‘The Favourite’ Dominates at the European Film Awards
Antonio Banderas and Olivia Colman win the acting awards for “Pain and Glory” and “The Favourite”
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‘A Beautiful Day in the Neighborhood’ Writers on What’s Fact and Fiction in Mr Rogers Movie
TheWrap Oscar magazine: Screenwriters Micah Fitzerman-Blue and Noah Harpster explain that one of the lead characters is largely fictionalized — but it isn’t Mr. Rogers
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‘Dolemite Is My Name’ Writers Explain the Secret to Great Biopics
TheWrap Oscar magazine: “The truth is stranger than fiction, so use as much of it as you possibly can,” Larry Karaszewski says
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‘Ford v Ferrari’ Writers Explain Their Policy: ‘Stick to the Truth, Not the Facts’
TheWrap Oscar magazine: “You do as much diligent research as you can, and then forget about it,” says Jez Butterworth of the approach he and John-Henry Butterworth took on the auto-racing drama
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How ‘The Two Popes’ Screenwriter Created Those Private Conversations in the Vatican
TheWrap Oscar magazine: “We don’t know really what happened,” writer Anthony McCarten says
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Golden Globes Nomination Film Predictions: ‘The Irishman,’ ‘Once Upon a Time in Hollywood’ … And What Else?
With voters split between dark movies like “Joker” and crowd-pleasing ones like “A Beautiful Day in the Neighborhood,” the Globes nominations are harder to predict than ever
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Hey, Oscars: Your Vote-Counting System Is Suddenly a Hot Trend in Political Elections
TheWrap Oscar magazine: Ranked-choice voting might seem complicated to Oscar voters, but six states will be using it in the Democratic primaries next year
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Taron Egerton on How ‘Rocketman’ Found Elton John’s Truth by Not Worrying About the Facts
TheWrap Oscar magazine: “I just wanted to capture the showman in him, the anger in him, the pain and vulnerability,” the actor says
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The Safdie Brothers Detail the 10-Year Journey to Make the Adam Sandler Drama ‘Uncut Gems’
TheWrap Oscar magazine: “What’s great is that it’s a happy ending, but then all of a sudden it’s not,” producer Scott Rudin told the filmmakers
