Reviews
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‘Resurrection’ Review: Bi Gan’s Marathon Dream Film Is Baffling and Euphoric
Cannes 2025: The dense and delirious 160-minute cycles through a century of wildly disparate film iconography without making much sense
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‘Young Mothers’ Review: The Dardennes Make a Deeply Felt, Yet Flawed, Social-Realist Drama
Cannes 2025: The strength of the film’s cast helps overcome its stumbles
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‘Drunken Noodles’ Review: This New York Story of Sex and Art Sneaks Up on You
Cannes 2025: Lucio Castro’s small-scale drama of sex and connection has something surprising lurking underneath
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‘Fear Street: Prom Queen’ Review: Retro Netflix Slasher is Better Than ‘Prom Night,’ Worse Than ‘Prom Night II’
Matt Palmer’s ‘Fear Street’ sequel revives the gnarliest parts of 1980s slasher movies — but leaves the bad parts in too
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‘Fountain of Youth’ Review: Apple’s Epic Asks, ‘What If Indiana Jones Was Annoying?’
John Krasinski and Natalie Portman hunt for treasure in a tedious ‘Raiders’ knockoff with an insufferable hero
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‘Adults’ Review: FX Comedy Finds the Fun in Gen Z Messiness
Ben Kronengold and Rebecca Shaw create a strong ensemble comedy about young adults in New York City, if you can get past the first episode
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‘Sirens’ Review: Meghann Fahy Brings the Substance to Soapy Netflix Limited Series
Julianne Moore and Milly Alcock help hold disparate elements together until the show’s dumb ending
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‘Planètes’ Review: Delightful Animated Odyssey Finds Hope in Nuclear Armageddon
Cannes 2025: Director Momoko Seto takes you on an interstellar trip with a group of seeds in search of a new home after Earth is obliterated
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‘Sentimental Value’ Review: Joachim Trier Reteams With Renate Reinsve for His Best Film Yet
Cannes 2025: Art and family are at the center of the “Worst Person in the World” filmmaker’s latest, co-starring Stellan Skarsgård
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‘The History of Sound’ Review: Paul Mescal Romances Josh O’Connor, Sings in Muted Drama
Cannes 2025: Olivier Hermanus’ restrained period film struggles to come alive
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‘Fuori’ Review: A Goliarda Sapienza Biopic That Fails to Do Her Justice
Cannes 2025: The story of this iconic Italian actress and writer deserves to be told with more depth than this
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‘Lilo & Stitch’ Review: Longer and Not as Good, Just the Way Disney Likes It
Disney’s latest live-action remake may be inferior and it may even be pointless — but it’s also not bad
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‘It Was Just an Accident’ Review: Jafar Panahi Returns to Cannes in Person, and in Fine Form
Cannes 2025: The Iranian director, who spent most of the last two decades imprisoned or muffled, marries humanism and anger
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‘Alpha’ Review: Julia Ducournau’s Mournful Horror Drama Cuts Through Body and Soul
Cannes 2025: The director of “Raw” and “Titane” is back with a knockout that defies expectations
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‘Highest 2 Lowest’ Review: Denzel Washington and ASAP Rocky Are Foes to Remember in Spike Lee’s Slick Drama
Cannes 2025: Lee’s update on Akira Kurosawa’s film is an urban thriller that feels different than the work that has defined him
