Reviews
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‘Blue Heron’ Review: Sophy Romvari’s Astonishing Feature Debut Is a Riveting Reflection on Memory and Regret
TIFF 2025: The film is both rigorously detailed and enduringly compassionate
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‘Dust Bunny’ Review: Bryan Fuller’s Family Horror Flick Is Wild, Colorful and Just Plain Nuts
Toronto Film Festival: Mads Mikkelsen and Sigourney Weaver are the big names, but 10-year-old Sophie Sloan runs the show
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‘Nuremberg’ Review: Rami Malek and Russell Crowe Lead Thrilling Nazi Courtroom Drama
TIFF 2025: Writer-director James Vanderbilt trades in horror comedies for a historical account of the lengths it took to bring war criminals to justice
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‘Eternity’ Review: Miles Teller, Elizabeth Olsen and Callum Turner Are Stuck in a Hysterical, Poignant Other-Worldly Threesome
TIFF 2025: An ensemble of actors makes life after death feel grounded and affecting in this fantasy rom-com
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‘Normal’ Review: Bob Odenkirk Has a Bloody Blast in ‘Die Hard’ Meets ‘Fargo’ Action Romp
TIFF 2025: Ben Wheatley’s latest has a whole lot of fun smashing everything together and keeping us on our toes
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‘Bad Apples’ Review: Saoirse Ronan Schools Us in Daring, Darkly Funny Satirical Thriller
Toronto Film Festival: Ronan gives one of her best, funniest performances to date in Jonatan Etzler’s stellar second feature
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‘The Christophers’ Review: Steven Soderbergh’s Chamber Drama Is a Riveting Meditation on Art
TIFF 2025: Ian McKellen and Michaela Coel are a compelling duo in this story of forgery, art and legacy
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‘Black Rabbit’ Review: Jason Bateman and Jude Law Are Mismatched Brothers in Netflix’s Disappointing Crime Series
The duo headline a handsome but unconvincing thriller set in gritty New York City
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‘& Sons’ Review: Bill Nighy’s Bad Dad Leads a Strong, Surprising Family Drama
TIFF 2025: Director Pablo Trapero and co-writer Sarah Polley craft a film that steadily grows on you
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‘Good Fortune’ Review: Keanu Reeves Is Fantastically Funny in Aziz Ansari’s Body Swap Comedy With an Angelic Twist
TIFF 2025: Seth Rogen and Reeves elevate a comedy based on an eat-the-rich trope that hardly feels rewarding
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‘California Schemin’ Review: James McAvoy Directs a Whimsical Story Based on a True Lie
TIFF 2025: Samuel Bottomley and Séamus McLean Ross recreate a fake early aughts Scottish rap duo, taking a shot at fame and the music industry
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‘Roofman’ Review: Channing Tatum and Kirsten Dunst Are a Charmingly Doomed Couple in Dark Rom-Com
Toronto Film Festival: Derek Cianfrance’s film highlights Tatum’s undeniable charm, even as a felon
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‘Rental Family’ Review: Brendan Fraser Fakes It Till He Makes It in Touching Japan-Set Drama
TIFF 2025: The Oscar winner stars in Searchlight’s odd and interesting film about the art and heart of acting
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‘Wake Up Dead Man’ Review: Rian Johnson’s Glorious, Goofy Gothic Horror Is the Best ‘Knives Out’ Movie Yet
TIFF 2025: Daniel Craig and Josh O’Connor are a match made in heaven in the director’s latest murder mystery
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‘EPiC’ Review: Baz Luhrmann Doesn’t Need Austin Butler to Make Another Rockin’ Elvis Movie
TIFF 2025: The director’s new film, which stands for “Elvis Presley in Concert,” mixes live footage with rehearsals, backstage moments and Elvis’ own voiceovers
