The goal of advertisers is simple: to reach consumers. So as consumers shift from reading traditional periodicals to Internet content, advertisers generally follow. Over long periods of time, advertisers should allocate their spending in the same way that consumers allocate their time.
Since advertising spend should follow consumer time shifts, we now have a way to forecast the future of advertising spend. Let’s start by investigating whether this method would have predicted advertising spend today.
Let’s look back to 2002 in the chart below. If there was perfect balance, you would expect all media to fall near the red parity line (the “balanced ad spend and time share” dotted line on the chart). But the 2002 data indicates a major disconnect between ad share and time share. As you can see, newspapers and magazines commanded a disproportionately large share of the ad dollars, even though cable TV and radio at that time were more significant in terms of audience time.
Between 2002 and today, the prediction methods work: ad spend follows shifts in consumer time.
On average, ad spend corrects. Most notably, the percentage of ad dollars spent on newspapers dropped to approximately one third of what it used to be. Note that time spent reading newspapers continues to drop, and we would expect ad spend to drop further toward the parity line.
As expected, ad spend on radio dropped as consumers turned away from radio. As expected, ad spend on Internet and mobile increased as consumers turned toward Internet and mobile.
While consumer time spent on cable TV stayed roughly the same, advertisers shifted spend to cable TV because it was so far out of balance in 2002. Advertisers were underspending on the medium in 2002, and advertisers corrected their spend toward the balance line by 2015.
In summary, for almost all media, ad spend follows consumer time, and the dots tend to track toward the 50/50 line in the graphic (toward balanced ad spend and time share).
But one medium resisted gravity. In 2002, broadcast TV straddled the 50/50 line; in 2015, it’s not even close.
What does this bucking of the trend mean for the future of broadcast TV? If ad dollars follow time share, we could see a 25 to 50 percent drop in broadcast TV ad revenues. But for now, advertisers are sticking with broadcast TV. As hot as digital advertising seems to be these days, many advertisers find that it doesn’t provide the same reach and return on investment that broadcast TV does.
That said, broadcast TV should be on notice. Even a 10 percent decline in ad revenues could total a billion dollars. Our future posts will speak to the actions that the TV industry is taking to avoid any downturns and participate in mobile growth.
Better Than 'The Good Wife': 16 TV Series Finales That Stuck the Landing (Photos)
Not everyone thought "The Good Wife" finale was good -- it's pretty hard to nail the ending of a longform story like a TV show. But some TV endings were great! These certainly were, even if fans weren't necessarily happy with all of them.
Normally, "The Wire" is a totally Sisyphean experience -- the cops never really make a dent in the drug scene, the city never really makes much headway in improving schools, etc. -- but the finale was a respite. It recognized the frustrating beauty in the very human experiences the show had been describing over and over for five years. This is who we are, it says, and we tried, damn it.
HBO
"24"
The first ending of "24" -- talking about season 8 here -- is pretty upbeat for this show. A shellshocked Jack Bauer goes on a righteous murder spree late in the series, and the corrupt president opts not to have him murdered and instead fesses up. And Jack goes off the grid (again). For "24" it was actually kind of sweet.
Of course it didn't last, as the "24: Live Another Day" revival a few years later had a much harsher fate in store for Jack.
Walt ties up pretty much every loose end and then, in the final shot, he dies in his lab. It's beautiful.
AMC
"30 Rock"
“Not a lot of people watched it, but the joke’s on you: We got paid anyway!” Indeed, Tracy Jordan. And you deserved every penny for this finale.
NBC
"Dawson's Creek"
Series creator Kevin Williamsondescribes "Dawson's Creek" as his coming of age opus, and decided the death of a member of the main group of friends as the final part of that. It's bittersweet, effective and it just worked.
Sony Television
"The Shield"
A pure and emphatic punch to the gut, closing loops and bringing Vic Mackey's arc full circle while still acknowledging that it isn't really over yet. It's just open-ended enough for a show that was never going to provide any easy answers.
FX
"Futurama"
Through a series of wacky, but normal-for-"Futurama" events, time is stopped in the universe for everything and everyone -- except for Fry and Leela. They grow old together, and it's perhaps the sweetest bit in a very sweet show, even though at the end of it all time reverts to before it froze and Fry and Leela lose all their memories of their decades together.
Comedy Central
"Cheers"
Diane returns for the first time in six years, and Sam almost leaves Cheers to go to Los Angeles with her. Almost. As Norm points out, Sam's "one true love" will always be right there in Boston. He's talking about the bar, of course -- Sam wouldn't be Sam anywhere else.
NBC
"Friday Night Lights"
It was never about football, and it was always about everything else. Sure, they win state, but what matters is they did it as a family. This finale drives home every bit of theme that "Friday Night Lights" had contemplated over the years, with great reverence.
NBC
"MASH"
The Korean War is ending, and the 407th throws a going away party for everyone. And we finally face the stark realization that "home" for each of these characters is a different place. Bittersweet, but also triumphant.
CBS
"Newhart"
In the finale, a Japanese businessman buys nearly all the property the Vermont town that Dick and Joanna's inn is in, but they won't sell. Years later, the inn is surrounded by a golf course. Dick gets hit in the head with a golf ball -- and then wakes up in bed as Bob Hartley, Bob Newhart's character on "The Bob Newhart Show." The entire show was just a dream, you see.
CBS
"Parks and Recreation"
Quite a novel finale here, with flash forwards showing what happens with each of the series' staple characters years after the events of the show. There's some grand wish fulfillment involved -- Leslie becomes governor of Indiana, and maybe even the U.S. president -- which is perfectly apt for this ever-sunny series.
NBC
"Mad Men"
One of the greatest series ever on the air, about an advertising creative obsessed with preventing anyone from ever seeing him for what he really is, ends with that man seemingly achieving enlightenment -- but he's really just thinking up a really great Coca-Cola ad. It's impossible to imagine a better ending than that one.
AMC
"The Sopranos"
A lot of people didn't like it, but the ending to "The Sopranos" was a metaphor about TV. Unless everybody dies, their lives will go on -- hence the weird cutoff at the end. It works -- the saga of the Sopranos is not actually over, even if it's over.
HBO
"Seinfeld"
Another controversial finale. On trial for breaking a "Good Samaritan" law by pointing and laughing at a guy getting mugged instead of trying to help him, Jerry, Elaine, George and Kramer have face a parade of witnesses -- notable guest stars from past episodes -- who testify about how terrible they are as people. It's perfectly appropriate.
NBC
"Six Feet Under"
The funeral home drama couldn't have ended more perfectly -- it flashed forward years and decades to show us how every single character died. Some went sadly, some beautifully. But everyone dies.
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We’re not always happy with the way our favorite shows end, but we should celebrate the good ones when we get them
Not everyone thought "The Good Wife" finale was good -- it's pretty hard to nail the ending of a longform story like a TV show. But some TV endings were great! These certainly were, even if fans weren't necessarily happy with all of them.
Dan Schechter is a Managing Director and Partner at L.E.K. Consulting, and he leads the firm's Global Media, Entertainment & Technology practice. He has broad experience within the media, entertainment and technology sector, including TV, film, Internet content and commerce, radio, magazines, theme parks, advertising and news. He also has experience working with retail, consumer products, travel and industrial clients. Dan was awarded his MBA from Stanford University and his BA, cum laude, from Harvard University.