‘Bob & Carol & Ted & Alice’ Theater Review: Duncan Sheik’s Musical Version of ’60s Classic Doesn’t Swing
Paul Mazursky’s classic movie now has singing couples, plus Suzanne Vega as bandleader/narrator
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‘The Thin Place’ Theater Review: Lucas Hnath Conjures a Seance Worth Attending
The playwright frustrates and then seduces with a drama that lives on the edges of his heroine’s face
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10 Worst New York Theater Productions of 2019, From ‘Beetlejuice’ to Gary Busey’s ‘Only Human’ (Photos)
Bad musicals dominated the must-avoid shows of the year. Ear plugs were de riguer apparel
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10 Best New York Theater Productions of 2019, From ‘The Sound Inside’ to ‘Halfway Bitches’ (Photos)
For the second year in a row, original works instead of revivals were the must-see events of the year
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‘Judgment Day’ Theater Review: Christopher Shinn Adapts a Story the Nazis Banned
A German rarity from the 1930s returns in a massive production by Richard Jones
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‘Halfway Bitches Go Straight to Heaven’ Theater Review: Stephen Adly Guirgis Delivers the Funniest, Saddest Play of the Year
The Pulitzer Prize-winning playwright delivers a female “Iceman Cometh” for this century
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‘Greater Clements’ Theater Review: Judith Ivey Carries the Very Heavy Load of a Son
The actor brings her naturalistic gifts to Samuel D. Hunter’s uneven new play about life in a town that deserves to die
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‘Jagged Little Pill’ Broadway Review: Alanis Morissette’s Classic Album Becomes a #MeToo Angst Fest
Oscar-winning writer Diablo Cody and the Tony-winning director Diane Paulus join forces for a super-topical jukebox musical
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‘A Bright Room Called Day’ Theater Review: Tony Kushner Revisits His First, Flawed Play
The author of “Angels in America” rewrites his stage debut, about Nazi Germany, the Reagan Revolution and other things on his mind
