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Cannes Report

  • ‘The Sapphires’: A ‘60s Musical Romp With Aboriginal Soul Sisters

    "The Sapphires"  is a feel-good foot-tapper that deals with anti-aboriginal racism and the Vietnam War

    By

    Sharon Waxman
    May 20, 2012 @ 4:18 PM
    4:18 PM
    ‘The Sapphires’: A ‘60s Musical Romp With Aboriginal Soul Sisters
  • Cannes Review: ‘Like Someone in Love’ Is All Questions, No Answers

    Iranian director Abbas Kiarostami's "Like Someone in Love" is a thorny trifle that toys with its audience

    By

    Sasha Stone
    May 20, 2012 @ 3:40 PM
    3:40 PM
  • Cannes 2012: Do We Have a New Leader in the Palme d’Or Race?

    Michael Haneke's old-age drama 'Amour' draws rapturous reviews, jumps to the top of bookmakers' lists

    By

    Steve Pond
    May 20, 2012 @ 2:09 PM
    2:09 PM
  • Three Days With Sean Penn in Haiti: A Bargain at $400,000

    Sean Penn's Cannes benefit for Haiti raises $2 million 

    By

    Sharon Waxman
    May 20, 2012 @ 10:43 AM
    10:43 AM
    Three Days With Sean Penn in Haiti: A Bargain at $400,000
  • Cannes 2012: Steve Shainberg Brings Back Sexy In ‘The Big Shoe’

    Steve Shainberg has nailed cast and funding for his latest sexy dramedy, “The Big Shoe,” which will star Jim Sturgess and Susan Sarandon

    By

    Sharon Waxman
    May 20, 2012 @ 9:20 AM
    9:20 AM
  • Cannes 2012: Samuel Goldwyn Lands Gilles Bourdos’ ‘Renoir’

    Gilles Bourdos film is love story about painter Pierre-Auguste Renoir, his director son Jean Renoir and the young woman who inspired them both

    By

    Steve Pond
    May 20, 2012 @ 8:08 AM
    8:08 AM
  • Cannes 2012: Can a Girl Group Follow ‘The Artist’ From Cannes to Oscar?

    Day 5: Festivalgoers who aren't off watching a soccer match wonder if Harvey Weinstein could possibly have landed another "Artist" with "The Sapphires"

    By

    Steve Pond
    May 20, 2012 @ 8:01 AM
    8:01 AM
  • Cannes Review: In ‘Amour,’ the Agony and Beauty of Enduring Love

    Michael Haneke's film about a couple's love amid tragedy is already considered an Oscar contender for foreign language film 

    By

    Sasha Stone
    May 20, 2012 @ 7:34 AM
    7:34 AM
  • Cannes 2012: BBC Films To Release Simon Curtis’ Art Drama ‘The Golden Lady,’ Other Films

    Simon Curtis film tells true story of Gustav Klimt painting stolen by the Nazis; BBC Films slate will also include Saoirse Ronan in World War I memoir "Testament of Youth"

    By

    Steve Pond
    May 20, 2012 @ 7:33 AM
    7:33 AM
  • The Cool Kids in Cannes: A ‘Lawless’ Afterparty With Megan Ellison and Friends

    Megan Ellison and Michael Benaroya join a new blend of filmmakers, stars and high net worth producers gathering to celebrate

    By

    Sharon Waxman
    May 19, 2012 @ 5:45 PM
    5:45 PM
    The Cool Kids in Cannes: A ‘Lawless’ Afterparty With Megan Ellison and Friends
  • Cannes 2012: Millennium, West Coast Film Partners Sign $100 Million Deal

    Millennium/West Coast agreement calls for co-production and co-financing of two or three films a year, beginning with Antoine Fuqua's "White House Taken" with Gerard Butler

    By

    Steve Pond
    May 19, 2012 @ 10:51 AM
    10:51 AM
  • Cannes 2012: ‘Last Days on Mars’ Begins Shooting with Liev Shreiber, Olivia Williams

    Elias Koteas and Tom Cullen also join cast of sci-fi drama currently selling at Cannes Marketplace

    By

    Steve Pond
    May 19, 2012 @ 9:50 AM
    9:50 AM
  • Cannes 2012: Shame, Money and Long Movies

    Day 4 roundup: Sean Penn raises big money for Haiti, and Megan Ellison doesn't want to talk about being a Cannes power player

    By

    Steve Pond
    May 19, 2012 @ 9:02 AM
    9:02 AM
  • Tom Hardy in Cannes: I Love Marlon Brando, But I Worship Gary Oldman

    For those who’ve been waiting for Tom Hardy to become a movie star, this may be his year

    By

    Sharon Waxman
    May 19, 2012 @ 5:34 AM
    5:34 AM
    Tom Hardy in Cannes: I Love Marlon Brando, But I Worship Gary Oldman
  • Cannes Review: ‘Lawless’ Draws Great Performances From Prohibition Violence

    In "Lawless," Hillcoat is at his best working with actors and draws from them vulnerability, as well as the monsters within

    By

    Sasha Stone
    May 19, 2012 @ 5:25 AM
    5:25 AM
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