Emmys
-
Norman Lear: Emmy Voters Are Still Paying Attention to the 101-Year-Old Master
TheWrap magazine: “Norman Lear: 100 Years of Music & Laughter” was designed as “the celebration of a life well lived,” executive producer Brent Miller says
-
How Jessica Chastain Convinced ‘George & Tammy’ Costar Michael Shannon to Take His First Emmy-Nominated Role
TheWrap magazine: “Jessica fought to get me in there after there was a vacancy,” Shannon said, “because I think some of the powers that be were like, ‘Can we get somebody a little more…whatever?’”
-
‘Succession’ Composer Nicholas Britell Says Scoring Logan Roy’s Death ‘Was Unlike Anything I’ve Done’
TheWrap magazine: The three-time Emmy nominee (also of Disney+’s “Andor”) tells TheWrap about avoiding the shadow of John Williams and more
-
‘Beef’ Breakout Young Mazino Says Emmy Nomination a Good Sign for Hollywood’s AAPI Efforts
TheWrap magazine: “Hopefully this empowers [this community] to realize that everyone has just as much of a right to be present in these kinds of awards,” the first-time nominee says
-
‘The Last of Us’ Co-Creator Craig Mazin Received a ‘Mind-Blowing’ Congratulatory Letter From Steven Spielberg
TheWrap magazine: The co-showrunner says no one involved in the HBO series expected a whopping 24 Emmy nominations
-
How ‘Jury Duty’ Concocted Its Pitch-Perfect Bromance With the Help of James Marsden
Casting director Susie Farris knows she struck gold by getting the Emmy-nominated actor to improv off of the comedy’s unsuspecting star, Ronald Gladden
-
How ‘Top Chef’ Cast the Best of the Best for Its ‘World All-Stars’ Season
TheWrap magazine: Some cheftestants took convincing while others were an easy yes, casting director Ron Mare says
-
‘Ted Lasso’: How Its Emmy-Nominated VFX Team Fills Those Stadiums
TheWrap magazine: “We had 258 shots of football to turn over and a lot of other visual effects shots as well,” supervisor James MacLachlan says
-
‘Daisy Jones’ EP Lauren Neustadter Says Creators Were Aligned in Not Wanting to ‘Soften’ the Female Characters
“There was no trepidation when it came to telling these stories in a very raw and honest way,” the Hello Sunshine exec tells TheWrap of Emmy-nominated “Daisy Jones” and “Tiny Beautiful Things”
-
‘The Problem with Jon Stewart’ Technical Director Dave Saretsky Explains His Unique Job
The multi-Emmy winner, nominated again this year, also shares the feeling he gets while overseeing a viral segment
-
‘Life Below Zero,’ ‘Secrets of the Elephants’ and ‘The Territory’ DPs Keep National Geographic Dominating the Emmys
TheWrap magazine: The trio of nonfiction projects represent powerful, vastly different examples of the network’s advocacy-forward programming
-
How ‘Top Chef’ Pulled Out All the Stops for Its Milestone 20th Season
TheWrap magazine: The Bravo culinary competition went international for its anniversary season, and that complicated things
-
How ‘Still: A Michael J. Fox Movie’ Kept Things Short and Bittersweet
“Michael had one rule for us. No violins,” Emmy-nominated editor Michael Harte tells TheWrap
-
Anthony Carrigan Hasn’t Yet Processed His ‘Barry’ Goodbye
TheWrap magazine: The Emmy-nominated actor says he’s “still in the grieving phase of it”
-
Why ‘Untucked’ Is Integral to Each ‘RuPaul’s Drag Race’ Queen’s Story – and the Queer Community
“They’re going through every emotion as a human being, not as a character, ” executive producer Kenneth Leslie says
