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Ear on the Oscars

  • ‘Unbroken’ Sound Mixers Find Delicacy in a War Movie

    The final film in our Ears on the Oscars series challenged its mixers to honor the truth of Louis Zamperini’s story

    By

    Scott Bowles
    February 6, 2015 @ 10:00 AM
    10:00 AM
    ‘Unbroken’ Sound Mixers Find Delicacy in a War Movie
  • ‘Birdman’ Sound Mixers Take a Wild Trip, With ‘Bumps and Bruises’ to Show for it

    In our Ear on the Oscars series, mixers talk drums, fantasies and that deep Birdman voice

    By

    Steve Pond
    February 5, 2015 @ 10:00 AM
    10:00 AM
    ‘Birdman’ Sound Mixers Take a Wild Trip, With ‘Bumps and Bruises’ to Show for it
  • ‘Whiplash’ Sound Mixers on Making Music Fast & Cheap: ‘Fear Is a Great Motivator’

    All that jazz is the topic of the third installment of TheWrap’s Ear on the Oscars series

    By

    Scott Bowles
    February 4, 2015 @ 10:00 AM
    10:00 AM
    ‘Whiplash’ Sound Mixers on Making Music Fast & Cheap: ‘Fear Is a Great Motivator’
  • ‘American Sniper’ Sound Team: Why Chris Kyle’s Gun Didn’t Have to Be the ‘Biggest and Baddest’

    In TheWrap’s series on Oscar-nominated sound mixers, the ‘American Sniper’ teams talks of Clint Eastwood’s desire for natural battle sounds

    By

    Scott Bowles
    February 3, 2015 @ 10:00 AM
    10:00 AM
    ‘American Sniper’ Sound Team: Why Chris Kyle’s Gun Didn’t Have to Be the ‘Biggest and Baddest’
  • ‘Interstellar’ Mixers Tackle Glacier, Corn Field, Spaceship Sounds: ‘We Started to Cry During Some of the Scenes’

    In our series on the Oscar-nominated sound mixers, team ‘Interstellar’ talks about the particular challenges of working with Chris Nolan

    By

    Steve Pond
    February 2, 2015 @ 10:00 AM
    10:00 AM
    ‘Interstellar’ Mixers Tackle Glacier, Corn Field, Spaceship Sounds: ‘We Started to Cry During Some of the Scenes’

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