China’s Dalian Wanda Group made its first big splash in Hollywood back in 2012, when it acquired AMC Theaters. Since then, the real estate and media conglomerate has been on quite a shopping spree, including buying “Jurassic World” production company Legendary Entertainment for an aggressive $3.5 billion in January — which made Wanda the first Chinese company to own an American studio or production house.
But it was only the past few days when D.C. really took notice — and began pushing back.
The Washington Post published a strongly worded Oct. 5 editorial that raised red flags over the possibility of China’s ruling party using its entertainment assets to spread propaganda.
Also last week, the Government Accountability Office agreed to a request from 16 members of Congress to review the legal powers of a foreign investment committee, and Rep. Jim Culberson sent a letter to the Department of Justice urging it to take another look at the Foreign Agents Registration Act, specifically mentioning Wanda’s entertainment purchases and their potential to be used for “propaganda purposes.”
So why did Washington decide to start paying attention now?
For one, Wanda — and other Chinese firms — are stepping up their investments in Hollywood. Co-financing deals between U.S. studios and Chinese partners have been booming for a couple years now, including arrangements such as Lionsgate’s deal with Hunan TV, STX’s with Huayi Bros. and Universal’s with Perfect World Pictures.
This year, in addition to purchasing Legendary, Wanda was also a leading contender to buy a minority stake in Paramount Pictures — before that was taken off the table — and is also in talks to acquire Dick Clark Productions for $1 billion.
Wanda isn’t a typical entertainment company, either. Its founder and CEO, Wang Jianlin, is China’s richest man and close to the ruling party. Several individuals with ties to government officials have significant economic interests in Wanda’s businesses. Wang has made no secret of his desire to spread “Chinese values” around the world via entertainment, making that point — and criticizing U.S. rivals like Disney — in a blustery fashion that can rub people the wrong way.
But as members of Congress have plenty of issues to occupy their minds and public pronouncements aside from Chinese investments in entertainment companies, one instrumental factor in the recent string of fusillades from Capitol Hill has been a campaign by Richard Berman, the president of D.C. lobbying firm Berman & Co.
Berman started paying attention to the fire hose of Chinese money flowing into Hollywood this summer and had one of his staffers do more research, realizing it was bigger than he thought. He then began reaching out to sympathetic legislators.
“We reached out to some people on the Hill that we knew already had an agenda,” Berman told TheWrap. “There are people who are predisposed to being suspicious [of China] because of some other issues. And a lot of those people have committee assignments that overlap [with Chinese investment in Hollywood].”
Berman said last week’s events were the culmination of that work, and that someone on his staff had been in touch with Culberson.
Berman acknowledged that studios tailoring their product to appease the China’s gatekeepers — don’t expect to see a Chinese villain in the next James Bond film — is primarily a business decision driven by the desire to get into the world’s second-biggest and one of its fastest growing movie markets, but he’s more focused on China’s ownership of distribution outlets.
“The issue of censorship in China is not my concern,” he said. “People changing their movies so they can be shown in China is not my concern. The thing that really triggered my interest is the distribution issue. If you control distribution, you control what the retail market sees.”
To that end, Berman pointed out Wanda’s ownership of AMC Theaters, which is currently in talks to acquire Carmike Cinemas — making it America’s biggest theatrical exhibitor. He said he had conversations with AMC personnel that didn’t give him great comfort that the theater chain would be free to show movies that the Chinese government didn’t like.
“Wang has been pretty blatant that AMC is owned by the Chinese,” he said.
Berman said he’s doing this “just to make people aware,” adding that he’s satisfied with last week’s Washington Post editorial and the correspondence between members of Congress and the GAO and DOJ.
“I’m not trying to make this a McCarthy-ite type issue; but as far as I’m concerned, it needed to have more light shown on it,” he said.
Hollywood's 22 Biggest Box Office Champs in China (Photos)
Chinese moviegoers love to spend their hard-earned yuan on Hollywood blockbusters like "Captain America: Civil War," "Avatar" and "Star Wars: The Force Awakens." Comedies and dramas? Not so much. Read on to see which American hits have raked in the most money (according to BoxOfficeMojo) in that nation across the Pacific.
Disney/Marvel/Lucasfilm/Fox
"Furious 7" (2015)
$390.9 million
The Vin Diesel and Dwayne Johnson revved-up action flick is easily the highest-grossing Hollywood movie ever in China. The late Paul Walker remains among China's most beloved American actors.
Universal
"Transformers: Age of Extinction" (2014)
$320 million
Mark Wahlberg starred in the sci-fi movie based on the foldable toys, which was co-produced by two Chinese firms and was the first Hollywood movie to make more than $300 million in the Middle Kingdom.
Paramount
"Avengers: Age of Ultron" (2015)
$240.1 million
The superhero mashup is China's highest-grossing Marvel Cinematic Universe film, a franchise that's been embraced by the country's young-leaning moviegoers.
Marvel
"Zootopia" (2016)
$235.6 million
The buddy-cop comedy is the highest-grossing imported animated film in the history of the Chinese box office, and it played especially well in China's second- and third-tier cities.
Disney
"Jurassic World" (2015)
$228.7 million
Like "Furious 7," the dinosaur sci-fi adventure was produced by Legendary Entertainment, which was acquired by China's Dalian Wanda Group in January.
Universal
"Warcraft" (2016)
$220.8 million
Another Legendary film, this one inspired by a video game series, flopped in the U.S. but dominated the Chinese market, which is home to about half of the video game's players worldwide.
Universal
"Avatar" (2009)
$204.1 million
The worldwide smash hit also captivated Chinese audiences, even back in 2009, when the country's box office was a fraction of the size that it is today.
The prequel to this film, 2009's "Transformers: Revenge of the Fallen," made $65.8 million in China, setting the stage for "Dark of the Moon" to be the country's highest-grossing Hollywood film since "Avatar" at the time.
Paramount
"Kung Fu Panda 3" (2016)
$154.3 million
The Mandarin-language version of the movie starring Jack Black as a friendly fighting bear had the characters reanimated so their mouths moved naturally with the translated words.
DreamWorks
"The Jungle Book" (2016)
$150.1 million
The live-action/animation hybrid was a hit in several international markets, especially India, and it also played well throughout China.
Disney
"Mission: Impossible - Rogue Nation" (2015)
$135.7 million
China's Alibaba Pictures invested in "Rogue Nation," and star Tom Cruise visited several Chinese cities to promote the film, helping it open strong and stick around in theaters even though its China debut came more than a month after its U.S. premiere.
Paramount
"Star Wars: The Force Awakens" (2016)
$124.2 million
Despite China being one of the few markets that didn't catch "Star Wars" fever -- the movie put some people there to sleep -- Disney's promotional efforts helped it clear $100 million.
Lucasfilm
"Interstellar" (2014)
$122 million
The epic space adventure starring Matthew McConaughey, Anne Hathaway and Jessica Chastain connected with Chinese audiences, even though it wasn't in the 3D format that crowds there have grown used to.
Paramount
"The Hobbit: The Battle of the Five Armies" (2014)
$121.7 million
The third and final installment in Peter Jackson's "Hobbit" series was another movie that succeeded even though it was released in China well after its U.S. premiere.
Warner Bros.
"Iron Man 3" (2013)
$121.2 million
All three movies in the Robert Downey Jr. franchise have played in China, helping build brand awareness beyond just the bankable Marvel name.
Marvel
"X-Men: Apocalypse" (2016)
$12o.8 million
Disney bought Marvel Entertainment in 2009, but Fox acquired the film rights to Marvel's "X-Men" franchise before then. It doesn't seem to matter much in China, where anything Marvel often turns into a big hit.
Fox
"Captain America: The Winter Soldier" (2014)
$115.6 million
The predecessor to this year's "Civil War," "Winter Soldier" was a hit despite its fairly political content, which is usually a negative in Chinese theaters.
Marvel
"Terminator Genisys" (2015)
$113.2 million
The fifth "Terminator" film was the franchise's lowest-grossing since the 1984 original, but it was the first in the series to get a Chinese theatrical release.
Paramount
"Pacific Rim" (2013)
$111.9 million
The futuristic sci-fi adventure, in which humans battle sea monsters, is yet another fantasy action movie that Chinese audiences loved.
Warner Bros.
"Ant-Man" (2015)
$105.4 million
Yet another Marvel Cinematic Universe movie, "Ant-Man" made just $180.2 million at the domestic box office but was a much bigger hit in China.
Marvel
"San Andreas" (2015)
$103.2 million
China knows Dwayne Johnson from the "Fast and Furious" franchise, and the earthquake disaster film he headlined last year reverberated at the Chinese box office.
Warner Bros.
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Chinese moviegoers can’t get enough of America’s big-budget action flicks
Chinese moviegoers love to spend their hard-earned yuan on Hollywood blockbusters like "Captain America: Civil War," "Avatar" and "Star Wars: The Force Awakens." Comedies and dramas? Not so much. Read on to see which American hits have raked in the most money (according to BoxOfficeMojo) in that nation across the Pacific.