Reviews
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‘The Black Phone 2’ Review: A Horror Sequel Mostly Done Right
Scott Derrickson’s follow-up is even scarier than “The Black Phone,” but the second half has a bad ring to it
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‘Oh Happy Day!’ Off Broadway Review: Noah’s Ark, but With a Gay Sex Worker and No Animals
Jordan E. Cooper follows his outrageous “Ain’t No Mo’” with an equally audacious comedy
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‘Let’s Love!’ Off Broadway Review: Ethan Cohen’s Filthy Sex Comedy in 3 Parts
The co-maker of “Fargo” and “No Country for Old Men” thinks dating is even worse than you think
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‘Is This Thing On?’ Review: Bradley Cooper Finds His Limit in Divorce Dramedy
Will Arnett and Laura Dern play a newly divorced couple in the Cooper-directed film
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‘Devil in Disguise: John Wayne Gacy’ Review: Michael Chernus Disturbs in Peacock’s Solid Serial Killer Show
The eight-episode limited series unpacks how rampant homophobia enabled a monstrous killing spree
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‘The Twits’ Review: Look at These Good Intentions! Where Could They Possibly Lead?
One of Roald Dahl’s ghastliest books is now a ghastly Netflix animated movie (not in the good way)
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‘Boston Blue’ Review: Donnie Wahlberg-Led ‘Blue Bloods’ Spinoff Sticks to the Formula
Sonequa Martin-Green’s Lena partners with Danny Reagan for a standard CBS procedural in a new city
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‘100 Meters’ Review: Kenji Iwaisawa’s Existential Anime Sports Drama Is a Winner
Track and field stars push past their breaking points, but in this adaptation of Uoto’s manga, the real question is “why?”
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‘Kiss of the Spider Woman’ Review: Jennifer Lopez Dances Her Heart Out, but This Musical Can’t Find a Tune
Director Bill Condon’s lackluster film is defined by missed opportunities
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‘Deathstalker’ Review: Cheesy B-Movie Reboot Has More Imagination Than Most Blockbusters
The forgotten sword and sorcery franchise returns with a wild, low-budget epic with memorable monsters and mayhem
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‘Vicious’ Review: A Raw-Nerved Dakota Fanning Sells the Heck Out of This Ghoulish Horror
The director of “The Strangers” is back with another scary cautionary tale about keeping your door locked
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‘The Woman in Cabin 10’ Review: Eating the Rich Has Never Tasted So Bland
Netflix’s new Keira Knightley thriller feels like “Glass Onion” and “Triangle of Sadness” with the edges sanded off
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‘The Chair Company’ Review: Tim Robinson’s HBO Conspiracy Comedy Is His Best, Most Bonkers Show Yet
‘I Think You Should Leave’ and ‘Friendship’ fans will love the chaotic comedian’s latest project
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‘Boots’ Review: Netflix Military Dramedy Is an Entertaining but Sexless Binge
Don’t expect a smutty love story in this Miles Heizer-led coming of age series
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‘Stiller & Meara: Nothing Is Lost’ Review: Ben Stiller Unpacks His Parents’ Lives – and His Own – in Apple Doc
The documentary finds parallels between the filmmaker’s parents’ success (and shortcomings) and Stiller’s own life
