TheWrap Magazine
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‘Barbie’ Editor Nick Huoy Describes Cut Scene of Ken Fighting a Bear
TheWrap magazine: “We had so much more that was really funny, but you gotta get through it quicker for the sake of the narrative,” Nick Huoy says
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‘Godland’ Director Says Keeping Production ‘Low-Key and Homemade’ Maintained a ‘Feeling of a Time and Place’
TheWrap magazine: Hlynur Pálmason’s Icelandic Oscar submission follows a priest’s journey through 1800s Iceland
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How ‘Four Daughters’ Turned a Family’s Tragedy Into Therapy
TheWrap magazine: Kaouther Ben Hania explains how her genre-blending documentary about a Tunisian mother and her daughters helped them cope with trauma
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Jessica Chastain and Peter Sarsgaard’s Experience on ‘Memory’: No Trailer? No Makeup? No Problem
TheWrap magazine: Mexican director Michel Franco says he warns his actors before filming to make sure “they know how I work”
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‘Society of the Snow’ Director Explains How a Famous Survival Story Was Finally Depicted ‘Using Real Names’
TheWrap magazine: “We used all local actors with Uruguayan accents, which was so important to us and to the survivors,” says director J.A. Bayona
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‘The Delinquents’ Director Rodrigo Moreno Makes You Wonder if You’d Like to Rob a Bank
TheWrap magazine: Argentina’s Oscar submission interrogates the prison of a jail cell vs. an office cubicle
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‘All the Light We Cannot See’ Breakout Star Aria Mia Loberti Originally Auditioned for Her ‘Own Healing’
TheWrap magazine: “As much as I loved studying and reading about how the world can change because of the words we use, I wasn’t out in the real world doing those things,” she shares
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‘The Other Black Girl’ Author Zakiya Dalila Harris Reveals Why Nella’s Ending Changed for Hulu: ‘She’s Deciding to Take Charge’
TheWrap magazine: “It’s going to be messy, but if we get a Season 2, at least we’ll get to see her fight,” Harris says
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‘Occupied City’ Director Steve McQueen Says Coffee and Pee Breaks ‘Become Part of the Experience’ of Watching His 4-Hour Holocaust Doc
TheWrap magazine: Adds cocreator Bianca Stegter, “You couldn’t deal with it in one-and-a-half hours, that would just be impossible”
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‘The Mission’ Directors Said NatGeo Was ‘Not Afraid’ of Their Documentary Examining the Company’s History of Exoticizing Foreign Cultures
TheWrap magazine: “They have said that they were culpable for shaping the Western conception of tribal cultures,” says co-director Jesse Moss
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How ‘Shayda’ Became a ‘Huge Healing Journey’ for the Director and Her Mother
TheWrap magazine: Noora Niasari’s autobiographical debut about an Iranian immigrant fleeing an abusive husband spotlights the universality of domestic violence
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‘The Eternal Memory’ Director Says a Filmmaking Error Added Extra Poignancy to Her Film
TheWrap magazine: ” The footage being out of focus works because it’s meaningful,” says Oscar-nominated documentarian Maite Alberdi
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‘Pictures of Ghosts’ Director Says His Brazilian Documentary Came Together in a ‘Natural and Progressive Way’
TheWrap magazine: Kleber Mendonça Filho’s feature is a love letter to cinema and his beloved city of Recife
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‘Beyond Utopia’ Director Wants to Honor 26 Million Trapped North Koreans in an ‘Intimate, Profound Way’
TheWrap magazine: Madeleine Gavin says documenting families’ attempted escapes from the authoritarian nation was a lesson in “pure courage”
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How the Documentary ‘To Kill a Tiger’ Found Its Hero in a 13-Year-Old Rape Survivor
TheWrap magazine: Nisha Pahuja’s film charts a young Indian girl’s astonishing courage and explores the toxic masculinity that enables sexual violence
