From learning how to do her own camera-ready hair and makeup to adapting recipes to work around grocery store shortages during a global pandemic, Food Network star Giada De Laurentiis faced more than a few challenges when filming her new limited series, “Giada at Home 2.0,” in isolation this spring.
The Italian-American chef says the six-episode series, shot in a rental house using nothing but a handful of strategically placed iPhones and the help of her boyfriend, will offer viewers a rare peek into her life that they wouldn’t normally see when it premieres on Saturday, June 27 at 12 p.m. ET/PT.
“I basically haven’t done it all by myself in 18 years. When I started I did it alone, but I haven’t done it in so long,” she said in a recent interview with TheWrap. “I’ll tell you, prep everything in advance on your own, wash all the dishes in between acts all on your own with really no swap, just wait and clean dishes while you bake — I mean, it’s totally different.”
De Laurentiis had originally wanted to do the show as a digital web series, but Food Network convinced her to take on the challenge of making the DIY project for network television.
“In a weird kind of way, it was strangely efficient as well,” she said. “My daughter learned a lot of things that she otherwise wouldn’t have about cooking in general. I think it was kind of fun just to be home and not to have to drive to a set.”
Filmed in April and May in the throes of the coronavirus pandemic, the lack of normal access to grocery shopping threw a wrench in the process of writing and testing recipes, De Laurentiis said, which normally involves taking multiple trips a day to the grocery store. Plus, everyday ingredients like eggs, flour, and chicken became hard to find. But the chef made the best with what she had.
“Everybody across the country was experiencing the inability to find ingredients that normally we take for granted,” she said. “The grocery store was like my second home, and all of a sudden, I was afraid to go… then I would get in there and not find the ingredients I needed for my recipes.”
One useful hack that she shared with us is that you can use flaxseed meal mixed with water instead of eggs in recipes that need a binder, like cookies or meatloaf.
But all said and done, the experience was a positive one, De Laurentiis said.
“I used to take a lot for granted. I think I learned that, wow, there’s a lot to be done… It’s also crazy you can shoot a whole show on an iPhone,” she said. “I’m shocked at how good it looks.”
“Giada at Home 2.0” premieres Saturday, June 27 at 12 p.m. ET/PT on Food Network.
10 Stars Who Just Need an Emmy to EGOT, From Elton John to Stephen Sondheim (Photos)
The EGOT -- an acronym for Emmy, Grammy, Oscar, Tony -- is among the greatest and most elusive honors in entertainment. These stars are (or were) close to achieving it.
Elton John, composer and musician (1947-) Grammy: Best Pop Performance by a Duo or Group, "That's What Friends Are For" (1986); Best Instrumental Composition, "Basque" (1991); Best Male Pop Vocal Performance, "Can You Feel the Love Tonight" (1994); Best Male Pop Vocal Performance, "Candle in the Wind" (1997); Best Show Album, "Aida" (2000) Oscar: Best Original Son, "Can You Feel the Love Tonight" from "The Lion King" (1994) Tony: Best Score, "Aida" (2000)
Stephen Sondheim, composer and lyricist (1930-) Grammy: Best Show Album, "Company" (1970); Best Show Album, "A Little Night Music" (1973); Song of the Year, "Send in the Clowns" (1975); Best Show Album, "Sweeney Todd" (1979); Best Show Album, "Sunday in the Park With George" (1984); Best Cast Show Album, "Into the Woods" (1988); Best Show Album, "Passion" (1994); Oscar: Best Original Song, "Sooner Or Later (I Always Get My Man)" from "Dick Tracy" (1990) Tony: Best Musical, "A Funny Thing Happened on the Way to the Forum," (1963); Best Score and Best Lyrics, "Company" (1971); Best Score, "Follies" (1972); Best Score, "A Little Night Music" (1973); Best Score, "Sweeney Todd" (1979); Best Score, "Into the Woods" (1988); Best Score, "Passion" (1994)
Joel Grey, actor (1932 - )
Grammy (2): Best Musical Theater Album, "Cabaret" (1968) and "Chicago" (1998)
Oscar: Supporting Actor, "Cabaret" (1972)
Tony: Featured Actor in a Musical, "Cabaret" (1967)
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Benj Pasek and Justin Paul, composers (both 1985 - ) Grammy: Best Musical Theater Album, "Dear Evan Hansen" (2018) Oscar: Best Original Song, "La La Land" (2017) Tony: Best Original Score, "Dear Evan Hansen" (2017)
Henry Fonda, actor (1905-82) Grammy: Best Spoken Word Album, "Great Documents" (1977) Oscar: Best Actor, "On Golden Pond" (1981) Tony: Best Actor, "Mister Roberts" (1948); Best Actor, "Clarence Darrow" (1975)
Oscar Hammerstein II, lyricist and producer (1895-1960) Grammy: Best Original Cast Album, "The Sound of Music" (1960) Oscar: Best Original Song, "The Last Time I Saw Paris" from "Lady Be Good" (1941); "It Might As Well Be Spring" from "State Fair" (1945) Tony: Three awards for "South Pacific" (1950); Best Musical, "The King and I" (1952); Best Musical, "The Sound of Music" (1960)
Alan Jay Lerner, lyricist and writer (1918-86) Grammy: Best Original Cast Album, "On a Clear Day" (1965) Oscar: Best Original Screenplay, "An American in Paris" (1951); Best Adapted Screenplay and Best Original Song, "Gigi" (1958) Tony: Best Musical, "My Fair Lady" (1957); Best Original Score, "Gigi" (1974)
Frank Loesser, composer (1910-69) Grammy: Best Cast Album, "How to Succeed..." (1961) Oscar: Best Song, "Baby, It's Cold Outside" from "Neptune's Daughter" (1949) Tony: Best Musical, "Guys and Dolls" (1951); Best Musical, "How to Succeed..." (1962)
Jule Styne, composer and songwriter (1905-94) Grammy: Best Cast Album, "Funny Girl" (1964) Oscar: Best Song, "Three Coins in the Fountain" (1954) Tony: Best Musical and Best Score, "Hallelujah Baby" (1968)
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A select group of entertainers can round out their trophy cases with a competitive win from the Television Academy
The EGOT -- an acronym for Emmy, Grammy, Oscar, Tony -- is among the greatest and most elusive honors in entertainment. These stars are (or were) close to achieving it.
