‘Spree’ Film Review: Joe Keery Starts Out as an Annoying Loser and Goes Downhill From There
Director Eugene Kotlyarenko’s satiric blast of cinematic hyperactivity is notable mostly for its messy energy
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‘Apocalypse ’45’ Film Review: World War II Documentary Is an Elegy to Those Who Were Lost
Director Erik Nelson finds a way to trade in the typical war-doc toolkit for something more personal and more striking
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‘Project Power’ Film Review: Let’s All Get High on Jamie Foxx’s Superhero Pills
Foxx and Joseph Gordon-Levitt star in Henry Joost and Ariel Schulman’s imaginative, garish, occasionally corny and generally entertaining riff on the superhero genre
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‘Boys State’ Review: Even Teen Politics Is a Dirty Business in Sundance-Winning Documentary
Directors Jesse Moss and Amanda McBaine’s film pays lip service to finding common ground but winds up illustrating how impossible that has become
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‘The Tax Collector’ Film Review: Shia LaBeouf Got His Torso Tattooed for This?
David Ayer’s brutal drama about gangs in South Central Los Angeles trots out a lot of posturing and a lot of gang-movie clichés, but flails instead of giving us much reason to care
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‘Insecure,’ ‘For Life’ to Receive Top Awards at African American Film Critics’ TV Honors
Viola Davis, Sterling K. Brown, Jeremy Pope and Laura Harrier will receive acting honors at virtual ceremony
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‘An American Pickle’ Film Review: Seth Rogen Gets Sentimental in Mild Fish-Out-of-Water Comedy
This surprisingly subdued and sentimental riff on Rip Van Winkle meets “Being There” is probably not the best use of Rogen’s particular skill set
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‘She Dies Tomorrow’ Film Review: If You’re Feeling Dread Now, Wait Until You See This
Amy Seimetz’s dark drama is a movie about existential panic that happens to be coming out at a time of existential panic
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How the Go-Go’s Got No Respect From Rolling Stone Magazine
With a documentary on the pioneering all-female band premiering on Showtime, here’s a look back at a career pinnacle that turned sour
