Awards
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Georgian Oscars Entry ‘Panopticon’ Looks at Modern Surveillance, Censorship | Video
TheWrap Screening Series: George Sikharulidze talks about his coming-of-age drama that is being released during a difficult time for his country
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‘One Battle After Another’ Wins Best Feature at 2025 Gotham Awards (Complete Winners List)
Jafar Panahi’s “It Was Just an Accident” had a great night, picking up prizes for director, screenplay and international feature
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Nia DaCosta’s Recipe for ‘Hedda’: Mix Ibsen With Race, Sexuality and a Big Party
TheWrap magazine: “Some of my favorite films are set at a party that gets out of hand,” the writer-director says
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Bringing ‘Frankenstein’ to Life: How Did Guillermo del Toro’s Crafts Team Do It?
TheWrap magazine: The film’s cinematographer, production and costume designers, composer and makeup artist on creating a new kind of monster (but don’t call him that)
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Here’s Why ‘A House of Dynamite’ Is So Damn Tense
TheWrap magazine: Editor Kirk Baxter, sound designer Paul N.J. Ottosson and composer Volker Bertelmann explain how they gave Kathryn Bigelow’s film its breathless drive
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Changemakers: 51 Women Who Made a Difference in 2025
From Pamela Abdy, Donna Langley and Mara Brock Akil to Chloé Zhao, Mariska Hargitay and Rose Byrne, here are the women who led, inspired and shook up the status quo in 2025
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‘Laughing, Shocked and Scared’: Rose Byrne Unpacks Making ‘If I Had Legs I’d Kick You’
TheWrap magazine: The actress maneuvers between drama, horror and comedy in the indie that has earned her accolades
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Scoring ‘F1’ Made Hans Zimmer Feel Like a Teenager Again
TheWrap magazine: The “F1” composer breaks down how he used the movie to “make loud noises and make everything a little bit too fast”
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How Ryan Tudhope Made the VFX of ‘F1’ Blend Into the Background
TheWrap magazine: “Just because you can do anything with visual effects doesn’t mean that you should,” Tudhope says
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How ‘F1’ Was Made: Joseph Kosinski and His Crafts Team Tell All
TheWrap magazine: The artists who brought the Formula One movie to life, including DP Claudio Miranda and casting director Lucy Bevan, explain how they did it
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‘F1’ Pit Boss: How Joseph Kosinski Tackled His Latest Technical Marvel
TheWrap magazine: The director and his crafts team used innovation and a “little magic trick” to make his high-octane racing drama
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Lucy Bevan Talks the ‘Incredible Challenge’ of Casting ‘F1’ and the ‘Total Delight’ of New Oscars Category
TheWrap magazine: Bevan says it was difficult finding “a young actor who could go toe-to-toe with Brad and also be athletic enough to do the driving”
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‘F1’ DP Claudio Miranda Breaks Down the Extreme Lengths He Went to for His ‘Crazy Ideas’
TheWrap magazine: His team used special cameras on cars and around racetracks while filming during real races
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‘F1’ Filmed 5,000 Hours of Footage Before Editor Stephen Mirrione Got to Work: ‘I Was Really Spoiled’
TheWrap magazine: Mirrione shares how he and his team worked to make races intense, understandable and unique
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How the ‘F1’ Sound Team Created an Immersive Experience: ‘It Was a Little Bit of Everything’
TheWrap magazine: Peralta and Rizzo had to make each race sound different and exciting
