Reviews
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‘October 8’ Review: Somber Doc Tracks Recent Rise of Antisemitism on College Campuses
Wendy Sachs’ passionate and timely documentary explores the exploding culture war
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‘Operation Mincemeat’ Broadway Review: This British Import Works Way Too Hard to Be Fun
Nothing kills a laugh faster than seeing actors sweat
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‘O’Dessa’ Review: Sadie Sink Rocks and Rules in Post-Apocalyptic Busking Fable
Can the “Stranger Things” star save us from evil 24/7 escapist entertainment in this new Hulu exclusive?
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‘The Residence’ Review: Uzo Aduba Leads a Sharp Ensemble in Netflix’s Excellent Whodunnit
The Shondaland series is tailor made for mass appeal and future mysteries
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‘Buena Vista Social Club’ Broadway Review: Cuba Ignites Before and After the Revolution
The historic album is now a thrilling stage musical
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‘Snow White’ Review: Rachel Zegler Is Practically Perfect in Disney Remake Otherwise Full of Bad Ideas
You all owe the “West Side Story” star an apology
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‘The Alto Knights’ Review: This Is What Warner Bros. Doesn’t Shelve?
Robert De Niro plays Frank Costello and Vito Genovese, for some reason, in a gangster film that’s so bad, it’s actually bad
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‘Vanya’ Off Broadway Review: Andrew Scott Slices ‘n’ Dices a Chekhov Classic
The “Ripley” star brings his vaunted negative charisma to play several bored Russians who might actually be British
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‘Purpose’ Broadway Review: The Tonys Have a New Frontrunner for Best Play
Branden Jacobs-Jenkins follows the award-winning “Appropriate” with another rousing family showdown
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‘Clown in a Cornfield’ Review: A Bloody Effective Teen Slasher
The latest from the director of “Tucker & Dale vs. Evil” is a timely YA horror movie
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‘Opus’ Review: John Malkovich Has a Fever, and the Only Prescription Is a Better Movie
If you loved “The Menu”… just keep on loving it. “Opus” is more of the same, only less so
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‘Dope Thief’ Review: Brian Tyree Henry and Wagner Moura’s Chemistry Anchors Intense Apple Limited Series
The “Atlanta” and “Narcos” stars come together for a suspenseful crime thriller set in the Philadelphia drug underworld
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‘Adolescence’ Review: Netflix’s Impressive Limited Series Is Almost Impossible to Stomach
Like “Baby Reindeer,” this must-watch psychological crime drama involving a 13-year-old murder suspect spotlights a new kind of toxic masculinity
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‘Everybody’s Live With John Mulaney’ Review: Host Shines on a Late Night Show Still Finding Its Way
Mulaney could become the new face of late night, once he works out the Netflix show’s kinks
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‘Long Bright River’ Review: Amanda Seyfried Pushes the Envelope in Peacock’s Bingeable Mystery
The female-driven crime drama entertains, even if the episodic cliffhangers occasionally feel forced
