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Carlos Aguilar

  • ‘Past Lives’ Review: Immigrant Tale Explores the Foundations of Love and Fate

    Sundance 2023: Playwright Celine Song’s directorial debut asks evocative questions about how we are shaped by places and other people

    By

    Carlos Aguilar
    January 23, 2023 @ 5:27 PM
    Movies
    5:27 PM
    ‘Past Lives’ Review: Immigrant Tale Explores the Foundations of Love and Fate
  • ‘Mutt’ Review: Trans Man’s Encounters With Loved Ones Lead Him to Mending Relationships

    Sundance 2023: The appearances of an ex, his half-sister and his father lead a man to resolve his past so he can build his future

    By

    Carlos Aguilar
    January 23, 2023 @ 4:20 PM
    Movies
    4:20 PM
    ‘Mutt’ Review: Trans Man’s Encounters With Loved Ones Lead Him to Mending Relationships
  • ‘Jamojaya’ Review: Young Rapper Deals with Industry Racism and Dad Issues in Justin Chon’s Drama

    Sundance 2023: The director of “Blue Bayou” returns with perhaps his most interesting, albeit still flawed, exploration of the ideas that drive his work

    By

    Carlos Aguilar
    January 22, 2023 @ 10:00 PM
    Movies
    10:00 PM
    ‘Jamojaya’ Review: Young Rapper Deals with Industry Racism and Dad Issues in Justin Chon’s Drama
  • ‘All Dirt Roads Taste of Salt’ Review: Soulful Debut Contemplates the Human Connection to Nature

    Sundance 2023: Raven Jackson’s haunting first film (produced by Barry Jenkins) connects humanity to the water and the dust from which it came and will eventually return

    By

    Carlos Aguilar
    January 22, 2023 @ 3:50 PM
    Reviews
    3:50 PM
    ‘All Dirt Roads Taste of Salt’ Review: Soulful Debut Contemplates the Human Connection to Nature
  • ‘Going Varsity in Mariachi’ Review: Traditional Music Opens Doors for Teens in Inspirational Doc

    Sundance 2023: Kids at an underfunded high school develop skills — and not just musical ones — by playing mariachi

    By

    Carlos Aguilar
    January 22, 2023 @ 2:00 PM
    Movies
    2:00 PM
    ‘Going Varsity in Mariachi’ Review: Traditional Music Opens Doors for Teens in Inspirational Doc
  • ‘Theater Camp’ Review: Talented Cast Lends Spark to Showbiz-Kids Mockumentary

    Sundance 2023: There’s no people like show people in this hilariously affectionate look at young performers with stage fever

    By

    Carlos Aguilar
    January 22, 2023 @ 11:41 AM
    Movies
    11:41 AM
    ‘Theater Camp’ Review: Talented Cast Lends Spark to Showbiz-Kids Mockumentary
  • ‘Magazine Dreams’ Review: Jonathan Majors Delivers a Powerhouse Performance as a Tormented Bodybuilder

    Sundance 2023: This character study is occasionally unfocused, but Majors transforms himself physically and mentally to portray a soul in agony

    By

    Carlos Aguilar
    January 21, 2023 @ 10:11 AM
    Movies
    10:11 AM
    ‘Magazine Dreams’ Review: Jonathan Majors Delivers a Powerhouse Performance as a Tormented Bodybuilder
  • ‘Mars One’ Review: Brazilian Oscar Entry Shows a Family Exploring the New Terrain of Each Other’s Truths

    Gabriel Martins’ moving new feature gives us characters who refuse to let their poverty dictate their dreams

    By

    Carlos Aguilar
    January 6, 2023 @ 9:06 AM
    Movies
    9:06 AM
    ‘Mars One’ Review: Brazilian Oscar Entry Shows a Family Exploring the New Terrain of Each Other’s Truths
  • ‘I Wanna Dance With Somebody’ Review: Whitney Houston Biopic Plays the Hits, but Still Manages to Surprise

    Naomi Ackie shines in her performance of the songstress in a film that doesn’t shy away from the singer’s attraction to women

    By

    Carlos Aguilar
    December 21, 2022 @ 6:00 AM
    Movies
    6:00 AM
    ‘I Wanna Dance With Somebody’ Review: Whitney Houston Biopic Plays the Hits, but Still Manages to Surprise
  • ‘Bardo’ Review: Iñárritu Uses History, Humor and Surrealism to Dissect Mexico, and Himself

    The Oscar-winning auteur’s most ambitious film yet pulls no punches in his exploration of his homeland and his own life

    By

    Carlos Aguilar
    December 15, 2022 @ 3:27 PM
    Movies
    3:27 PM
    ‘Bardo’ Review: Iñárritu Uses History, Humor and Surrealism to Dissect Mexico, and Himself
  • ‘Emancipation’ Review: Will Smith Slavery Saga Challenges Audiences With Grueling Cruelty

    The script focuses on the physical and spiritual brutality endured by Smith’s real-life character without addressing the man’s actual humanity

    By

    Carlos Aguilar
    December 8, 2022 @ 2:50 PM
    Movies
    2:50 PM
    ‘Emancipation’ Review: Will Smith Slavery Saga Challenges Audiences With Grueling Cruelty
  • ‘2nd Chance’ Review: Ramin Bahrani Profiles a Bulletproof-Vest Entrepreneur

    In this documentary, the filmmaker tries to publish the truth, not the legend, of inventor Richard Davis

    By

    Carlos Aguilar
    December 2, 2022 @ 1:33 PM
    Movies
    1:33 PM
    ‘2nd Chance’ Review: Ramin Bahrani Profiles a Bulletproof-Vest Entrepreneur
  • ‘The Eternal Daughter’ Review: Tilda Swinton Plays Mother and Daughter in Ghostly ‘Souvenir’ Sequel

    Venice Film Festival 2022: Swinton takes over the role of stand-in for director Joanna Hogg while still playing the matriarch in this haunting look at parent-child bonds

    By

    Carlos Aguilar
    December 2, 2022 @ 12:57 PM
    Movies
    12:57 PM
    ‘The Eternal Daughter’ Review: Tilda Swinton Plays Mother and Daughter in Ghostly ‘Souvenir’ Sequel
  • ‘Strange World’ Review: Animated Disney Adventure Works Best When It Doesn’t Explain Its Own Themes

    Disney’s striking sci-fi feature has a lot to say about fathers and sons — and it keeps on saying it

    By

    Carlos Aguilar
    November 21, 2022 @ 9:00 AM
    Movies
    9:00 AM
    ‘Strange World’ Review: Animated Disney Adventure Works Best When It Doesn’t Explain Its Own Themes
  • ‘Bantú Mama’ Review: Dominican Oscar Entry Explores Home Ties for Africans in the Caribbean

    Ivan Herrera follows characters living in the poorest area of Santo Domingo, but allows them to brim with life rather than wallow in misery

    By

    Carlos Aguilar
    November 17, 2022 @ 5:03 PM
    Movies
    5:03 PM
    ‘Bantú Mama’ Review: Dominican Oscar Entry Explores Home Ties for Africans in the Caribbean
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