‘The Invisible Life of Euridice Gusmao’ Wins Top Award in Cannes Un Certain Regard Section
Cannes 2019: Other winners included “The Fire Will Come,” “Beanpole,” “On a Magical Night” and “The Climb”
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‘I Lost My Body,’ ‘Vivarium’ Win Prizes in Cannes Critics’ Week Section
Cannes 2019: Other Critics’ Week winners include “A White, White Day,” “She Runs” and “Our Mothers”
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‘Matthias & Maxime’ Film Review: Xavier Dolan Finds Maturity at the Ripe Old Age of 30
Cannes 2019: The Canadian director has always been a maestro of oversized emotions, but the warmth and restraint of “Matthias & Maxime” is what gives it life
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Quentin Tarantino Says He Thinks He Might Have Gone Horseback Riding With the Manson Family
Cannes 2019: The director of “Once Upon a Time … in Hollywood” discusses why people are fascinated by the 1969 murders, and whether he had qualms about portraying the perpetrator and victims on screen
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‘Once Upon a Time … in Hollywood’ Film Review: A Contemplative Quentin Tarantino Still Blows the Roof Off Cannes
Cannes 2019: Big, brash, ridiculous, too long, and in the end invigorating, the film is a grand playground for its director to fetishize old pop culture and bring his gleeful perversity to the craft of moviemaking
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‘Lux Aeterna’ Film Review: Gaspar Noe Wants to Mess You Up, Again
Cannes 2019: The Argentinian maestro of transgression has unleashed another assault on his audience, but it’s almost mesmerizing in its perverse single-mindedness
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Cannes at the Halfway Point: How Did Elton John Become King of the Fest?
Cannes 2019: While most of the attention has gone to a pair of major-studio flicks, “Rocketman” and the yet-unseen “Once Upon a Time … in Hollywood,” the festival is also full of dark films for a dark age
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‘A Hidden Life’ Film Review: Is This Where Terrence Malick Gets His Mojo Back?
Cannes 2019: Anchored in story in a way his last few movies have not been, this World War II drama is the director’s most monumental work since “The Tree of Life”
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‘Family Romance, LLC’ Film Review: Love’s for Sale in Werner Herzog’s Odd New Film
Cannes 2019: A curious little meditation on the commodification of everything up to and including love, the film is slight but has moments of pure Herzogian rhapsody
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‘The Whistlers’ Film Review: Romanian Wild Ride Runs on Black Humor
Cannes 2019: Corneliu Porumboiu’s film is an oversized, deliciously twisted ride that slips in references to John Wayne and Alfred Hitchcock
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‘Port Authority’ Film Review: Searching for Family in New York’s LGBT Ball Scene
Cannes 2019: Danielle Lessovitz’s debut feature is a rough but vital film for the age of “Pose” and “RuPaul’s Drag Race”
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‘Pain and Glory’ Film Review: Antonio Banderas Plays Pedro Almodóvar – Sort Of
Cannes 2019: Almodóvar’s gentle memory piece replaces the youthful provocation of his early films with mature reflection
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‘Sorry We Missed You’ Film Review: Once Again, Ken Loach Sings the Working Class Blues
Cannes 2019: Loach’s new film could make him the first director to win three Palme d’Or awards, but he struggles to find anything fresh to say in his usual arena
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‘Rocketman’ Film Review: Elton John Gets a Musical Fantasy That Sometimes Achieves Liftoff
Cannes 2019: Dexter Fletcher’s film abandons the biopic model to freely mix fantasy and reality in an extravagant, fun and frustrating jukebox musical
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‘Bacurau’ Film Review: Bloody Brazilian Fever Dream Has More Than Gore on Its Mind
Cannes 2019: Directors Kleber Mendonca Filho and Juliano Dornelles have so much fun with the genre trappings that it sometimes obscures their points about exploitation and community
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‘For Sama’ Film Review: Syrian Documentary Finds Wrenching Personal Take on Conflict
Cannes Film Festival 2019: The Syrian tragedy has been the subject of numerous nonfiction films, but directors Waad al-Kateab and Edward Watts put the children at its center
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How Antonio Banderas Learned to Relax and Play His Old Friend (and Director) Pedro Almodóvar
TheWrap Cannes magazine: “I don’t know how many times people have worked performing a character that not only exists but is directing you,” says Banderas of his eighth movie with Almodóvar, “Pain and Glory”
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‘Bull’ Film Review: Annie Silverstein Finds Signs of Life in Numb Characters
Cannes Film Festival 2019: Actors Amber Havard and Rob Morgan make us feel for characters who themselves don’t want to feel
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Cannes Market Preview 2019: What Are Buyers Looking for This Year?
TheWrap Cannes magazine: “In Cannes, there is a thriving but very selective market for movies that are, I would say, the indie version of events,” Neon’s Jeff Deutchman says
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Bruce Springsteen ‘Begs for Votes’ at Netflix Emmy Event
In a conversation with Martin Scorsese, Springsteen also reveals that he’s written material for a new E Street Band album
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Elle Fanning, Yorgos Lanthimos, Pawel Pawlikowski Get Jury Duty at Cannes
Alice Rohrwacher, Robin Campillo and Kelly Reichardt are among the other jurors who will join president Alejandro G. Inarritu
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‘Apocalypse Now Final Cut’ Film Review: Francis Ford Coppola’s New Version Might Be the Best One Yet
Tribeca Film Festival 2019: “You can’t make art without risk any more than you can make babies without sex,” Coppola tells Steven Soderbergh following the screening of his new cut of the 1979 classic
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‘Blow the Man Down’ Review: Film Noir Gets a Female Spin With Margo Martindale, June Squibb
Tribeca Film Festival 2019: In a fresh twist on a time-honored genre, AARP-aged women hold all the cards in Bridget Savage Cole and Danielle Krudy’s twisted tale
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‘Linda Ronstadt: The Sound of My Voice’ Review: Rock Doc Starts and Ends With the Music
Tribeca Film Festival 2019: Directors Rob Epstein and Jeffrey Friedman use Ronstadt’s voice to tell her story, but that voice speaks loudest when she’s singing
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‘The Apollo’ Launches Tribeca Film Festival With a Look at a Theater, a Community – and Politics
Festival co-founder Robert De Niro said the audience to see the documentary about Harlem’s famed theater was “making a statement that we reject” Donald Trump’s policies
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‘JT LeRoy’ Film Review: Literary Hoax Makes for a Frustrating Film
Fact-based film threatens to be overshadowed by the controversy surrounding Asia Argento, who’s depicted (under a different name) in Justin Kelly’s drama starring Laura Dern and Kristin Stewart
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Directors’ Fortnight Announces Lineup, 16 Directors to Make Cannes Debut
The sidebar’s lineup also includes new work from Rebecca Zlotowski, Lav Diaz and Bertrand Bonello
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Cannes Critics’ Week Section Includes Jesse Eisenberg Sci-Fi Drama ‘Vivarium’
The main competition lineup will consist of films from seven different countries, including Morocco, France, Iceland, Ireland, Algeria and Costa Rica
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‘Rafiki’ Film Review: African Gay Romance Breaks New Ground
The first Kenyan film to ever screen at the festival is perhaps more notable for what it represents than what it is
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Heavyweight Cannes Lineup Ties Record for Female Directors in Competition
Four female filmmakers are represented in the main competition, along with such past Cannes directors as Pedro Almodovar, Ken Loach, Xavier Dolan, the Dardenne brothers and Terrence Malick
