Emmys
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Why Keri Russell Returned to TV With ‘The Diplomat’
TheWrap magazine: She wasn’t looking for another series. But the Netflix political drama surprised her: “It was the first thing I’d wanted to do in a million years”
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How the Team of ‘A League of Their Own’ Built Their Own East Coast Baseball Empire
TheWrap magazine: “We were all in awe of the movie,” production designer Victoria Paul says. “It’s a classic, and we didn’t shy away from looking at how they did it”
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Not So Funny: Why the Emmy Comedy Categories Are Losing Nominees This Year
A decrease in submissions is hitting the comedy field particularly hard, reducing the number of nominees in key categories
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Sweet Tartt: How ‘Ted Lasso’ Star Phil Dunster Became the Final Season’s MVP
TheWrap magazine: “It was always important to me and everybody else that Jamie didn’t just become nice,” Dunster says. “I think that becomes vapid and it’s not fun for the audience”
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‘The Marvelous Mrs. Maisel’: Will the Third Time Be the Emmy Charm for Composers Thomas Mizer and Curtis Moore?
TheWrap magazine: “My own dad can’t tell what’s a standard and what’s ours, and that may be hard on our ego but is exactly what we want,” Mizer says
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Glenda Jackson, Multiple Oscar- and Emmy-Winning British Actress Who Served in Parliament, Dies at 87
The “Women in Love” actress returned to the stage after years in politics – and won a Tony
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‘Swarm’: Production Designer Sara K White Has a Bloody Good Time Capturing Dominique Fishback’s Descent
From working on film to designing around blood splatter, the creative team behind Donald Glover and Janine Nabers’ series makes horror look good
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Zazie Beetz Says Goodbye to ‘Atlanta’: ‘We All in Some Ways Grew Up Together’
TheWrap Magazine: The actor says that with upcoming projects like “Joker: Folie à Deux,” she thinks she might have a stage musical in her
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H.E.R. Way: Why Belle From ‘Beauty and the Beast’ Was a Dream Role for the Oscar-Winning R&B Crooner
TheWrap magazine: “I have always wanted to be a Disney princess,” the performer says of starring in ABC’s musical special
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‘Poker Face’ Achieves Its Vintage Look Thanks to Cinematographer Steve Yedlin’s Self-Taught Coding Skills
TheWrap magazine: Rian Johnson’s longtime lenser recalls thinking, “How can we do this the best we can, even if it’s not even the preferred method?”
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How the ‘Shrinking’ Team Landed Harrison Ford for the Modest Apple TV+ Ensemble Comedy
TheWrap magazine: “All we did was put his name on a list, which is a great thing in and of itself…and not be laughed out of the room,” casting director Debby Romano says
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‘Abbott Elementary’: Sheryl Lee Ralph, Lisa Ann Walter and Tyler James Williams Share the Secret to Their Chemistry
TheWrap magazine: “You meet some people and you immediately click and it’s just magic. And for all of us, we clicked and it was magic,” Ralph says
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‘Prey’ Became a Best-in-Class Prequel by Bringing ‘Predator’ Back to the Basics
Cinematographer Jeff Cutter says that even on streaming, he and director Dan Trachtenberg intended “to make the biggest, most cinematic movie we can”
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James Marsden Finally Took a Swing at Improv in ‘Jury Duty’ — And It Paid off Big Time
TheWrap Magazine: The actor got to realize a lifelong dream to make people laugh (and poke fun at himself) in the Amazon Freevee series
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How ‘Grease: Rise of the Pink Ladies’ Choreographer Jamal Sims Taught Today’s Dancers a ‘1950s Vocabulary’
TheWrap magazine: “What we really had to do is strip everybody of everything they knew,” choreographer Jamal Sims says
