Michael Chernus round out a cast directed by Cox

    By

    Matthew Creith
    September 12, 2026 @ 3:23 PM
    Movies
    3:23 PM
    ‘Evil Genius’ Review: Patricia Arquette Is Killer in Courteney Cox’s Twisted True Crime Tale
  • ‘Everybody Wants to F–k Me’ Review: Taron Egerton Lives a Performative Male’s Worst Nightmare

    TIFF 2026: Jonathan Schey’s directorial debut is a scattershot skewering of the London dating scene

    By

    Zachary Lee
    September 12, 2026 @ 9:24 AM
    Movies
    9:24 AM
    ‘Everybody Wants to F–k Me’ Review: Taron Egerton Lives a Performative Male’s Worst Nightmare
  • ‘The Stunt Driver’ Review: Jay Baruchel Delivers a Knockout Performance as Daredevil Ken Carter

    TIFF 2026: Reteaming with director Michael Dowse, Baruchel plays a real-life stuntman committed to the ultimate jump that could either label him a hero or see him die trying

    By

    Matthew Creith
    September 12, 2026 @ 8:58 AM
    Movies
    8:58 AM
    ‘The Stunt Driver’ Review: Jay Baruchel Delivers a Knockout Performance as Daredevil Ken Carter
  • ‘Girl Group’ Review: Rebel Wilson’s Underwhelming Ode to Female Empowerment Falls Flat

    Toronto International Film Festival 2026: Wilson writes, directs and stars as a washed-up pop star forced to confront new beginnings

    By

    Matthew Creith
    September 11, 2026 @ 6:51 PM
    Movies
    6:51 PM
    ‘Girl Group’ Review: Rebel Wilson’s Underwhelming Ode to Female Empowerment Falls Flat
  • ‘Trash Mountain’ Review: Caleb Hearon Finds Emotional Treasures in Moving, Mirthful Dramedy

    Toronto International Film Festival 2026: The comedian, writer and actor shines like never before with his feature writing debut

    By

    Chase Hutchinson
    September 11, 2026 @ 4:15 PM
    Movies
    4:15 PM
    ‘Trash Mountain’ Review: Caleb Hearon Finds Emotional Treasures in Moving, Mirthful Dramedy
  • ‘River’ Review: This Macabre, Magnificent Horror Slasher Will Drown You in Pure Terror

    Toronto International Film Festival 2026: Joshua Giuliano’s fantastic feature debut kicks off the Midnight Madness section with a bang

    By

    Chase Hutchinson
    September 11, 2026 @ 6:34 AM
    Movies
    6:34 AM
    ‘River’ Review: This Macabre, Magnificent Horror Slasher Will Drown You in Pure Terror
  • ‘Being Heumann’ Review: Disabled Actors Light Up Siân Heder’s Crowd-Pleasing Drama

    Toronto International Film Festival 2026: Heder’s follow-up to “CODA” stars Ruth Madeley in a story about the fight for disability rights

    By

    Steve Pond
    September 10, 2026 @ 8:30 PM
    Movies
    8:30 PM
    ‘Being Heumann’ Review: Disabled Actors Light Up Siân Heder’s Crowd-Pleasing Drama
  • ‘Rapinoe’ Review: Megan Rapinoe Portrait Is More Than Just Another Celebrity Doc

    Toronto Film Festival 2026: Exploring Rapinoe’s mindset as an athlete and person, Rebecca Huntt’s documentary isn’t standard hagiographic fare

    By

    Chase Hutchinson
    September 10, 2026 @ 5:02 PM
    Business
    5:02 PM
    ‘Rapinoe’ Review: Megan Rapinoe Portrait Is More Than Just Another Celebrity Doc
  • ‘The Fix’ Review: Zachary Levi Takes Iran in an Ill-Conceived, Overlong Misfire

    Absurd plotting, condescending politics and a deer-in-the-headlights lead performance are not the ingredients for a good thriller

    By

    William Bibbiani
    September 10, 2026 @ 4:41 PM
    Reviews
    4:41 PM
    ‘The Fix’ Review: Zachary Levi Takes Iran in an Ill-Conceived, Overlong Misfire
  • ‘High Value Target: The Hunt for Saddam’ Review: Joel Kinnaman Falls Short in Overly Ambitious Political Thriller

    Waleed Zuaiter and Dar Salim bring compelling nuance to this flawed TNT historical series

    By

    Adam Davidson
    September 10, 2026 @ 1:00 PM
    Reviews
    1:00 PM
    ‘High Value Target: The Hunt for Saddam’ Review: Joel Kinnaman Falls Short in Overly Ambitious Political Thriller
  • ‘Union Town’ Review: Energetic Labor Documentary Rounds Out 50-Year Trilogy

    Venice Film Festival: Barbara Kopple’s third major union film finds her at the height of her cinematic powers

    By

    Siddhant Adlakha
    September 10, 2026 @ 10:01 AM
    Movies
    10:01 AM
    ‘Union Town’ Review: Energetic Labor Documentary Rounds Out 50-Year Trilogy
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