‘You Go to My Head’ Film Review: Visually Sumptuous Import Plays Like a Feature-Length Perfume Ad
Writer-director Dimitri de Clercq doesn’t seem to have much to say, but his movie always looks great, at least
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‘Buffaloed’ Film Review: Zoey Deutch Tears Through Uneven Indie Comedy About Debt Collection
Tanya Wexler’s tale waffles about letting its amoral heroine be an antiheroine
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‘Earth’ Film Review: Unsparing Doc Assesses Ecological Damage of Large-Scale Projects
Focusing more on images than interviews, director Nikolaus Geyrhalter offers a striking and harsh look at humanity chipping away at its home planet
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‘Whirlybird’ Film Review: Journalism Doc Makes More Impact With Family Breakup Than With Breaking News
Sundance 2020: The evolution of L.A.-based news pales in comparison to the personal story in Matt Yoka’s documentary
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‘Possessor’ Film Review: Brandon Cronenberg’s Thriller Offers Lots of Body Horror but Nobody to Care About
Sundance 2020: The filmmaker is more interested in squishy jolts than in character, and he totally wastes the talented Andrea Riseborough
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‘The Wave’ Film Review: Justin Long Stoner Comedy Not a Wave Worth Riding
Long and Donald Faison make charming guides on this magic bus, but the psychedelic journey goes nowhere interesting
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‘The Woman Who Loves Giraffes’ Film Review: Stirring Documentary Captures Pioneering Zoologist
The inspiring saga of a woman who blazed trails in her field offers delight for viewers of all ages
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‘The Two Popes’ Film Review: Fernando Meirelles’ Superb Papal Biopic Devotes Itself to Humanity
Anthony Hopkins and Jonathan Pryce bring soul and wit to their roles as dueling pontiffs
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‘Black Christmas’ Film Review: Intriguing But Uneven Feminist Remake Bears Little Resemblance to Original
Audiences attuned to a #MeToo reimagining rather than a straight-up retelling are most likely to enjoy this new take
