Reviews
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‘Redwood’ Broadway Review: Climbing a Tree, Idina Menzel Gets Hit With Gravity
Despite a few good tunes by Kate Diaz, Tina Landau’s environmentally reckless book leaves the “Wicked” star stranded
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‘The Gorge’ Review: Miles Teller and Anya Taylor-Joy Lead the Romantic Sniper Monster Movie You’ve Been Waiting For
Scott Derrickson directs a freaky, high-octane love story with a premise that shouldn’t have been explained
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‘Cobra Kai’ Season 6 Part 3 Review: Netflix Series Sticks Its Legendary Landing
Ralph Macchio, William Zabka and crew end the spinoff series as a cherished piece of the “Karate Kid” legacy
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‘Captain America: Brave New World’ Review: Half-Hearted Marvel Movie Looks Half-Finished
Anthony Mackie and Harrison Ford star in a superficial, perfunctory sequel with more missed opportunities than thrills
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‘The White Lotus’ Season 3 Review: HBO Hit Delivers Its Darkest Story Yet
The Thailand-set installment of Mike White’s drama makes the titular resort a purgatory masquerading as paradise
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‘No Other Land’ Review: Oscar-Nominated Documentary Is a Radical Act of Cinema
The moving film chronicles a community in the West Bank through the eyes of a Palestinian and an Israeli
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‘Heart Eyes’ Review: Josh Ruben’s Rom-Com Slasher Is the Best Emoji Movie Ever
A serial killer ruins Olivia Holt and Mason Gooding’s Valentine’s Day in an exceptional genre hybrid.
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‘Love Hurts’ Review: Ke Huy Quan Deserves More Than This Harmless, Generic Action Rom-Com
The “Everything Everywhere All at Once” Oscar winner partners with Ariana DeBose to kick butt and kill time
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‘Apple Cider Vinegar’ Review: Netflix Swindler Drama Is an Influencer Cautionary Tale
Kaitlyn Dever and Alycia Debnam-Carey headline a six-part tale of wellness and lies
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‘Kinda Pregnant’ Review: Amy Schumer’s Fake Pregnancy Rom-Com Is Kinda Bad
In the Netflix movie, the comedian plays a woman who pretends to be pregnant because she’s miserable — kinda like the audience
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‘Magic Farm’ Review: Idiots Abroad Comedy Takes Exploitative News to Task
Sundance 2025: The film, starring Chloë Sevigny and Alex Wolff, struggles to dig deep
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‘Lurker’ Review: A Compelling Meditation on Young Men’s Need to Belong
Sundance 2025: “Beef” and “The Bear” writer Alex Russell’s debut feature chronicles a hanger-on’s relationship with fame
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‘Plainclothes’ Review: Tom Blyth Drama Puts a Personal Spotlight on Gay Male Identity
Sundance 2025: Filmmaker Carmen Emmi’s debut features stirring turns from Blyth and Russell Tovey
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‘Dog Man’ Review: Cheerfully Chaotic Kid Flick Will Delight Young Fans and Entertain Tolerant Parents
The latest from “Captain Underpants” creator Dav Pilkey hits theaters Friday
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‘Sugar Babies’ Review: Flirty TikTokers Documentary Is All Filler
Sundance 2025: Rachel Fleit’s film follows a twentysomething college grad who makes money by flirting with men online