Reviews
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‘We Were Liars’ Review: Prime Video’s YA Mystery Is Filled With Angsty Summer Secrets
Emily Alyn Lind leads a promising young ensemble in a sea of unlikeable adults
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‘Yanuni’ Review: Tribeca Fest Closes With Timely and Inspiring Eco-Doc
Documentarian Richard Ladkani follows 34-year-old activist Juma Xipaia through her fight in Brazil
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‘The Unholy Trinity’ Review: A Mediocre Western That Doesn’t Deserve Samuel L. Jackson
Pierce Brosnan and Q’orianka Kilcher also try, in vain, to make a meal out of starvation rations
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Annecy Review: ‘Little Amélie’ Could Be This Year’s ‘Flow’
The feature, about a young Belgian girl in Japan in the late 1960s, is utterly enchanting
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‘Smoke’ Review: Taron Egerton and Jurnee Smollett Make a Begrudging, Dynamic Team in Apple’s Fiery Crime Series
Dennis Lehane adapts the tale of an arson investigator convicted of setting thousands of fires in Los Angeles
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‘Angry Alan’ Off Broadway Review: John Krasinski Expertly Dons Lamb’s Clothing to Play a Pig
The “A Quiet Place” filmmaker and “The Office” star leads yet another play about toxic white straight men
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Genndy Tartakovsky’s ‘Fixed’ Is a Miracle | Annecy Review
Netflix’s R-rated, traditionally animated comedy starring dogs feels like nothing else
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‘Dear Ms.: A Revolution in Print’ Review: Trailblazing Feminist Magazine Doc Still Hits Hard Today
Tribeca 2025: Directors Salima Koroma, Alice Gu and Cecilia Aldarondo make a maddening, inspiring and still-so-significant documentary
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Annecy Review: ‘All You Need Is Kill’ Is ‘Edge of Tomorrow’ Gone Anime (Complementary)
Based on the same Japanese light novel that inspired the earlier Tom Cruise hit, the new film from director Ken’ichirô Akimoto balances the familiar and fresh
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‘The Best You Can’ Review: Kyra Sedgwick and Kevin Bacon Are the Draw in This Charming, Low-Key Dramedy
Tribeca 2025: Judd Hirsch co-stars in the film from writer-director Michael Weithorn
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‘How to Train Your Dragon’ Review: Live-Action Redo Is a Squandered Opportunity
At times a shot-for-shot remake, Universal’s live-action version of this story only partially captures the magic of the original
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‘Materialists’ Review: Modern Love Gets an Audit With Dakota Johnson, Pedro Pascal and Chris Evans
Celine Song’s “Past Lives” follow-up chronicles an artful love triangle that’s more rom-econ than rom-com
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‘Titan’ Review: Netflix’s OceanGate Documentary Gets Bogged Down in a Single Villain
Mark Monroe’s film has difficulty seeing the factors beyond Stockton Rush’s misdeeds
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‘Echo Valley’ Review: Julianne Moore and Sydney Sweeney Elevate an Otherwise Generic Crime Thriller
It’s Moore murder, Moore problems in the Apple TV+ feature from filmmaker Michael Pearce
