Movies
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‘Good Boy’: How Anson Boon Prepared to Be Chained Up for Nearly Every Scene in Unique Thriller
TIFF 2025: The English actor plays an abusive, alcoholic teen held prisoner by a couple that wants to forcibly reform him
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‘Father Mother Sister Brother’ Wins Golden Lion at the Venice Film Festival Awards
Other big winners include Kaouther Ben Hania’s “The Voice of Hind Rajab” and Benny Safdie’s “The Smashing Machine”
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There Wasn’t a Role for Sam Worthington in ‘Fuze,’ So They Made One Up: ‘We Can Create Something’
TIFF 2025: Worthington was desperate to reteam with his “Relay” filmmaker David Mackenzie
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Sydney Sweeney Says Her Emotional Prep for ‘Christy’ Was Harder Than the Physical Transformation
TIFF 2025: “The emotional fight and the fight behind closed doors was even more powerful and more strenuous than the actual fighting itself,” Sweeney says
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TIFF Admitted Pulling Oct. 7 Documentary Was a ‘Mistake,’ Director Barry Avrich Says | Video
TIFF 2025: In a conversation with TheWrap at the Glenn Gould theater, the director addressed the controversy over his documentary about a retired general saving his family from the Hamas attack
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The 7 Best Thrillers on Netflix Right Now
You won’t be able to look away from these gems
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Pixar Revs Up ‘Cars 4’ Hysteria – But Cool Your Engines, Lightning McQueen Fans
There were 95 reasons Disney’s animation studio got the rumor mill fired up on Friday
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‘Fuze’ Review: David Mackenzie’s ’90s Throwback Actioner Is All Killer, No Filler
TIFF 2025: Aaron Taylor-Johnson stars as a bomb disposal expert called to save London from an unexploded World War II bomb
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‘The Conjuring: Last Rites’ Summons a Franchise Record $77.5 Million Opening
New Line’s horror film tops the $53.8 million record set by the 2018 “Conjuring” spinoff “The Nun”
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‘The Man in My Basement’ Review: Willem Dafoe and Corey Hawkins Play Mind Games in a Scattered Horror Film
TIFF 2025: This genre exercise introduces whole ideas but ultimately does little with them
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‘The Man in My Basement’ Director Nadia Latif on How Pandemic Delays Became a ‘Blessing’ for the Film
TIFF 2025: “We were stopped by the pandemic. We were stopped by the strikes,” Latif says
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‘Steve’ Review: Cillian Murphy’s Netflix Drama Is a Difficult Watch With Strong Performances
TIFF 2025: Director Tim Mielants exposes the pitfalls of a reform school system in 1990s Britain
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‘Charlie Harper’ Filmmakers on Setting Romantic Drama During Obama Era: ‘Such a Different Time’
TIFF 2025: “I think a big chunk of the audience that’ll see this movie won’t remember that era,” co-director and writer Tom Dean says
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Barbie Ferreira Says ‘Mile End Kicks’ Director Chandler Levack Was Her ‘Canadian Compass’
TIFF 2025: The “Euphoria” star explains how she got to know Montreal along with her character in the semi-autobiographical film
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‘The Choral’ Review: Ralph Fiennes Can’t Save Overly Sincere, Stuffy WWI Drama
TIFF 2025: The latest film from Nicholas Hytner and Alan Bennett leaves the ‘Conclave’ star stranded with little to work with













