Female Representation Saw ‘Historic’ Gains Last Year Both on and off Screen, New Study Finds
Latest “Boxed In” study by SDSU’s Center for the Study of Women in Television and Film notes improvements, but stresses more work needs to be done
Tim Baysinger | September 4, 2019 @ 5:00 AM
Last Updated: September 4, 2019 @ 8:50 AM
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Female representation both in front of and behind the camera improved on TV programs in 2018-19, according to the latest “Boxed In” report released Wednesday by the Center for the Study of Women in Television and Film at San Diego State University.
Of all the projects produced for television, the study showed that women accounted for 31% of all creators, directors, writers, executive producers, producers, editors and directors of photography, the highest percentage in the study’s history. The previous high was 28% in 2016-17.
When it came to onscreen characters, females comprised 45% of all television speaking roles (on broadcast networks, cable and streaming services) during that same period. However, Martha Lauzen, the Center’s executive director, noted that while gains were made across the board, female representation still lags behind their male counterparts.
“It is heartening to see moderate but widespread gains for female characters and women working behind the scenes this year, but we need to consider the numbers within the larger context of women’s employment in television,” Lauzen said. “In 2018-19, women comprised 26% of directors. This is a historic high, up from 17% in 2017-18. However, men continue to direct the vast majority of programs. In this context, ‘historic high’ still means that men outnumber women 3 to 1 in this role.”
The study noted that 96% of the programs considered had no women directors of photography, 79% had no women directors, 77% had no women editors, and 77% had no women creators.
When it came to “gatekeeping” roles such as creators and executive producers, that number also rose. Women creators increased from 22% in 2017-18 to 25% in 2018-19. The percentage of women executive producers rose from 26% in 2017-18 to 30% in 2018-19.
“Employing women in these roles boosts women’s representation in other behind-the-scenes roles, and the numbers of female characters on screen. For example, on programs with at least one woman creator, women accounted for 65% of writers versus 19% on programs with no women creators” Lauzen noted.
The study noted that, while female representation has improved, there is work yet to be done with regards to the diversity among those females. A greater percentage (70%) of on-screen female characters were white compared to a year ago, while African-Americans (17%) and Latinas (6%) were less represented. The amount of Asian-American female characters was up slightly from last year to 7%.
Now in its 22nd year, the study provides the most comprehensive historical record of women’s representation and employment in television available. The full study can be found here.
10 Films Directed by Women to Check Out This Fall, From 'Frozen 2' to 'Little Women' (Photos)
After years of criticism over the lack of gender diversity among directors in Hollywood, studios are finally starting to hire more women. 2019 is the first year that all major studios are releasing at least one film directed by a woman, and this fall's slate has plenty of women contributing movies, from animated blockbusters to potential Oscar contenders. Here are 10 to look out for.
Lorene Scafaria - “Hustlers” (Sept. 13)
The writer of “Nick and Norah’s Infinite Playlist” will direct this crime dramedy for STX based on Jessica Pressler’s New York Magazine article “The Hustlers at Scores.” The film features a cast led by Constance Wu and Jennifer Lopez in a true story about a team of strippers who seduced and stole from Wall Street’s elite after the 2008 recession.
STX
Jill Culton - “Abominable” (Sept. 27)
September usually has an animated feature on the release slate, and this year’s offering comes from DreamWorks Animation and Pearl Studio with Jill Culton’s tale about a Shanghai girl who goes on an adventure to help a Yeti return to Everest. Culton, who directed “Open Season” for Sony, left and returned to “Abominable” during its development.
DreamWorks Animation
Kasi Lemmons - “Harriet” (Nov. 1)
Every weekend in November will have a film made by a woman hitting theaters, starting with Focus Features’ biopic starring Cynthia Erivo as the famed abolitionist Harriet Tubman. Kasi Lemmons, who directed Samuel L. Jackson in “Eve’s Bayou,” is working here with a cast that includes Janelle Monae and “Hamilton” star Leslie Odom Jr.
Focus Features
Alma Har’el - “Honey Boy” (Nov. 8)
Next is a film that left Sundance utterly speechless. Alma Har’el, a longtime commercial director who has fought bias in the ad industry, directs longtime collaborator Shia LaBoeuf in “Honey Boy,” a film written by LaBoeuf as an unflinching examination of his life as a child actor. LaBoeuf stars as a character based on his abusive father.
Amazon Studios
Elizabeth Banks - “Charlie’s Angels” (Nov. 15)
Having previously directed “Pitch Perfect 2,” Elizabeth Banks is bringing “Charlie’s Angels” back to the big screen, and also starring as this incarnation's Bosley to a new team of Angels (Kristen Stewart, Naomi Scott and Ella Balinska) in a Townsend Agency that has expanded worldwide.
Sony
Marielle Heller - “A Beautiful Day in the Neighborhood” (Nov. 22)
November 22 will be the big weekend. Marielle Heller, who last year directed Melissa McCarthy to an Oscar nomination in “Can You Ever Forgive Me?”, helms this biopic based on the friendship between writer Tom Junod and Mister Rogers, played by Tom Hanks.
Sony
Jennifer Lee - “Frozen II” (Nov. 22)
On the same weekend, Jennifer Lee will team up once again with Chris Buck to bring Anna and Elsa back to the big screen. “Frozen” catapulted Jennifer Lee into the top tier of animators, and last year she was named the new creative head of Walt Disney Animation Studios.
Disney
Melina Matsoukas - “Queen & Slim” (Nov. 29)
But while “Frozen II” will be a family delight, Melina Matsoukas will be bringing something much darker. Written by Lena Waithe, “Queen & Slim” stars Daniel Kaluuya and Jodie Turner-Smith as a couple who must go on the run after they shoot a police officer during a traffic stop gone wrong.
Universal
Chinonye Chukwu - “Clemency” (Dec. 27)
Alfre Woodard stars in this year’s Sundance U.S. Dramatic Jury Award winner that also looks like a strong awards season contender. Director Chukwu became the first black woman to win that prize with this tale about a prison warden who oversees inmates on death row. .
NEON
Greta Gerwig - “Little Women” (Dec. 25)
Another likely awards season contender from Gerwig, still riding high from her “Lady Bird” Best Director nomination, this is the eighth feature adaption of the Alcott literary classic. The murderer’s row of a cast includes: Saoirse Ronan, Emma Watson, Meryl Streep and Timothée Chalamet. Get ready for this one to be talked about for months.
Sony
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From Heller to Gerwig and beyond, the opportunities for female filmmakers to shine are growing
After years of criticism over the lack of gender diversity among directors in Hollywood, studios are finally starting to hire more women. 2019 is the first year that all major studios are releasing at least one film directed by a woman, and this fall's slate has plenty of women contributing movies, from animated blockbusters to potential Oscar contenders. Here are 10 to look out for.