Reviews
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‘Nemesis’ Review: Courtney A. Kemp’s First Netflix Series May Leave You Rooting for the Bad Guys
Matthew Law and Y’lan Noel headline this cat-and-mouse crime drama from the “Power” franchise creator
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‘Teenage Sex and Death at Camp Miasma’ Review: Watch Flesh, Fluid, and Gummy Candy Collide
Cannes 2026: Hannah Einbinder and Gillian Anderson star in Jane Schoenbrun’s visceral and existential homecoming for those who feel out of body
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‘Obsession’ Review: A Supernatural Nightmare With the Strangest Case of Déjà Vu
Writer/director Curry Barker’s terrifying new film unexpectedly evokes the plot of “Wonder Woman 1984”
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‘A Woman’s Life’ Review: Character Study of Middle-Aged Doctor Embraces Complication
Cannes 2026: Charline Bourgeois-Tacquet’s film doesn’t let the driven 55-year-old surgeon off the hook for her faults
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‘Ashes’ Review: Diego Luna Returns to Directing With an Unsettling Character Study
Cannes 2026: Anna Diaz and Adriana Paz star in a quiet film about grief and compassion
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‘Nagi Notes’ Review: Kôji Fukada Sculpts a Fragmented, Fascinating Portrait
Cannes 2026: The director of “Love Life” returns with a drama that mirrors the meticulously-crafted sculptures at its center
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‘Butterfly Jam’ Review: Barry Keoghan and Riley Keough Serve Up Uneven Culinary Family Drama
Cannes 2026: Kantemir Balagov opens the Directors’ Fortnight with a film that is technically more impressive than the ingredients of its narrative plot
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‘In Waves’ Review: Animated Surfing + Teen Tragedy Makes for a Stylish Tearjerker
Cannes 2026: Phuong Mai Nguyen adapts graphic novelist AJ Dungo’s tribute to a girlfriend who was diagnosed with cancer
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‘The Punisher: One Last Kill’ Review: Jon Bernthal’s Violent Return Plays More Like Origin Story Recap
The special doesn’t advance Frank Castle’s story or acknowledge the events of “Daredevil: Born Again”
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‘The Electric Kiss’ Review: Cannes Film Festival Opens With an Uneasy Rom-Com About Grief
Cannes 2026: A carnival sideshow performer runs a scam that leads to love in Pierre Salvadori’s meandering film
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‘Off Campus’ Review: Prime Video’s Endearing BookTok Adaptation Will Make You Fall in Love
Louisa Levy’s take on Elle Kennedy’s bestselling book series is the streamer’s worthy successor for “The Summer I Turned Pretty”
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‘Is God Is’ Review: A Bold, Exhilarating Saga About God, Murder, Abuse and Everything Else
Aleshea Harris makes an astounding directorial debut, adapting her own award-winning play about sisters on a mission from God — to murder their father
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‘Labyrinth’ Review: Legendary ‘Macross’ Creator Spends Too Much Time on Social Media
A teenager’s identity gets stolen, literally, by her social media doppelgänger in Shōji Kawamori’s ambitious but meandering sci-fi feature
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‘The Receptionist’ Off Broadway Review: She Answers the Phone, Makes Coffee. Does That Make Her a Fascist?
Adam Bock’s dark comedy teases without delivering a much-needed second act
