Steve Pond is TheWrap’s Executive Editor, Awards and has been writing and overseeing awards coverage on the site since 2009. He spent decades writing about film, television, music and the entertainment industry for the Los Angeles Times, Washington Post, Rolling Stone, Premiere, New York Times, Playboy and many other publications. He is the author of the L.A. Times bestseller “The Big Show,” a behind-the-scenes look at the Academy Awards based on 15 years of unprecedented access to that show.
Experience:
Resides In:
Los Angeles
Education:
Steve received a Bachelor of Arts degree in Journalism from California State University, Long Beach.
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Golden Globes Try to Get Back to Normal — With an International Twist | Analysis
Global cinema was a big winner in a loose, messy, occasionally moving and mostly inconsequential awards show
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Sarah Winshall, Rachel Elizabeth Seed, Sarah Friedland Win Indie Spirit Emerging Filmmaker Awards
The awards were handed out at the annual nominees brunch, which this year came only four days after the death of longtime Film Independent president Josh Welsh
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Who’s Going to Win the Golden Globes, and Should We Care?
The Globes have new owners, new voters, the same old name – and a spotty record of predicting what will do well in awards season
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Are Gender-Neutral Acting Categories Biased Against Women?
An examination of five groups that have implemented the categories in the last three years reveals an unusual tilt
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‘Maria’: See How Its Designers Blurred the ‘Line Between Reality and Fantasy’ With Angelina Jolie | Exclusive Photos
TheWrap magazine: “It was my job to wrap this jewel in an incredible jewelry box,” production designer Guy Hendrix Dyas says
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‘A Complete Unknown’: How Its Designers Brought Back Greenwich Village – and Bob Dylan’s Skinny Jeans
TheWrap magazine: “We’re not making a documentary, but we’re trying to excavate the essence of Dylan,” costume designer Arianne Phillips says
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Claustrophobic Cinematography: Inside the Dark, Cramped Shooting of ‘September 5’
TheWrap magazine: “We thought, let’s do the best we can in these 27 days in what basically felt like a submarine,” Markus Förderer says
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‘Emilia Pérez,’ ‘The Seed of the Sacred Fig,’ ‘I’m Still Here’ Advance to Oscars International Shortlist
Other films on the 15-film list include “The Girl With the Needle,” “Vermiglio” and “Flow”
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Jason Reitman to Receive Art Directors Guild’s Cinematic Imagery Award
Reitman’s latest film is the comedy “Saturday Night”
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How Many Votes Will It Take to Get an Oscar Nomination in 2025?
With the Academy’s voting membership increasing to 9,905, we have the magic numbers in almost every category
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Action Group Seeks State Inquiry Into Documentary Association for Canceling ‘We Will Dance Again’ Ads | Exclusive
Pens for Swords has asked the California Attorney General to look into the International Documentary Association’s “anti-Israeli discrimination”
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A Sea Battle in the Desert? Ridley Scott Made It Happen in ‘Gladiator II’
TheWrap magazine: Special effects supervisor Neil Corbould says he left the first meeting with the director thinking, “How the hell are we going to pull this off?”
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Hairy Styles: How ‘Planet of the Apes,’ ‘Better Man’ and ‘Sasquatch Sunset’ Got All Hirsute on Us
TheWrap magazine: The visual effects and makeup artists talk about how they dealt with all those bad hair days
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Classic Vietnam War Film ‘Hearts and Minds’ to Receive Cinema Eye Honors’ Legacy Award
The 1974 anti-war documentary was both influential and controversial when it was released during the final stages of the war
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Producers Guild Nominates ‘Super/Man,’ ‘We Will Dance Again’ for Top Documentary Award
Other nominees include “Gaucho Gaucho,” “Mediha,” “Porcelain War” and “Mountain Queen: The Summits of Lhakpa Sherpa”
