Elizabeth Weitzman
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‘Finnegan’s Foursome’ Review: Edward Burns’ Passion Project May Be a Rough Go for Non-Golfers
Tribeca Film Festival 2026: Burns writes, directes, produces and stars in this Ireland-set family dramedy
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‘Bob and David Climb Machu Picchu’ Review: Bob Odenkirk and David Cross Take a Charming Bucket-List Trip
The essential goal of this lo-fi Tribeca doc was to capture a real experience for posterity – as a ride-along, it works
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‘Doc Meets World’ Review: ‘Boy Meets World’ Stars Reconnect for a Warm Mix of Nostalgia, Reflection and Fan Service
This Tribeca doc doesn’t quite access the complex material – nor does it solve the Ben Savage mystery – but it works
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‘AI: Probably Nothing to Worry About’ Review: Spoiler: Don’t Trust the Title
This ominous Tribeca documentary from Nick Holt is enlightening – and anxiety-provoking
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‘Next Life’ Review: Emilia Clarke’s Sliding Doors Romance Needs One More Alternative Existence
Tribeca 2026: What if you had the potential to experience two lives, but neither of them was particularly exciting?
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‘The Revisionist’ Review: Dustin Hoffman Handily Revives a Weary Drama
Tribeca 2026: While the Oscar winner shines as a capricious writer, director/writer Alex Vlack fails to give Alison Brie anything of substance
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‘She Keeps Me Young’ Review: A Mid-Life Crisis Sputters Towards Madness in Deceptively Modest Indie
Tribeca 2026: First-time filmmaker Doron Max Hagay’s indie is undeniably slight but unexpectedly sharp
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‘Seized’ Review: Terrific Newspaper Doc Understands the Power of a Great Story, Well Told
Sundance 2026: Sharon Liese’s film chronicles the police raid on Kansas’ Marion County Record in inspiring, infuriating fashion
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‘Take Me Home’ Review: Deeply Sincere Drama Has Enormous Heart, Lacks Complexity
Sundance 2026: The feature adaptation of Liz Sargent’s short follows a 38-year-old Korean woman with significant cognitive disabilities
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‘Once Upon a Time in Harlem’ Review: Harlem Renaissance Doc May Be the Most Thrilling Party of the Year
Sundance 2026: William Greaves’ finally-completed film, in which Black American greats tell their stories, should be required viewing for every American
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‘Run Amok’ Review: Mordantly Offbeat Teen Comedy Pushes Limits in Proud Festival Fashion
Sundance 2026: Newcomer Alyssa Marvin guides this beguiling, darkly comic high school feature with charm and precision
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‘Soul Patrol’ Review: Documentary Pays Overdue Tribute to Elite Black Soldiers in Vietnam
Sundance 2026: The men who fought are the enormous heart of J.M. Harper’s exceptionally moving film
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‘Silenced’ Review: Post-#MeToo Doc Addresses Worldwide Misogyny (and So Much Else)
Sundance 2026: Selina Miles’ documentary has a powerful thesis but could use a tighter edit
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‘Nuisance Bear’ Review: The Bear Isn’t the Real Nuisance in This Striking Eco-Doc
Sundance 2026: Directors Gabriela Osio Vanden and Jack Weisman’s visually breathtaking film finds bears trying to survive in an unnatural world
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‘Paralyzed by Hope: The Maria Bamford Story’ Review: Judd Apatow Proves that the Lady Is Dynamite
Sundance 2026: The cult comic’s self-awareness feels downright aspirational in this documentary by Apatow and Neil Berkeley














