Scarlett Johansson Is ‘Lying’ About ‘Ghost in the Shell’ Whitewashing, Asian Group Says
“Apparently, in Hollywood, Japanese people can’t play Japanese people anymore,” MANAA president Robert Chan says
Tim Kenneally | March 31, 2017 @ 10:04 AM
Last Updated: March 31, 2017 @ 10:07 AM
Scarlett Johansson’s pants are on fire, and not because she’s so hot. At least, that’s the word from the Media Action Network for Asian Americans (MANAA), which says the actress was “lying” when she said that her new film “Ghost in the Shell” isn’t guilty of whitewashing.
“Though defenders of [Johansson’s] casting claimed that both the original 1989 manga and 1995 animated Japanese film were vague about Major Motoku Kusanagi’s original ethnic identity before her brain was placed into the body of a cyborg, this film verifies she was Japanese; her real name, in fact, was Motoku Kusanagi (her cyborg identity, implanted with false memories, was Major Mira Killian),” the group said in a press release issued Friday. “So when the actress recently told ‘Good Morning America’ that ‘I would never attempt to play a person of a different race, obviously,’ she was lying.
The group also called out the casting of Michael Pitt in the role of Kuze, which MANAA said “is revealed to have originally been named Hideo, meaning he too was Japanese.”
“Apparently, in Hollywood, Japanese people can’t play Japanese people anymore,” MANAA president Robert Chan said of the castings. “There’s no reason why either Motoku or Hideo could not have been portrayed by Japanese or Asian actors instead of Scarlett Johansson and Michael Pitt. We don’t even get to see what they looked like in their original human identities — a further white-wash.”
“Hollywood continues to make the same excuses, that there aren’t big enough Asian/Asian American names to open a blockbuster film,” MANAA founding president Guy Aoki added. “Yet it has not developed a farm system where such actors get even third billing in most pictures. Without a conscientious effort, how will anyone ever break through and become familiar enough with audiences so producers will confidently allow them to topline a film? When will we ever break that glass ceiling?”
The group went on to suggest that the purported whitewashing in ‘Ghost in the Shell’ could affect the film’s box office results, if history is any indication.
“Remember that hiring white actors to star in live action movies based on anime/manga source material has always backfired: ‘Dragonball Evolution’ and ‘Speed Racer’ were flops and now, we have ‘Ghost in the Shell,’ which, this weekend, is predicted to gross only $25 million (against a $120 million budget) behind ‘Beauty and the Beast’ and ‘Boss Baby,” MANAA said.
Earlier this month, Johansson told “Good Morning America” that her “Ghost in the Shell” character is “identity-less” because of her nature as a cyborg, which is where the series gets its title from.
“I think this character is living a very unique experience in that she has a human brain in an entirely machinate body,” Johansson said. “I would never attempt to play a person of a different race, obviously. Hopefully, any question that comes up of my casting will be answered by audiences when they see the film.”
Still, the film has been met with pubic criticism over the casting of Johansson. In mid-March, a meme generator was created to market the film. The campaign backfired, however, when many Twitter users employed the tool to mock the casting of Johansson.
What If Historical Movies About White People Starred Asian Actors Instead? (Photos)
Western movies about the Asian continent typically star an audience surrogate -- someone to whom the other characters can explain basic plot stuff for the sake of viewers. It's a pretty common trope in storytelling, but the way Hollywood often uses it in these types of movies is offputting for many people.
That's because the surrogate is usually a displaced generic white guy who ends up becoming the main protagonist (like Matt Damon in "The Great Wall").
To illustrate why folks find this trope baffling, we've swapped the leads in several movies about European and American history with East Asian actors, mirroring the storytelling cliche that repeatedly inserts white people into East Asian history. If this makes you feel weird, good -- that means you get it.
Art by TheWrap's Jordan Burchette.
"Gladiator," starring Chow Yun-fat Picture pretty much the same movie -- about a Roman general who's named Imperial Regent when Marcus Aurelius decides his own son isn't fit to become Emperor.
Except we'll have an extended prologue about Chow's character walking 8,000 miles to Rome from southern China and quickly winning everyone's respect with his mad-but-exotic fighting skills. But there's still some racial tension. This is more or less how all "white people in Asia" movies start.
"The Patriot," starring Ken Watanabe Like "Gladiator," this version of "The Patriot" is mostly the same, but with a new backstory for the lead plus some racial tension: Watanabe plays a Japanese sailor whose ship was caught in a storm that sent it drifting across the Pacific Ocean, eventually reaching the California coast.
He then makes his way east, collecting a wife and making some children along the way, stumbling into the French and Indian War. He helps out the British, winning their respect with his mad-but-unorthodox skill with an exotic weapon called a katana. Then, after this prologue montage, it's otherwise just the same movie as before.
"Forrest Gump," starring Stephen Chow This mid-20th century "American Dream" fairy tale takes on a whole new meaning when, instead of being about some dimwitted white boy from Alabama, it follows a Chinese tourist looking get the full American experience: playing college football, going to war in Asia, accidentally investing in Apple in the '70s, watching his mother die for lack of good healthcare options, and settling down with the cool rebel girl who's found Jesus and stopped doing drugs.
"The Alamo," starring Jackie Chan Chan plays Davy Crockett, King of the Wild Frontier. The only change to the story would be the racial slurs white people sling in Davy's direction -- but like totally in a friendly way, like white people do.
"Thirteen Days," starring Andy Lau What if the real hero of the Cuban Missile Crisis was not the made-up white BFF of the Kennedy brothers but instead the made-up Chinese diplomat BFF of the Kennedy brothers?
They're longtime drinking buddies, and it's up to Andy Lau to make sure the Kennedys didn't accidentally initiate global thermonuclear war. This would have ramped up the tension considerably, with the Joint Chiefs steaming extra hard and whining about that interloper (by way of racial slurs).
"300," starring Lee Byung-hun Having been captured by the Persians during a border skirmish on the eastern side of the Persian Empire -- this brave warrior managed to escape west, where he hooked up with the Spartans and taught them some cool exotic fighting techniques.
These new unorthodox techniques come in handy when the Persian Empire comes calling -- thanks to this warrior from the Far East, 300 Spartans are able to hold off the invaders while the bulk of the Greek forces retreat at the legendary Battle of Thermopylae.
"Braveheart," starring Donnie Yen A wandering Chinese warrior is exiled from his home after, I don't know, being framed for crimes he didn't commit. He ends up landing in Scotland and helping the locals rebel against the oppressive rule of the English.
"Kingdom of Heaven," starring Masahiro Higashide Can this half-Japanese blacksmith, who's made his way to the Levant in the mid-12th century after discovering that Liam Neeson is his real father, help bring some kind of understanding between the Christian Crusaders and the Muslim forces of Saladin before one side wipes out the other?
"Troy," starring Michelle Yeoh I think Michelle Yeoh would make a fine Achilles, personally.
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We examine Hollywood whitewashing by putting the shoe on the other foot
Western movies about the Asian continent typically star an audience surrogate -- someone to whom the other characters can explain basic plot stuff for the sake of viewers. It's a pretty common trope in storytelling, but the way Hollywood often uses it in these types of movies is offputting for many people.
