Reviews
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Genndy Tartakovsky’s ‘Fixed’ Is a Miracle | Annecy Review
Netflix’s R-rated, traditionally animated comedy starring dogs feels like nothing else
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‘Dear Ms.: A Revolution in Print’ Review: Trailblazing Feminist Magazine Doc Still Hits Hard Today
Tribeca 2025: Directors Salima Koroma, Alice Gu and Cecilia Aldarondo make a maddening, inspiring and still-so-significant documentary
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Annecy Review: ‘All You Need Is Kill’ Is ‘Edge of Tomorrow’ Gone Anime (Complementary)
Based on the same Japanese light novel that inspired the earlier Tom Cruise hit, the new film from director Ken’ichirô Akimoto balances the familiar and fresh
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‘The Best You Can’ Review: Kyra Sedgwick and Kevin Bacon Are the Draw in This Charming, Low-Key Dramedy
Tribeca 2025: Judd Hirsch co-stars in the film from writer-director Michael Weithorn
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‘How to Train Your Dragon’ Review: Live-Action Redo Is a Squandered Opportunity
At times a shot-for-shot remake, Universal’s live-action version of this story only partially captures the magic of the original
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‘Materialists’ Review: Modern Love Gets an Audit With Dakota Johnson, Pedro Pascal and Chris Evans
Celine Song’s “Past Lives” follow-up chronicles an artful love triangle that’s more rom-econ than rom-com
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‘Titan’ Review: Netflix’s OceanGate Documentary Gets Bogged Down in a Single Villain
Mark Monroe’s film has difficulty seeing the factors beyond Stockton Rush’s misdeeds
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‘Echo Valley’ Review: Julianne Moore and Sydney Sweeney Elevate an Otherwise Generic Crime Thriller
It’s Moore murder, Moore problems in the Apple TV+ feature from filmmaker Michael Pearce
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‘Predator: Killer of Killers’ Review: Animated Hulu Anthology Is a Simplistic Blast From the Past
A viking, a samurai and a World War II aviator battle alien monsters from beyond the stars — is that cool or what?
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‘Boy George & Culture Club’ Review: Director Alison Ellwood Dives Into British Pop’s Most Controversial 1980s Band
Tribeca 2025: A behind-the-music look at Boy George’s quest for personal freedom alongside his former bandmates sets the scene for a pop-rock journey
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‘She Dances’ Review: Steve Zahn and Daughter Audrey Share a Sweet Pas de Deux
Tribeca 2025: Director Rick Gomez and his cast are locked in, crafting a film that is both intimately personal and powerful
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‘Ginny & Georgia’ Season 3 Review: Netflix YA Drama Takes a Dark but Necessary Turn
Brianne Howey and Antonia Gentry keep the generational trauma alive in the name of poetic justice
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‘Ballerina’ Review: Ana de Armas Brings a Flamethrower to a Gunfight
After a terrible first act, this slapdash spinoff from the world of “John Wick” explodes into glorious, inventive violence
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‘Stick’ Review: Owen Wilson’s Wonky Apple Golf Dramedy Struggles to Be the Next ‘Ted Lasso’
A winning cast can’t hold this overstretched sports underdog story together
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‘And Just Like That’ Season 3 Review: ‘Sex and the City’ Reboot Is Getting Better
It doesn’t always succeed, but in its best moments the Max series becomes a watchable, grown-up soap opera featuring some of our favorite characters from the past
